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Galveston, by Sean Stewart
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Sean Stewart's previous novel, Mockingbird, was selected as a Notable Book of the Year by the New York Times and San Francisco Chronicle, and one of the Best Fantasy Novels of the Year by Locus. Now in his most stunning novel yet, one of the most critically acclaimed fantasy writers of our time takes readers to Galveston-an island uprooted, and uplifted, by magic...
- Sales Rank: #2999989 in Books
- Published on: 2001-02-01
- Released on: 2001-02-01
- Original language: English
- Number of items: 1
- Dimensions: 8.24" h x 1.03" w x 5.48" l,
- Binding: Mass Market Paperback
- 464 pages
Amazon.com Review
Novels from fantasist Sean Stewart resemble icebergs: four-fifths of their content is hidden, adding psychological mass that is felt, even if not seen. His seventh novel is his best yet.
Galveston, Texas, is an island already rich in history and eccentric characters when, during Mardi Gras in the year 2004, sudden magic floods the streets. The world is changed--divided between the real city, where technology and its products become unreliable and scarce, and the city doomed to endless carnival, where it is always 2004 and there are still such wonders as cigarettes, cold beer, and aspirin. Twenty years later, three major figures hold the city in precarious balance: Momus, the king of carnival and god of magic; Jane Gardner, ex-lawyer and unofficial mayor, fighting to maintain essential services in the real city; and Odessa, angel and arbiter. When Gardner develops Lou Gehrig's disease, her daughter, Sloane, strikes a desperate bargain with Momus, and the delicate balance is destroyed; cataclysmic change ensues.
Stewart is at his considerable best when he focuses on character. He is able to make metaphor concrete using symbols that, in lesser hands, might be considered simplistic and clichéd. The author is less sure, however, when he attempts to paint a grander canvas: the hurricane towards the end of the book is not strictly necessary, and it flings the novel around a curve that it was perhaps not meant to follow. Despite this, the book has much to offer, with tips on poker, herbal medicine, and island survival to augment the powerful themes of loyalty and luck gliding beneath the surface. --Luc Duplessis
From Library Journal
The return of magic to the world at the dawn of the 21st century split the city of Galveston into two parallel worlds--a "normal" city of survivors and a perpetual Carnival town of magic-touched creatures. When Sloane Gardner discovers how to cross between the two Galvestons, she becomes a link between a father and son whose destinies hold the key to the survival of both worlds. Stewart's (Mockingbird) brand of magical realism combines psychological drama with otherworldly images to create a rich tapestry that lingers long after the end of the tale. For most fantasy or modern fiction collections.
Copyright 2000 Reed Business Information, Inc.
From Booklist
In Stewart's unusual postapocalypse novel, the big disaster is a "flood" of magic during Mardi Gras in 2004 that pretty much destroyed the technological infrastructures of cities. Since then, magic has become ever more potent. Protagonist Josh Cane, the son of a pharmacist and a medicine woman, is impoverished after his father loses the family home in a poker game. Josh dreams of being respectable again and of being able to court a certain girl. Meanwhile, the influx of magical influence has made the practice of medicine and related fields more uncertain than they already were. Politics, however, remains as intense as ever, as urban politics on the Gulf Coast attest, and not only intense but nasty in a thoroughly convincing way. Indeed, Stewart's urban fantasy is convincing straight through, thanks to superior command of the language, excellent characterization, and a plot full of novelties introduced without any sense of reaching for them. Stewart may not be Tolkein or LeGuin, but he has definitely mastered the art of the well-told tale. Roland Green
Most helpful customer reviews
3 of 3 people found the following review helpful.
It Just Doesn't Get Any Better Than This
By Ashley Megan
"Galveston" is that rare treat, an alternate universe fantasy that feels grittily real, yet devoid of tiresome exposition or bizarre flights of fancy that exist only to show off the author's imagination. Sean Stewart is one of the funniest, sharpest, smartest, and most readable authors I've stumbled across recently. There are similarities to China Mieville (without the creepy, nightmarish horror) and Rupert Thomsen's "Divided Kingdom" here, but "Galveston" is refreshingly original.
Two floods have shaped the history of the island of Galveston, TX: a flood of water in 1900, and a flood of magic in 2004. This second flood was turned back mainly by the efforts of two extraordinary women, Jane Gardner and Odessa Gibbons, who organized the citizenry (mainly around Mardi Gras Krewes) and drew a harsh dividing line between the "real" Galveston and the endless Carnivale where magic (and the moon god Momus) hold sway. But now Jane and Odessa are growing older, and with no one to take up their duties, the future of Galveston is threatened.
The story of Sloane, Jane's daughter (and reluctant prospective heir) is contrasted with that of Josh, her childhood friend who has drifted from her glittering social circle into the slums of lower Galveston. While Sloane flirts dangerously with the power of Mardi Gras, Josh is accused of her murder and, along with his friend Ham, is exiled out of the charmed circle of safety that is Galveston and into the terrifying outside world. The journey of these three characters into their respective destinies forms the backbone of the story, with plenty of pleasing diversions and extraordinary secondary characters to flesh things out.
Some people apparently found the ending abrupt and unsatisfying, but I think it was absolutely perfect. One of the most pleasing aspects of Stewart's writing is that he never drifts into cliché, stock characters, or predictable plot development. Neither Sloane, Josh, or Ham end up the way that traditional literary convention would seem to demand they must. To say more would spoil some of the delightful surprises Stewart has to offer, but let's just say that if you don't know the characters well enough by the end of the story to fill in what Stewart is smart enough to leave unsaid, you haven't been paying attention.
It's a shame that so few of Sean Stewart's books remain in print, but it's well worth the effort to track them down. The world of fantasy needs more original voices like his.
3 of 5 people found the following review helpful.
Each snowflake is different....
By Warren R. Printz, Jr.
Sean Stewart came to my attention with Nobody's Son, and the fresh, adult look that it offered at Fantasy (Hey, I just found a magic sword....) made me consume every book of Stewarts I could find.
I am a big fan, and thus, if you are looking for a non-biased view (in my view, impossible) this review will not be particularly helpful.
Set in his "returned magic" universe, Galveston offers us a set of protag's who are not without warts, and antag's who have some humor and humanity (even if one is a god.)
It is not an exact copy, or rehash of his earlier works. It is different in pacing and form, thus no free ride by slipping on your complacency hat and just thumbing through the pages. You have to read this one.
And no doubt, you will be glad you did.
0 of 0 people found the following review helpful.
Four Stars
By Curtiss B.
Interesting book about perpetual Mardi Gras on Galveston Island. With all the characters from Galveston's history.
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