Sabtu, 07 Juni 2014

? Free Ebook The Sable Quean (Redwall), by Brian Jacques

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The Sable Quean (Redwall), by Brian Jacques

Buckler the hare, Blademaster of the Long Patrol, must save the youngsters of Redwall Abbey-kidnapped by the vile Vilaya the Sable Quean-and stop the villain's conquest of Mossflower Wood.

  • Sales Rank: #240018 in Books
  • Brand: ACE
  • Model: 399251642
  • Published on: 2011-04-26
  • Released on: 2011-04-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.81" h x 1.00" w x 4.13" l, .35 pounds
  • Binding: Mass Market Paperback
  • 368 pages

From Booklist
Life’s been peaceful for Redwall’s diverse woodland creatures. But when the abbey’s youngsters mysteriously start disappearing, young hare Buckler, the Long Patrol’s Blademaster, and others embark on a dangerous quest to rescue them from evil Vilaya, the Sable Quean—who, with henchman Zwilt and vermin Ravagers, plans to take over Redwall and Mossflower Wood. The latest entry in the prolific, popular series will please devotees, with episodes comedic to dramatic and characters of all stripes and furs, from feisty shrew maid Flib to tough though tenderhearted warrior mole Axtel. Side stories and alternating characters’ experiences add intrigue, suspense, and depth to an absorbing, sure-to-be-requested read. Grades 5-8. --Shelle Rosenfeld

Review
"Jacques's series is among the top tier of consistently excellent storytelling. . . . Freshly infected hordes will want to snap up as many previous titles as they can lay their hands on." - VOYA

About the Author
Dr. Brian Jacques was both a master storyteller and a jack-of-all-trades. He lived the life of a sailor, actor, stand-up comedian, radio host, bobby, even a bus driver. He was the recipient of an honorary doctorate in literature from the University of Liverpool and a New York Times bestselling author of more than twenty-five books for younger readers, including the wildly popular Redwall series. Dr. Jacques was a lifelong resident of Liverpool, England.

Most helpful customer reviews

24 of 24 people found the following review helpful.
Worth the Time Even if You've Read all the Others
By Aronne
I admit it: I'm a sucker for Redwall books. I've read all of them; when my Library ordered The Sable Quean, I was the first to place a request for it.

Of Jacques' most recent Redwall books, High Rhulain was the most disappointing, though Eulalia and Doomwyte were better -- but this one! The Sable Quean is, in my opinion, the best Jacques book to come out since Triss. (Taggerung is my all-time favorite, for those dying to know.)

Alright, I'll try to keep this spoiler-free:

The plot has a number of familiar Jacques elements, but he keeps you guessing here more than I might have anticipated. Memorable villains (if not the most ostentatiously evil) and an ensemble of sympathetically displayed woodlanders give the novel an excellent cast. I feel that Jacques should have focused more on his hero rather than on his hero's comical friend, but that is a minor quibble. This novel does not have the epic feel of Mossflower or The Long Patrol, but tends to convey even more than usual the folksy atmosphere of Jacques' world.

I can recommend this entry in the Redwall cannon with great enthusiasm. Check out your library and start reading. I did, and it only took me less than a week to finish, college work aside (yes, I still read Redwall books at 19). Happy reading!

17 of 19 people found the following review helpful.
Incredible
By The Bullers
Brian Jacques has done it again. The Sable Quean is a terrific book, a worthy additon to the acclaimed Redwall series.

The beginning starts out well, but as the story began to follow the familiar routes of the previous books, I was a little disappointed. Don't get me wrong, I love the Redwall books. However, Jacques brilliantly rescues the story halfway through the book.

The Sable Quean is a magnificent book from Redwall, rivalling the first Redwall books and is quite possibly the greatest book yet from the Redwall shelf. This book is written proof that the amazing Brian Jacques is definitely NOT losing his touch. I'll be eagerly awaiting the next book in the Redwall series.

7 of 7 people found the following review helpful.
Another great addition to the Redwall Legacy
By Shawn L. Hawkins
I thoroughly enjoyed the book. I pre-ordered the book and it overwhelmingly met my anticipation. It had the usual cast of characters with the addition of a warrior mole. I would indeed like to read about more of him. For fans of Mossflower Woods and Redwall Abbey, this tale is a welcome addition to you library. Hurry with the audiobook!!

See all 73 customer reviews...

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Rabu, 04 Juni 2014

>> Free Ebook The Unnatural Inquirer (Nightside, Book 8), by Simon R. Green

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The Unnatural Inquirer (Nightside, Book 8), by Simon R. Green

The publisher of The Unnatural Inquirer?the Nightside?s most notorious rag?has offered John Taylor one million pounds to find a man who claims to have evidence of the afterlife stored on a DVD. The Inquirer made the guy a sweet deal. Then he and the disc vanished. And if Taylor?s not careful, he may be next.

  • Sales Rank: #1386794 in Books
  • Published on: 2008-01-02
  • Released on: 2008-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .99" w x 5.56" l, .80 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • A fast fun little roller coaster of a story
  • thriller
  • chiller
  • hell to pay
  • unique

From Publishers Weekly
The engaging eighth book in Green's popular offbeat Nightside series (after 2006's Hell to Pay) drops another paranormal mystery in the lap of series hero John Taylor, a PI in the shadowy realm of Nightside. Pen Donavon, who claims to have a DVD depicting actual footage of the afterlife, has vanished shortly after signing an exclusive deal with the tabloid Unnatural Inquirer. Various factions seeking to control the Nightside are leaving a considerable body count behind as they hunt for him. Accompanied by sexy half-demon reporter Bettie Divine, Taylor navigates the treacherous terrain with his typical skill before tracking down the real force behind Donavon's disappearance. Green skillfully blends action and humor, and shows no sign of running out of ideas. This installment will undoubtedly rope in new readers who enjoy his blend of dark humor and the supernatural.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
John Taylor has another one of those days, beginning with a showdown at the defunct Nightside carnival between the Voodoo Apostate, the gods he tried to dominate, and Taylor. Next, a call from the editor of the Unnatural Enquirer asking Taylor to find a man who disappeared en route to deliver an afterlife recording he had just sold the rights to. Teamed with a half-succubus demon-girl reporter, Taylor visits the Nightside’s key players and politics as people jockey to replace the recently destroyed authorities. Meanwhile, some heavy-duty characters also seek the recording. More fast, fun, adventurous detection in a setting in which nearly anything’s possible. --Regina Schroeder

About the Author

Simon R. Green is a New York Times bestselling author whose works include Drinking Midnight Wine, Beyond the Blue Moon, Blue Moon Rising, The Adventures of Hawk & Fisher, and the Deathstalker series. A resident of Bradford-on-Avon in England, he is currently working on the next Deathstalker novel.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Maybe the series is getting a little long in the tooth
By General Pete
While I still found this installment to be interesting not seeing Suzi Shooter for almost the entire book just felt wrong and really Green seems to be casting about for a new way to keep the series interesting that he just can't seem to find. Hell to Pay was fine not only did it deal with the power vacuum left over from the Lilith War it also had an A story that was interesting. That is not the case in this book. Shooter is gone replaced with an idiotic stand-in I wanted to strangle after 10 pages. The interesting power vacuum stuff raised in the last book was not touched on at all and the part of the story where John goes in search of yet another magic object that could spell the end of all life in the Nightside is starting to wear a little thin plus the item isn't even all that impressive when you stack it up against all of the others he has dealt with over the years.

