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Rose Daughter, by Robin McKinley
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The New York Times bestselling author of Sunshine presents a “beautiful retelling of Beauty and the Beast”
Once upon a time an enchanting young woman named Beauty nurtured a rose garden in barren soil. Her gift for cultivating such rare flowers was truly magical and her roses adorned homes throughout the village, bringing joy and love to all who chanced upon their exotic scent.
But one summer, Beauty’s roses did not blossom. Without their presence her family and neighbors became ill-tempered and nature itself lost the light and warmth of the season. Even more heartbreaking, the roses no longer protect Beauty from her nightmares of a monstrous Beast—a Beast it is her destiny to meet and whose heart and soul she must nurture with love…
- Sales Rank: #1172183 in Books
- Brand: McKinley, Robin
- Published on: 2008
- Original language: English
- Number of items: 1
- Dimensions: 8.21" h x .85" w x 5.57" l,
- Binding: Paperback
- 336 pages
From School Library Journal
Grade 8 Up. Gertrude Stein's famous quote, "Rose is a rose is a rose...," is dispelled by McKinley in her second novelization of the tale "Beauty and the Beast." (Beauty was her first novel, published 20 years ago.) Both books have the same plot and elements; what is different is the complexity of matured writing and the patina of emotional experience. Here, she has embellished and embodied the whys, whos, and hows of the magic forces at work. The telling is layered like rose petals with subtleties, sensory descriptions, and shadow imagery. Every detail holds significance, including the character names: her sisters, Jeweltongue and Lionheart; the villagers, Miss Trueword, Mrs. Bestcloth, and Mrs. Words-Without-End. Mannerisms of language and intricacies of writing style are key in this exposition. The convoluted sentences often ramble like a rose and occasionally prick at the smoothness of the pace. Word choices such as feculence, sororal sedition, numen, ensorcell, and simulacrum will command readers' attention. McKinley is at home in a world where magic is a mainstay and, with her passion for roses, she's grafted a fully dimensional espalier that is a tangled, thorny web of love, loyalty, and storytelling sorcery. Fullest appreciation of Rose Daughter may be at an adult level.?Julie Cummins, New York Public Library
Copyright 1997 Reed Business Information, Inc.
From Booklist
Gr. 6^-12. Almost 20 years after her well-received, award-winning Beauty (1978), McKinley reexplores and reexpands on the Beauty and the Beast fairy tale. This is not a sequel, but a new novelization that is fuller bodied, with richer characterizations and a more mystical, darker edge. Although the Library of Congress catalogs it in the 398s, the book really belongs on the fiction shelves alongside Beauty. The familiar plot is here, but the slant is quite different, though Beauty's sisters are once again loving rather than hostile as in de Beaumont's original version. A few scenes are reminiscent of Beauty. For example, in the dining room scenes in the castle, Beauty eats but the Beast merely is present: "I am a Beast; I cannot eat like a man." In Rose Daughter, Beauty has an affinity for flower gardening, particularly roses, because of her memories of her deceased mother; it is a talent that serves her in good stead as she nurtures the Beast's dying rose garden. Also, in some nicely done foreshadowing, Beauty suffers from recurring dreams of a long, dark corridor and something--a monster?--waiting for her at the end. Rose Cottage, where Beauty and her family settle after the father's financial downfall, and the nearby town and its residents, as well as the opulence of the Beast's castle and the devastation of his rose garden, are vividly depicted. Among the fantasy elements are a prescient cat, the spirit of the greenwitch who willed Rose Cottage to Beauty's family, unicorns, and preternatural Guardians. There is more background on the Beast in this version, allowing readers to see how he came to be bewitched, and Beauty's choice at the end, a departure from that in Beauty, is just so right. Readers will be enchanted, in the best sense of the word. Sally Estes
From Kirkus Reviews
This luxuriant retelling of the story of the Beauty and the Beast is very different from McKinley's own Beauty (1978). While sticking to the tale's traditional outlines, this version by turns rushes headlong and slows to a stately pace, is full of asides and surprises, and is suffused with obsession for the rose and thorn as flora, metaphor, and symbol. Beauty can make anything grow, especially roses; her memories of her dead mother are always accompanied by her mother's elusive rose scent. The Beast's aroma is also of roses, as is the scent of a sorcerer and a greenwitch. Eroticism, comfort, hard work, and the heart's deep love are all bound in rose imagery, from the curtains and tapestries of the Beast's palace to the Rose Cottage home of Beauty's family. Roses stand for all the many different facets of love (the text is specific on that): Beauty's for her father and her vividly etched sisters Lionheart and Jeweltongue; for a family hearth and safe home; for a puppy named Tea-cosy; and most incredibly but satisfyingly, for the Beast who has haunted her nightmares since childhood. While the story is full of silvery images and quotable lines, it will strike some as overlong and overblown; for others, perhaps those who were bewitched by Donna Jo Napoli's Zel (1996), it is surely the perfect book. (Fiction. 12+) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not as good as Beauty
By Jennifer
Having read both this story and the previous one, Beauty, written by this author I personally like Beauty better. There are some similarities between the two books. Such as Beauty's sisters being decent people and not the vain duo depicted in the original fairy tale. Here again Beauty's father comes across the Beast's realm due to a storm. Only in this story her father finds the rose in the dining room, not in the garden.
The main differences are also why I like Beauty better. This story focuses a lot on gardening and roses. The writing flips from one location to another rather quickly and with limited preparation or clue that the next jump is coming. Rose Daughter is also less true to the original fairy tale and has several circumstances where what is going on has an Alice in Wonderland trippiness that I found more confusing than helpful.
All in all this is a lukewarm version of Beauty and the Beast and I would suggest reading Beauty for a much better version.
0 of 0 people found the following review helpful.
Glass and Roses
By Sylvia A. Kelso
Probably the better, in being the most developed beyond the original fairytale, of the McKinley Beauty and the Beast adaptations. McKinley has a tendency to horridly long sentences and a bunch of fairly irrelevant detail, causing me to get very wishful of a blue pencil, especially in Spindle's End, but this one isn't so beset with micro-fiddles, the characters are good, the setting is both rich and originally idiosyncratic, and the final phases are stronger than those in the first version.
0 of 0 people found the following review helpful.
... was definitely an enjoyable take on one of my favorite tales. Three sisters instead of the one Disney ...
By Dance Scholar
This was definitely an enjoyable take on one of my favorite tales. Three sisters instead of the one Disney gave us. There is a mishap with the father resulting is one of his daughters living at the Beast's magical and mysterious home. Some elements were not well explained or had only a very cursory mention but they did fit in this world, I just wanted a little more explanation (animals and salamander if you're wondering). All in all an enjoyable read I didn’t want to put down.
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