In spite of my problems with this book I am actually kind of encouraged it has not been my experience with Green that he continues down a bad track when he realizes he has dug himself into a hole. I hated "Nightside's Lement" and almost put the series aside but the book after that unfortunate installment was the start of all of the events that lead to the Lilith war so just because something is a little stale right now doesn't mean that it will stay that way. I am hopeful. Maybe another trip through time would help?

Overall-I'm going to keep on trucking with this series but the next installment is really going to have to "wow" me to get me back on board.

0 of 0 people found the following review helpful.
Well-written & Imaginative!
By Aussie
I vaguely remember reading this awhile ago, so glad I picked it up again. Because I'd read the previous books in the series, I understood it so much better. Wonderful world, so well-written and imaginative - totally awesome!

2 of 3 people found the following review helpful.
Recording from the Afterlife
By Arthur W Jordin
The Unnatural Inquirer (2008) is the eighth fantasy novel in the Nightside series, following Hell to Pay. In the previous volume, John Taylor changed the contract in regard to Jeremiah Griffin's children and they were set free. Melissa broke out of the pentacle and helped herd the children from the cellar. But Jeremiah was left to fulfill the contract.

In this novel, Taylor has just finished a case for the H. P. Lovecraft Memorial Library in which a book was reading the patrons. Outside the entrance, Walker and Suzie Shooter are waiting for him. Walker has hired Suzie to find Max Maxwell, but the man has disappeared beyond her kenning.

Maxwell has found the Aquarius Key and used it to force the Voudon gods to possess his minions. The loa are very irritated and have turned the tables on Maxwell. Now he is hiding from a herd of possessed bounty hunters. Naturally, Taylor soon finds Maxwell and gives him to Walker for incarceration in the Shadow Deep.

Then Cathy calls from the office and tells Taylor that the Unnatural Inquirer wants to hire him for a large amount of money. Naturally the gossip sheet wouldn't tell his secretary about the case, but did give Cathy a place where he will be met by a runner who will guide him to their office.

The Unnatural Inquirer has a larger circulation than the Night Times, but also has more enemies. So many people have tried to attack their offices that they brag about the futility of such attempts. Their main offices are located within a pocket dimension.

Taylor is met by Harry Fabulous and keyed into the Reception office. As soon as they arrive, every alarm in the place goes off. Taylor apparently has every indication of armed and dangerous. After Harry explains that Taylor is there by invitation, Security desensitizes the system to ignore him.

After a long wait, Taylor is taken to the office of Scoop Malloy, the Sub-Editor. Scoop introduces him to Bettie Divine, the daughter of a Rolling Stone and a succubus groupie. They will be working together on the case. Of course, Taylor vehemently disagrees to the partnership, but the paper offers a lot more money.

Scoop explains that Pen Donavon -- a low level curiosity dealer -- has offered the paper a DVD with a broadcast from a supernatural source. The paper eventually offered him a contract and he was on his way to the offices when he disappeared. None other than Donavon has seen the contents of the DVD, but the Inquirer is ready to buy it for the sheer publicity value.

In this story, Taylor finds Bettie remarkably easy to get along with, even if she is cheerful to the point of bubbliness. Her clothes change over time to keep her attractive regardless of the ambiance. She thinks he is a celebrity and his conversation reinforces this idea. He mentions -- and meets -- people about whom Bettie has only written stories.

Taylor first tries to find the DVD with his third -- private -- eye, but someone -- or something -- powerful clamps down on his senses. He quickly closes off the third eye, but still feels the effects. So Taylor tries the old fashioned way.

He starts at Donavon's store and living quarters. The store is full of Timeslip junk suitable for tourists and his quarters are so messy that it is impossible to tell whether they have been searched. Taylor does get to see the television upon which the signal was received and the DVD was made, but finds nothing of any use.

Then he goes to the Street of the Gods to get the latest gossip. He finds that his information is better than their rumors, but the gods and priests start getting ideas from his news. Taylor and Bettie leave just as the riot starts.

Next, Taylor tries getting information from the Collector, but the man has relocated after his moon facility was leaked to the press. Taylor finds his current location from Walker. After some strenuous efforts, Taylor gets into the new quarters, but the Collector doesn't know where the DVD can be found.

Then Taylor tries the Cardinal, a collector of religious artifacts. Taylor gets into the place by threatening to tell the Collector where the Cardinal is residing. But the Cardinal knows nothing either.

Taylor is running out of ideas when his phone rings. Alex tells him that Pen Donavon in sitting in the Strangefellows bar asking about him. Taylor uses his membership card to transit to the bar.

This tale stirs the Nightside into a religious and financial frenzy. Everybody who is anybody is looking for the DVD. The rumors of its contents are growing by the minute. Does it herald the second coming?

The story shows Taylor in his usual mix of bluff and tricks when faced by overwhelming odds. Bettie is aghast at his termination of thirteen combat sorcerers who are trying to kill Taylor and herself. Her image of a knight in gleaming armor is beginning to fray around the edges. Enjoy!

Highly recommended for Green fans and for anyone else who enjoys tales of strange powers, hellish deals, and unrequited love.

-Arthur W. Jordin

See all 51 customer reviews...

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Selasa, 03 Juni 2014

^ Download PDF Frail, by Joan Frances Turner

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Frail, by Joan Frances Turner

Being human is a disadvantage in post-apocalyptic America...

Now that the Feeding Plague has swept through human and zombie societies, it seems like everyone is an "ex" these days. Ex-human. Ex- zombie. Except for Amy, that is. She's the only human survivor from her town-a frail. And if the feral dogs, the flesh-eating exes, and the elements don't get her, she just may discover how this all began. Because in this America, life is what you make it...

  • Sales Rank: #3276048 in Books
  • Published on: 2011-10-04
  • Released on: 2011-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.60" h x 6.20" w x 9.00" l, 1.60 pounds
  • Binding: Hardcover
  • 384 pages

Review
Praise for Frail

"A happily horrifying ride...Turner's writing is exceptional."—Kirkus Reviews

"A gritty and personal post-zombie novel with a clear-voiced, strong female narrator and a fresh new perspective on a saturated genre."—Shelf Awareness


Praise for Dust

“THOUGHTFUL, POIGNANT AND FRIGHTENING.”—Laurell K. Hamilton, #1 New York Times bestselling author 

“SPECTACULAR . . . a great, unsettling portrait of raw hunger and hope.”—Jeff Long, New York Times bestselling author

“Joan Frances Turner has done for zombies what Anne Rice did for vampires.” —Douglas Preston, #1 New York Times bestselling coauthor of Gideon’s Corpse

“MASSIVELY ENTERTAINING . . . Turner has created a new zombie mythology that is smart, scary and viscerally real.”—Booklist (starred review)

About the Author
Joan Frances Turner was born in Rhode Island and grew up in the Calumet Region of northwest Indiana. A graduate of Brown University and Harvard Law School, she lives near the Indiana Dunes with her family..

Most helpful customer reviews

3 of 3 people found the following review helpful.
Outrageously Great Book!
By AJ
As a college screenwriting instructor, I've never been a huge fan of Zombie stories, mostly because I find them silly and unrealistic. However, I was recommended "Frail" by a friend and was completely blown away. Ms. Turner's premise of zombies and how they come about seems very plausible. The zombie genre has definitely taken a huge leap forward. If Hollywood isn't all over these stories, I want to write the screenplay and get it produced!

Another reviewer wrote "Joan Turner does for Zombies what Anne Rice did for Vampires." I couldn't have said it better myself! These are not your usual "zombie" stories.

In Ms. Turner's first book, "Dust", the story is told by a young woman who becomes a zombie. The book is both heart-breaking and totally riveting. In "Frail" (The author's next book on zombies), the protagonist is a human who must live through a frightening new world where human life is short and dangerous. The discoveries the protagonists make in both books begs the question of what it is that makes us "Human." (There are good zombies and bad zombies.) The characters in both books are extremely well-developed. They have flaws as well as strengths, which makes them interesting and realistic.

I truly enjoyed both books and am hoping there's a sequel to "Frail."

If you haven't read either book, you are in for a treat.

4 of 5 people found the following review helpful.
Second in the trilogy, companion to Dust
By misplaced cajun
Amy is one of the last living humans from Lepingville (same town Jessie is from in Dust) and she's decided it's time to move on. Traveling through the wasteland of neighboring towns on her way anywhere, she meets Lisa, an ex -- Lisa was human before the outbreak that turned everyone, human and zombie, into something other. Everyone but a handful of frails, those like Amy who were unaffected by the infection. Then Lisa and Amy are taken to a small town where exes are masters and frails have become all but slaves. The order of the world has been permanently swayed and Amy will have to cope if she is to survive. At least with an ex on her side, things are looking up a bit. But Amy is trailed by her own guilt and a creature that could be her imagination or something worse.

Frail takes place after DUST in the trilogy, but features a human protagonist.

It's hard to tell at this point just where the trilogy is headed. Like Jessie in DUST, Amy is kind of losing her mind and the narrative reflects this. There are some return characters from Dust as well. Lisa, of course, but some of Jessie's old gang, too. And it's unclear just why Lisa is keeping secrets from Jessie's old pals.

As zombie reads (and reads in general) go, this series is original and well thought out. There are some really great aspects in terms of the zombie lore and the experiments that caused the outbreak in the first place. The conflict between zombies and humans and then ex humans and ex zombies is interesting, obviously paralleling common us vs them themes. It'll be interesting to see who will return in book three and where the story will end.

5 of 7 people found the following review helpful.
The Irish Banana Review
By Hannah @ The Irish Banana Review
I really just didn't think anything could shock me more than Dust (Book 1 in the trilogy), but I was clearly wrong. While Dust was told from a zombie's point of view, Frail ups the ante on the horror by showing how humans have fared in Joan Frances Turner's post zombie-apocalyptic world.

The story follows Amy, a frail (or regular human) as she tries to survive after an illness created a new breed of super humans/zombies that seem almost immortal. She bonds with Lisa, an ex who is struggling to hold onto her humanity. Their friendship is anything but simple and easy, and it was fascinating to see them working together.

My biggest issue with this book was that I just didn't connect with Amy, the narrator, the way I did with Jessie (narrator of Dust). Kind of odd since Jessie was a zombie, but I digress. I think the reason I connected more in book 1 is because the idea of a novel told entirely from the POV of a zombie was just so fresh and radical, I couldn't help but love it. The perspective of a human seemed somewhat dull in comparison.

This series is unique and fresh, and I'm thoroughly enjoying it. I recommend you check it out if you love horror, can stomach some unpleasant imagery (`cause there's a whole lot of that!), and are looking for a break in the storybook romances the YA genre is drowning in. This book is about fight and survival, and I cannot wait to see what Turner brings in book 3!

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Sabtu, 31 Mei 2014

** Download Ebook Assassin's Creed: Renaissance, by Oliver Bowden

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Assassin's Creed: Renaissance, by Oliver Bowden

Assassin's Creed: Renaissance, by Oliver Bowden



Assassin's Creed: Renaissance, by Oliver Bowden

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Assassin's Creed: Renaissance, by Oliver Bowden

View our feature on Oliver Bowden’s Assassin's Creed.“I will seek vengeance upon those who betrayed my family. I am Ezio Auditore Da Firenze. I am an assassin…”

Betrayed by the ruling families of Italy, a young man embarks upon an epic quest for vengeance. To eradicate corruption and restore his family’s honor, he will learn the art of the Assassins.

Along the way, Ezio will call upon the wisdom of such great minds as Leonardo da Vinci and Niccolo Machiavello—knowing that survival is bound to the skills by which he must live.

To his allies, he will become a force for change—fighting for freedom and justice. To his enemies, he will become a threat dedicated to the destruction of the tyrants abusing the people of Italy.

So begins an epic story of power, revenge and conspiracy.

  • Sales Rank: #45776 in Books
  • Published on: 2010-02-23
  • Released on: 2010-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.00" w x 4.25" l, .63 pounds
  • Binding: Paperback
  • 496 pages

About the Author
Oliver Bowden is a pseudonym for an acclaimed novelist.

Excerpt. © Reprinted by permission. All rights reserved.
One

Torches gleamed and flickered high on the towers of the Palazzo Vecchio and the Bargello, and just a few lanterns shimmered in the cathedral square a little way to the north. Some also illuminated the quays along the banks of the River Arno, where, late as it was for a city where most people retired indoors with the coming of night, a few sailors and stevedores could be seen through the gloom. Some of the sailors, still attending to their ships and boats, hastened to make final repairs to rigging and to coil rope neatly on the dark, scrubbed decks, while the stevedores hurried to haul or carry cargo to the safety of the nearby warehouses.

Lights also glimmered in the winehouses and the brothels, but very few people walked the streets. It had been seven years since the then twenty-year-old Lorenzo de’ Medici had been elected to the leadership of the city, bringing with him at least a sense of order and calm to the intense rivalry between the leading international banking and merchant families who had made Florence one of the wealthiest cities in the world. Despite this, the city had never ceased to simmer, and occasionally boil over, as each faction strove for control, some of them shifting alliances, some remaining permanent and implacable enemies.

Florence, in the Year of Our Lord 1476, even on a jasmine-sweet evening in spring, when you could almost forget the stench from the Arno if the wind was in the right direction, wasn’t the safest place to be out in the open, after the sun had gone down.

The moon had risen in a now-cobalt sky, lording it over a host of attendant stars. Its light fell on the open square where the Ponte Vecchio, its crowded shops dark and silent now, joined the north bank of the river. Its light also found out a figure clad in black, standing on the roof of the church of Santo Stefano al Ponte. A young man, only seventeen years old, but tall and proud. Surveying the neighbourhood below keenly, he put a hand to his lips and whistled, a low but penetrating sound. In response, as he watched, first one, then three, then a dozen, and at last twenty men, young like himself, most clad in black, some with blood-red, green, or azure cowls or hats, all with swords and daggers at their belts, emerged from dark streets and archways into the square. The gang of dangerous-looking youths fanned out, a cocky assuredness in their movements.

The young man looked down at the eager faces, pale in the moonlight, gazing up at him. He raised his fist above his head in a defiant salute.

“We stand together!” he cried, as they too raised their fists, some drawing their weapons and brandishing them, and cheered: “Together!”

The young man quickly climbed, catlike, down the unfinished façade from the roof to the church’s portico, and from it leapt, cloak flying, to land in a crouch, safely in their midst. They gathered round, expectantly.

“Silence, my friends!” He held up a hand to arrest a last, lone shout. He smiled grimly. “Do you know why I called you, my closest allies, here tonight? To ask your aid. For too long I have been silent while our enemy, you know who I mean, Vieri de’ Pazzi, has gone about this town slandering my family, dragging our name in the mud, and trying in his pathetic way to demean us. Normally I would not stoop to kicking such a mangy cur, but—”

He was interrupted as a large, jagged rock, hurled from the direction of the bridge, landed at his feet.

“Enough of your nonsense, grullo,” a voice called.

The young man turned as one with his group in the direction of the voice. Already he knew whom it belonged to. Crossing the bridge from the south side another gang of young men was approaching. Its leader swaggered at its head, a red cloak, held by a clasp bearing a device of golden dolphins and crosses on a blue ground, over his dark velvet suit, his hand on the pommel of his sword. He was a passably handsome man, his looks marred by a cruel mouth and a weak chin, and though he was a little fat, there was no doubting the power in his arms and legs.

“Buona sera, Vieri,” the young man said evenly. “We were just talking about you.” And he bowed with exaggerated courtesy, while assuming a look of surprise. “But you must forgive me. We were not expecting you personally. I thought the Pazzi always hired others to do their dirty work.”

Vieri, coming close, drew himself up as he and his troop came to a halt a few yards away. “Ezio Auditore! You pampered little whelp! I’d say it was rather your family of penpushers and accountants that goes running to the guards whenever there’s the faintest sign of trouble. Codardo!” He gripped the hilt of his sword. “Afraid to handle things yourself, I’d say.”

“Well, what can I say, Vieri, ciccione. Last time I saw her, your sister Viola seemed quite satisfied with the handling I gave her.” Ezio Auditore gave his enemy a broad grin, content to hear his companions snigger and cheer behind him.

But he knew he’d gone too far. Vieri had already turned purple with rage. “That’s quite enough from you, Ezio, you little prick! Let’s see if you fight as well as you gabble!” He turned his head back to his men, raising his sword. “Kill the bastards!” he bellowed.

At once another rock whirled through the air, but this time it wasn’t thrown as a challenge. It caught Ezio a glancing blow on the forehead, breaking the skin and drawing blood. Ezio staggered back momentarily, as a hail of rocks flew from the hands of Vieri’s followers. His own men barely had time to rally before the Pazzi gang was upon them, rushing over the bridge to Ezio and his men. All at once, the fighting was so close and so fast that there was hardly time at first to draw swords or even daggers, so the two gangs just went at each other with their fists.

The battle was hard and grim—brutal kicks and punches connected with the sickening sound of crunching bone. For a while it could have gone either way, then Ezio, his vision slightly impaired by the flow of blood from his forehead, saw two of his best men stumble and go down, to be trampled on by Pazzi thugs. Vieri laughed, and, close to Ezio, swung another blow at his head, his hand grasping a heavy stone. Ezio dropped to his haunches and the blow went wide, but it had been too close for comfort, and now the Auditore faction was getting the worst of it. Ezio did manage, before he could rise to his feet, to wrestle his dagger free and slice wildly but successfully at the thigh of a heavily built Pazzi thug who was bearing down at him with sword and dagger unsheathed. Ezio’s dagger tore through fabric and into muscle and sinew, and the man let loose an agonized howl and went over, dropping his weapons and clutching at his wound with both hands as the blood belched forth.

Scrambling desperately to his feet, Ezio looked round. He could see that the Pazzi had all but surrounded his own men, penning them in against one wall of the church. Feeling some of the strength returning to his legs, he made his way towards his fellows. Ducking under the scything blade of another Pazzi henchman, he managed to connect his fist to the man’s stubbly jaw and had the satisfaction of seeing teeth fly and his would-be assailant fall to his knees, stunned by the blow. He yelled to his own men to encourage them, but in truth his thoughts were turning to ways of beating a retreat with as much dignity as possible, when above the noise of the fight he heard a loud, jovial, and very familiar voice calling to him from behind the Pazzi mob.

“Hey, fratellino, what the hell are you up to?”

Ezio’s heart pounded with relief, and he managed to gasp, “Hey, Federico! What are you doing here? I thought you’d be out on the tiles as usual!”

“Nonsense! I knew you had something planned, and I thought I’d come along to see if my little brother had finally learned how to look after himself. But maybe you need another lesson or two!”

Federico Auditore, a few years Ezio’s senior and the oldest of the Auditore siblings, was a big man with a big appetite—for drink, for love, and for battle. He waded in even as he was speaking, knocking two Pazzi heads together and bringing his foot up to connect with the jaw of a third as he strode through the throng to stand side by side with his brother, seeming impervious to the violence that surrounded him. Around them their own men, encouraged, redoubled their efforts. The Pazzi, on the other hand, were discomfited. A few of the dockyard hands had gathered at a safe distance to watch, and in the half-light the Pazzi mistook them for Auditore reinforcements. That and Federico’s roars and fl ying fists, his actions quickly emulated by Ezio, who learnt fast, very quickly panicked them.

Vieri de’ Pazzi’s furious voice rose above the general tumult. “Fall back!” he called to his men, his voice broken with exertion and anger. He caught Ezio’s eye and snarled some inaudible threat before disappearing into the darkness, back across the Ponte Vecchio, followed by those of his men who could still walk, and hotly pursued by Ezio’s now-triumphant allies.

Ezio was about to follow suit, but his brother’s meaty hand restrained him. “Just a minute,” he said.

“What do you mean? We’ve got them on the run!”

“Steady on.” Federico was frowning, gently touching the wound on Ezio’s brow.

“It’s just a scratch.”

“It’s more than that,” his brother decided, a grave expression on his face. “We’d better get you to a doctor.”

Ezio spat. “I haven’t got time to waste running to doctors. Besides . . .” He paused ruefully. “I haven’t any money.”

“Hah! Wasted it on women and wine, I suppose.” Federico grinned, and slapped his younger brother warmly on the shoulder.

“Not wasted exactly, I’d say. And look at the example you set me.” Ezio grinned but then hesitated. He suddenly became aware that his head was thumping. “Still, it wouldn’t hurt to get it checked out. I suppose you couldn’t see your way to lending me a few fiorini?”

Federico patted his purse. It didn’t jingle. “Fact is, I’m a bit short myself just now,” he said.

Ezio grinned at his brother’s sheepishness. “And what have you wasted yours on? Masses and Indulgences, I suppose?”

Federico laughed. “All right. I take your point.” He looked around. In the end, only three or four of their own people had been hurt badly enough to remain on the field of battle, and they were sitting up, groaning a bit, but grinning too. It had been a tough set-to, but no one had broken any bones. On the other hand, a good half-dozen Pazzi henchmen lay completely out for the count, and one or two of them at least were expensively dressed.

“Let’s see if our fallen enemies have any riches to share,” Federico suggested. “After all, our need is greater than theirs, and I’ll bet you can’t lighten their load without waking them up!”

“We’ll see about that,” said Ezio, and set about it with some success. Before a few minutes had elapsed, he’d harvested enough gold coins to fill both their own purses. Ezio looked over to his brother triumphantly and jingled his newly claimed wealth to emphasize the point.

“Enough!” cried Federico. “Better leave them a bit to limp home on. After all, we’re not thieves—this is just the spoils of war. And I still don’t like the look of that wound. We must get it seen to double quick.”

Ezio nodded, and turned to survey the field of the Auditore victory one last time. Losing patience, Federico rested a hand on his younger brother’s shoulder. “Come on,” he said, and without more ado he set off at such a pace that the battle-weary Ezio found it hard to keep up, though when he fell too far behind, or took a wrong turn down an alley, Federico would hold up, or hurry back to put him right. “I’m sorry, Ezio. I just want us to get to the medico as soon as we can.”

And indeed it wasn’t far, but Ezio was tiring by the minute. Finally they reached the shadowy room, festooned with mysterious instruments and phials of brass and glass, ranged along dark oak tables and hanging from the ceiling along with clusters of dried herbs, where their family doctor had his surgery. It was all Ezio could do to remain on his feet.

Dottore Ceresa was not best pleased at being roused in the middle of the night, but his manner changed to one of concern as soon as he had brought a candle close enough to inspect Ezio’s wound in detail. “Hmmn,” he said gravely. “You’ve made quite a mess of yourself this time, young man. Can’t you people think of anything better to do than go around beating each other up?”

“It was a question of honour, good doctor,” put in Federico.

“I see,” said the doctor, evenly.

“It’s really nothing,” said Ezio, though he felt faint.

Federico, as usual hiding concern behind humour, said, “Do patch him up as best you can, friend. That pretty little face of his is his only asset.”

“Hey, fottiti!” Ezio hit back, giving his brother the finger.

The doctor ignored them, washed his hands, probed the wound gently, and poured some clear fluid from one of his many bottles on to a piece of linen. He dabbed the wound with this and it stung so much that Ezio almost sprang from his chair, his face screwed up with the pain. Then, satisfied that the wound was clean, the doctor took a needle and threaded it with fine catgut.

“Now,” he said. “This really will hurt, a little.”

Once the stitches were in and the wound bandaged so that Ezio looked like a turbaned Turk, the doctor smiled encouragement. “That’ll be three fiorini, for now. I’ll come to your palazzo in a few days and remove the stitches. That’ll be another three fiorini to pay then. You’ll have a terrible headache, but it’ll pass. Just try to rest—if it’s in your nature! And don’t worry: the wound looks worse than it is, and there’s even a bonus: there shouldn’t be much of a scar, so you won’t be disappointing the ladies too greatly in future!”

Once they were back in the street, Federico put his arm round his younger brother. He pulled out a fl ask and offered it to Ezio. “Don’t worry,” he said, noticing the expression on Ezio’s face. “It’s our father’s best grappa. Better than mother’s milk for a man in your condition.”

They both drank, feeling the fiery liquid warm them. “Quite a night,” said Federico.

“Indeed. I only wish they were all as much fun as—” But Ezio interrupted himself as he saw that his brother was beginning to grin from ear to ear. “Oh, wait!” he corrected himself, laughing: “They are!”

“Even so, I think a little food and drink wouldn’t be a bad thing to set you up before we go home,” said Federico. “It’s late, I know, but there’s a taverna nearby where they don’t close until breakfast time and—”

“You and the oste are amici intimi?”

“How did you guess?”

An hour or so later, after a meal of ribollita and bistecca washed down with a bottle of Brunello, Ezio felt as if he’d never been wounded at all. He was young and fit, and felt that all his lost energy had flowed back into him. The adrenaline of the victory over the Pazzi mob certainly contributed to the swiftness of his recovery.

“Time to go home, little brother,” said Federico. “Father’s sure to be wondering where we are, and you’re the one he looks to to help him with the bank. Luckily for me, I’ve no head for figures, which is why I suppose he can’t wait to get me into politics!”

“Politics or the circus—the way you carry on.”

“What’s the difference?”

Ezio knew that Federico bore him no ill will over the fact that their father confided more of the family business in him than in his elder brother. Federico would die of boredom if confronted by a life in banking. The problem was, Ezio had a feeling that he might be the same. But for the moment, the day when he donned the black velvet suit and the gold chain of a Florentine banker was still some way off, and he was determined to enjoy his days of freedom and irresponsibility to the full. Little did he realize just how short-lived those days would be.

“We’d better hurry, too,” Federico was saying, “if we want to avoid a bollocking.”

“He may be worried.”

“No—he knows we can take care of ourselves.” Federico was looking at Ezio speculatively. “But we had better get a move on.” He paused. “You don’t feel up to a little wager at all, do you? A race perhaps?”

“Where to?”

“Let’s say”—Federico looked across the moonlit city towards a tower not far away—“the roof of Santa Trinità. If it’s not going to take too much out of you—and it’s not far from home. But there’s just one thing more.”

“Yes?”

“We’re not racing along the streets, but across the rooftops.”

Ezio took a deep breath. “OK. Try me,” he said.

“All right, little tartaruga—go!”

Without another word, Federico was off, scaling a nearby roughcast wall as easily as a lizard would. He paused at the top, seeming almost to teeter among the rounded red tiles, laughed, and was off again. By the time Ezio had reached the rooftops, his brother was twenty yards ahead. He set off in pursuit, his pain forgotten in the adrenaline-fuelled excitement of the chase. Then he saw Federico take an almighty leap across a pitch-black void, to land lightly on the flat roof of a grey palazzo slightly below the level of the one he had jumped from. He ran a little way farther, and waited. Ezio felt a glimmer of fear as the chasm of the street eight storeys below loomed before him, but he knew that he would die rather than hesitate in front of his brother, and so, summoning up his courage, he took a massive leap of faith, seeing, as he soared across, the hard granite cobbles in the moonlight far beneath his feet as they flailed the air. For a split second he wondered if he’d judged it right, as the hard grey wall of the palazzo seemed to rise up to meet him, but then, somehow, it sank below him and he was on the new roof, sprawling slightly, it was true, but still on his feet, and elated, though breathing hard.

“Baby brother still has much to learn,” taunted Federico, setting off again, a darting shadow among the chimney-stacks under the scattering of clouds. Ezio hurled himself forward, lost in the wildness of the moment. Other abysses yawned beneath him, some defining mere alleyways, others broad thoroughfares. Federico was nowhere to be seen. Suddenly the tower of Santa Trinità rose before him, rising from the red sweep of the church’s gently sloping roof. But as he approached he remembered that the church stood in the centre of a square, and that the distance between its roof and those of the surrounding buildings was far greater than any he had yet leapt. He dared not hesitate or lose speed now— his only hope was that the church roof was lower than the one he would have to jump from. If he could throw himself forward with enough force, and truly launch himself into the air, gravity would do the rest. For one or two seconds he would fly like a bird. He forced any thought of the consequences of failure out of his mind.

The edge of the roof he was on approached fast, and then—nothing. He soared, listening to the air whistle in his ears, bringing tears into his eyes. The church roof seemed an infinite distance away—he would never reach it; he would never laugh or fight or hold a woman in his arms again. He couldn’t breathe. He shut his eyes, and then . . .

His body bent double, he was steadying himself with his hands and feet, but they were supported again—he had made it, within inches of the edge, but he had made it on to the church roof!

But where was Federico? Ezio clambered up to the base of the tower and turned to look back the way he had come, just in time to see his brother flying through the air himself. Federico landed firmly, but his weight sent one or two of the red clay tiles slithering out of place and he almost lost his footing as the tiles slid down the roof and off the edge, shattering a few seconds later on the hard cobbles far below. But Federico had found his balance again, and he stood up, panting for sure, but with a broad, proud smile on his face.

“Not such a tartaruga after all,” he said, as he came up and clapped Ezio on the shoulder. “You went past me like greased lightning.”

“I didn’t even know that I had,” said Ezio briefly, trying to catch his breath.

“Well, you won’t beat me up to the top of the tower,” retorted Federico, pushing Ezio to the side, and he started to clamber up the squat tower which the city fathers were thinking of replacing with something of a more modern design. This time Federico made it first, and even had to give a hand up to his wounded brother, who was beginning to feel that bed would be no bad thing. They were both out of breath, and stood while they recovered to look out over their city, serene and silent in the oyster-light of dawn.

“It is a good life we lead, brother,” said Federico with uncharacteristic solemnity.

“The best,” Ezio agreed. “And may it never change.”

They both paused—neither wishing to break the perfection of the moment—but after a while Federico quietly spoke. “May it never change us either, fratellino. Come, we must get back. There is the roof of our palazzo. Pray God Father hasn’t stayed up all night, or we really will be for it. Let’s go.”

He made for the edge of the tower in order to climb back down to the roof, but stopped when he saw that Ezio had remained where he was. “What is it?”

“Wait a minute.”

“What are you looking at?” asked Federico, rejoining him. He followed Ezio’s gaze and then his face broke out into a grin. “You sly devil! You’re not thinking of going there now, are you? Let the poor girl sleep!”

“No—I think it’s time Cristina woke up.”



Ezio had met Cristina Calfucci only a short time before, but already they seemed inseparable, despite the fact that their parents still deemed them too young to form a serious alliance. Ezio disagreed, but Cristina was only seventeen and her parents expected Ezio to rein in his wild habits before they would even begin to look more kindly on him. Of course, this only served to make him more impetuous.

Federico and he had been lounging in the main market after buying some trinkets for their sister’s Saint’s Day, watching the pretty girls of the town with their accompagnatrice as they flitted from stall to stall, examining lace here, ribbons and bolts of silk there. But one girl had stood out from her companions, more beautiful and graceful than anyone Ezio had ever seen before.

Ezio would never forget that day, the day on which he had first set eyes on her.

“Oh,” he had gasped involuntarily. “Look! She’s so beautiful.”

“Well,” said his ever-practical brother. “Why don’t you go over and say hello?”

“What?” Ezio was shocked. “And after I’ve said hello—what then?”

“Well, you could try talking to her. What you’ve bought, what she’s bought—it doesn’t matter. You see, little brother, most men are so afraid of beautiful girls that anyone who actually plucks up the courage to have a chat stands at an immediate advantage. What? You think they don’t want to be noticed, they don’t want to enjoy a little conversation with a man? Of course they do! Anyway, you’re not bad-looking, and you are an Auditore. So go for it—and I’ll distract the chaperone. Come to think of it, she’s not so bad-looking herself.”

Ezio remembered how, left alone with Cristina, rooted to the spot, at a loss for words, drinking in the beauty of her dark eyes, her long, soft auburn hair, her tip-tilted nose . . .

She stared at him. “What is it?” she asked.

“What d’you mean?” he blurted out.

“Why are you just standing there?”

“Oh . . . erhm . . . because I wanted to ask you something.”

“And what might that be?”

“What’s your name?”

She rolled her eyes. Damn, he thought, she’s heard it all before. “Not one you’ll ever need to make use of,” she said. And off she went. Ezio stared after her for a moment, then set off after her.

“Wait!” he said, catching up, more breathless than if he’d run a mile. “I wasn’t ready. I was planning on being really charming. And suave! And witty! Won’t you give me a second chance?”

She looked back at him without breaking her stride, but she did give him the faintest trace of a smile. Ezio had been in despair, but Federico had been watching and called to him softly: “Don’t give up now! I saw her smile at you! She’ll remember you.”

Taking heart, Ezio had followed her—discreetly, taking care she wouldn’t notice. Three or four times he had to dart behind a market stall, or, after she had left the square, duck into a doorway, but he’d managed to tail her pretty successfully right up to the door of her family mansion, where a man he recognized had blocked her path. Ezio had drawn back.

Cristina looked at the man angrily. “I’ve told you before, Vieri, I’m not interested in you. Now, let me pass.”

Ezio, concealed, drew in a breath. Vieri de’ Pazzi! Of course!

“But signorina, I am interested. Very interested indeed,” said Vieri.

“Then join the queue.”

She tried to get past him, but he moved in front of her. “I don’t think so, amore mio. I’ve decided that I’m tired of waiting for you to open your legs of your own volition.” And he seized her roughly by the arm, drawing her close, putting his other arm round her as she struggled to get free.

“I’m not sure you’re getting the message,” said Ezio suddenly, stepping forward and looking Vieri in the eye.

“Ah, the little Auditore whelp. Cane rognoso! What the hell do you have to do with this? To the devil with you.”

“And buon’ giorno to you too, Vieri. I’m so sorry to intrude, but I have the distinct impression that you’re spoiling this young lady’s day.”

“Oh, you do, do you? Excuse me, my dearest, while I kick the stuffing out of this parvenu.” With that, Vieri had thrust Cristina aside and lunged at Ezio with his right fist. Ezio parried easily and stepped aside, tripping Vieri as the momentum of his attack carried him forward, sending him sprawling in the dust.

“Had enough, friend?” said Ezio mockingly. But Vieri was on his feet in an instant, and came towards him in a rage, fi sts flailing. He’d got one hard blow in to the side of Ezio’s jaw, but Ezio warded off a left hook and got two of his own in, one to the stomach and, as Vieri bent double, another to his jaw. Ezio had turned to Cristina to check that she was all right. Winded, Vieri backed off, but his hand flew to his dagger. Cristina saw the movement and gave an involuntary cry of alarm as Vieri brought the dagger plunging down towards Ezio’s back, but, warned by the cry, Ezio had turned in the nick of time and seized Vieri firmly by the wrist, wrenching the dagger away from him. It fell to the ground. The two young men stood face to face, breathing hard.

“Is that the best you can do?” Ezio said through gritted teeth.

“Shut your mouth or by God I’ll kill you!”

Ezio laughed. “I suppose I shouldn’t be surprised to see you trying to force yourself on a nice girl who clearly thinks you’re a complete ball of dung—given the way your pappa tries to force his banking interests on Florence!”

“You fool! It’s your father who needs to be taught a lesson in humility!”

“It’s time you Pazzi stopped slandering us. But then, you’re all mouth and no fist.”

Vieri’s lip was bleeding badly. He wiped it with his sleeve. “You’ll pay for this—you and your whole breed. I won’t forget this, Auditore!” He spat at Ezio’s feet, stooped to retrieve his dagger, then turned, and ran. Ezio had watched him go.



He remembered all this, standing there on the church tower and looking across at Cristina’s house. He remembered the elation he’d felt as he’d turned back to Cristina and seen a new warmth in her eyes as she’d thanked him.

“Are you all right, signorina?” he’d said.

“I am now—thanks to you.” She’d hesitated, her voice still trembling with fear. “You asked me my name—well, it’s Cristina. Cristina Calfucci.”

Ezio bowed. “I am honoured to meet you, Signorina Cristina. Ezio Auditore.”

“Do you know that man?”

“Vieri? Our paths have crossed now and then. But our families have no reason to like one another.”

“I never want to see him again.”

“If I can help it, you won’t.”

She smiled shyly, then said, “Ezio, you have my gratitude—and because of that, I am prepared to give you a second chance, after your bad start!” She laughed gently, then kissed him on the cheek before disappearing into her mansion.

The small crowd that had inevitably gathered had given Ezio a round of applause. He had bowed, smilingly, but as he’d turned away he’d known that he might have made a new friend, but he had also made an implacable enemy.

“Let Cristina sleep,” Federico said again, drawing Ezio back from his reverie.

“Time enough for that—later,” he replied. “I must see her.”

“All right, if you must—I’ll try to cover for you with Father. But watch yourself—Vieri’s men may still be about.” With that, Federico shinned down the tower to the roof, and bounded off that into a hay-wagon parked in the street which led home.

Ezio watched him go, then decided to emulate his brother. The hay-wain looked very far below him, but he remembered what he’d been taught, controlled his breathing, calmed himself, and concentrated. Then he flew into the air, taking the greatest leap of his life so far. For an instant he thought he might have misjudged his aim, but he calmed his own momentary panic and landed safely in the hay. A true leap of faith! A little breathless, but exhilarated at his success, Ezio swung himself into the street.

The sun was just appearing over the eastern hills but there were still very few people about. Ezio was just about to start off in the direction of Cristina’s mansion when he heard echoing footsteps and, desperately trying to conceal himself, he shrank into the shadows of the church porch and held his breath. It was none other than Vieri and two of the Pazzi guards who rounded the corner.

“We’d better give up, chief,” said the senior guard. “They’ve long gone by now.”

“I know they’re here somewhere,” snapped Vieri. “I can practically smell them.” He and his men made a circuit of the church square but showed no sign of moving on. The sunlight was shrinking the shadows. Ezio cautiously crept into the shelter of the hay again and lay there for what seemed an age, impatient to be on his way. Once, Vieri passed so close that Ezio could practically smell him, but at last he motioned his men with an angry gesture to move on. Ezio lay still for a while longer, then climbed down and let out a long sigh of relief. He dusted himself off, and quickly covered the short distance that separated him from Cristina, praying that no one in her household would yet be stirring.

The mansion was still silent, though Ezio guessed that servants would be preparing the kitchen fires at the back. He knew which Cristina’s window was, and threw a handful of gravel up at her shutters. The noise seemed deafening and he waited, heart in mouth. Then the shutters opened and she appeared on the balcony. Her nightdress revealed the delicious contours of her body as he gazed up at her. He was at once lost in desire.

“Who is it?” she called softly.

He stood back so she could see him. “Me!”

Cristina sighed, though in a not unfriendly way. “Ezio! I might have known.”

“May I come up, mia colomba?”

She glanced over her shoulder before answering in a whisper. “All right. But just for a minute.”

“That’s all I need.”

She grinned. “Indeed?”

He was confused. “No—sorry—I didn’t mean it quite like that! Let me show you . . .” Looking round himself to make sure the street was still deserted, he gained a foothold in one of the large iron rings set into the grey stonework of the house for tethering horses, and hoisted himself up, finding relatively easy handholds and footholds in the rusticated masonry. In two winks of an eye he had hoisted himself over the balustrade and she was in his arms.

“Oh, Ezio!” she sighed as they kissed. “Look at your head. What have you been doing this time?”

“It’s nothing. A scratch.” Ezio paused, smiling. “Perhaps now I’m up, I could also come in?” he said gently.

“Where?”

He was all innocence. “To your bedchamber, of course.”

“Well, perhaps—if you’re sure a minute is all you need . . .”

Their arms around each other, they went through the double doors into the warm light of Cristina’s room.

An hour later, they were awakened by the sunlight streaming in through the windows, the bustling noises of carts and people in the street, and—worst of all—the sound of Cristina’s father’s voice as he opened the bedroom door.

“Cristina,” he was saying. “Time to get up, girl! Your tutor will be here at any— What the devil? Son of a bitch!”

Ezio kissed Cristina, quickly but hard. “Time to go, I think,” he said, seizing his clothes and darting to the window. He shinned down the wall and was already pulling on his suit when Antonio Calfucci appeared on the balcony above. He was in a white rage.

“Perdonate, Messere,” Ezio offered.

“I’ll give you perdonate, Messere,” yelled Calfucci. “Guards! Guards! Get after that cimice! Bring me his head! And I want his coglioni as well!”

“I’ve said I’m sorry—” Ezio began, but already the gates of the mansion were opening and the Calfucci bodyguards came rushing out, swords drawn. Now more or less dressed, Ezio set off at a run down the street, dodging wagons and pushing past citizens on his way, wealthy businessmen in solemn black, merchants in browns and reds, humbler folk in homespun tunics and, once, a church procession which he collided with so unexpectedly that he all but tipped over the statue of the Virgin the black-cowled monks were carrying. At last, after ducking down alleys and leaping over walls, he stopped and listened. Silence. Not even the shouts and curses that had followed him from the general population could be heard any more. As for the guards, he’d shaken them off, he was sure of that.

He only hoped Signor Calfucci hadn’t recognized him. Cristina wouldn’t betray him, he could be sure of that. Besides, she could run rings round her father, who adored her. And even if he did find out, Ezio reflected, he wouldn’t be a bad match. His father ran one of the biggest banking houses in town, and one day it might be bigger than that of the Pazzi or even—who knew?—of the Medici.

Using back streets, he made his way home. The first to meet him was Federico, who looked at him gravely and shook his head ominously. “You’re in for it now,” he said. “Don’t say I didn’t warn you.”

Most helpful customer reviews

81 of 94 people found the following review helpful.
Could have been better
By Builderofstuff
I love the game so I couldn't resist buying the book. I'm sad to say that I am thus far disappointed in the book. I think the idea of a book or series of books based on the characters is a great idea, but maybe a different author would have been better. One of the things that first made me stop and say "really? did he really just use that phrase?" was the line in which the main character and his older brother are racing along the rooftops, and the older brother says to Ezio, "you went past me like greased lightening". Now I'm no author, but I'm pretty sure that they didn't use the phrase "greased lightening in renaissance Italy. I could be wrong, but I'm pretty sure they didn't. That coupled with a few of the character names, which sounded to me like the author just made them up by adding the letter o onto the end of them, well basically it just got to the point where I had to put the book down and walk away.

Great idea, bad execution.

12 of 12 people found the following review helpful.
Don't expect an original story outside the game
By Richard Baker
The Good: Sticks close to the script, you really feel like you're in the game

The Bad: Takes a lot of the game out, relies too much on the script, secondary characters aren't developed enough, rushed in spots

Assassin's Creed is one of those games that is really tricky to put into book form and it didn't quite get pulled off right here in Oliver Bowden's adaptation of the second game. Assassin's Creed has two parts: One is a science fiction story where a man named Desmond Miles is captured by a secret government organization and stuck in an Animus machine to unlock the DNA of his ancestors and find the Pieces of Eden. The second part is whatever time period Desmond is throw in and in this case he is Ezio Auditore de' Firenze in 1476 Italy.

The book completely cuts out the science fiction part of the game and just concentrates on what's going on in the Animus, but dismisses this as well. This may be great for people who don't like the science fiction side of Assassin's Creed, but fans will miss this. Bowden also relies to heavily on the script of the game to drive the book, and rarely do you get to be inside the minds of the characters as much as you'd like to be. He rarely delves further than the games do and this is disappointing.

A lot of the secondary characters are built upon very well and you never feel for them except for Ezio. You always feel the other characters are just add-ons and not really important in the story. All of this is just more evidence that Bowden relied to heavily on the script. The book does include the story pieces from the DLC Bonfire of the Vanities and Battle for Forli, so you get some of that included that wasn't in the original game.

The bits of Italian are nice, but most readers who didn't play the game won't realize that this was because the Animus 2.0 had bugs in it that couldn't translate all of it into English for Desmond. There is, however, a nice dictionary at the back of the book that translates all the Italian phrases for you.

All in all the book is great for fans and non fans, but fans will be more disappointed than non fans will be. The book just takes too much away from the game and doesn't add anything back. It's a decent read, and feels rushed in spots, but there are better video game novels out there for sure.

10 of 11 people found the following review helpful.
Loved this book
By Dani Way
Assassin's Creed is my all-time favourite game series; I am enthralled by it! Sadly, right now I moved to te U.S. (I am not originally from here) and thus I had to leave my Xbox behind; well it actually belongs to my brother. My point is, while I am saving up for a new Xbox and to buy the Assassin's Creed games again, reading this novel and the one from Brotherhood has been what has saved me from going insane. I don't know why several people haven't liked it. I had no problems whatsoever with the author's style, and actually this novel helped me to better comprehend what went on in ACII because honestly some assassinations had me a bit confused and happened so fast that I didn't understand who I was killing or why.
Great purchase, and I am currently reading Brotherhood! :)
Insieme per la vittoria! :D

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* Download Count Zero, by William Gibson

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Count Zero, by William Gibson

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Count Zero, by William Gibson

Turner, corporate mercenary, wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him for a mission more dangerous than the one he's recovering from: Maas-Neotek's chief of R&D is defecting. Turner is the one assigned to get him out intact, along with the biochip he's perfected. But this proves to be of supreme interest to certain other parties--some of whom aren't remotely human.

Bobby Newmark is entirely human: a rustbelt data-hustler totally unprepared for what comes his way when the defection triggers war in cyberspace. With voodoo on the Net and a price on his head, Newmark thinks he's only trying to get out alive. Until he meets the angel.

A stylish, streetsmart, frighteningly probable parable of the future.

  • Sales Rank: #60187 in Books
  • Published on: 1987-04-01
  • Released on: 1987-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.89" h x .68" w x 4.19" l, .29 pounds
  • Binding: Mass Market Paperback
  • 246 pages
Features
  • Great book!

Amazon.com Review
Turner, corporate mercenary, wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him for a mission more dangerous than the one he's recovering from: Maas-Neotek's chief of R&D is defecting. Turner is the one assigned to get him out intact, along with the biochip he's perfected. But this proves to be of supreme interest to certain other parties--some of whom aren't remotely human.

Bobby Newmark is entirely human: a rustbelt data-hustler totally unprepared for what comes his way when the defection triggers war in cyberspace. With voodoo on the Net and a price on his head, Newmark thinks he's only trying to get out alive. A stylish, streetsmart, frighteningly probable parable of the future and sequel to Neuromancer

From Publishers Weekly
Gibson's first novel, Neuromancer, was greeted with hosannas and showered with awards. This second book, set in the same universe, again offers a faddish, glitzy surface not unlike that of Miami Vice. Gibson's central image is the shadow boxes constructed by the artist Joseph Cornell, collections of seemingly unrelated objects whose juxtaposition creates a new impression. In the same fashion, the novel has three protagonists, each of whom is putting together jigsaw clues in pursuit of his separate goal. The corporate headhunter, the art dealer and the computer hacker all find themselves being manipulatedjust as the author contrives to have their paths converge. This book is less appealing and less verbally skillful than Gibson's first novel, dense and dour as that was, but readers who liked that one will want to see this as well.
Copyright 1986 Reed Business Information, Inc.

Review
“Potent and heady.” —Philadelphia Daily News

“An intriguing cast of characters and a tough, glitzy image of computer consciousness and the future of mankind.” —Richmond Times-Dispatch

“Count Zero shares with Neuromancer that novel’s stunning use of language, breakneck pacing, technological innovation, and gritty brand-name realism.” —Fantasy Review

“William Gibson’s prose, astonishing in its clarity and skill, becomes high-tech electric poetry.” —Bruce Sterling

“Suspense, action…a lively story…a sophisticated version of the sentient computer, a long way from the old models that were simply out to Rule the World.” —Locus

Most helpful customer reviews

1 of 1 people found the following review helpful.
Kindle edition is typically worthless trash & ruins the story, buy an actual book instead
By Morgan P. Williams
As per usual, half the punctuation is missing because of crappy OCR, but even worse, every single one of the full line breaks which indicate a scene change are systematically removed. So you read a line of dialogue and then the very next line is being said hours later, or in a different frame of reference, etc., and doesn't make sense until you think about it a minute and realize that there used to be a visual indication of the frame shift which has been removed because Amazon churns out shoddy product and charges full price for it.

0 of 0 people found the following review helpful.
Fun, in a grim sort of way
By Chris Bickford
Gibson takes this book and experiments.
Three story lines unfold across the pages.
Each character sees things differently, and you can see the differences. Is Conroy a simple agent with his thatch of white hair, or a dude with the meanest mouth you ever saw? Both.
Does this book wander off into some seriously weird voodoo? You bet.
Is it still stylish in that 80s noir sort of way, with yuppies expanding to the ultimate form, Japanese ruling over all with mega-corporations, and the poor just plain poor. You bet.
There's even hot cyberdecks, drugs and rogue biotechnology, for the cyberpunk purist.
The later exercises of Gibson take the same form, and repeat to triteness. This book, being an experiment, is still fresh and interesting.
If it blows you away, keep reading Gibson. If it's not exactly thrilling, there are many other authors to sample. But give it a read and see what you think. The time will be well spent.

0 of 0 people found the following review helpful.
in fact better than neuromancer!
By Jeff Geiringer
this book is fantastic. better and more complex than neuromancer in my view; a worthy sequel. very much a bridge between neuromancer and mona lisa overdrive, but stands alone strong on its own as well.

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Kamis, 29 Mei 2014

>> Ebook Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert

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Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert

Dune Messiah continues the story of the man Muad'dib, heir to a power unimaginable, bringing to completion the centuries-old scheme to create a super-being.

"Brilliant...It is all that Dune was, and maybe a little bit more."--Galaxy Magazine

  • Sales Rank: #15742 in Books
  • Color: Brown
  • Brand: Ace
  • Published on: 1987-07-15
  • Released on: 1987-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .90" w x 4.20" l, .35 pounds
  • Binding: Mass Market Paperback
  • 336 pages
Features
  • Great product!

From Publishers Weekly
In 1965 Frank Herbert published Dune. After it was heralded as a masterpiece of science fiction, he wrote the briefer Dune Messiah in 1969, concentrating eponymously on Paul Atreides, and then, sensing the sales potential, added sequels. They were continued by his son, culminating in the just published finale, Sandworms of Dune. Now, 38 years after its publication, four narrators capture Dune Messiah on discs, while listeners, with no glossary, try to recall the meaning of its esoteric nomenclature. The audio gets off to a lively start as the book opens with nearly all conversation, playing up the camaraderie between the narrators who have partnered on several other readings of classic sci-fi novels. While the cast works well together, some of the male narrators emphasize a stately dullness. Kellgren, the sole feminine voice, supplies real emotion and a true sense of awe. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Brilliant...it is all that Dune was, and maybe a little more".

-- Galaxy Magazine

From the Publisher
6 1.5-hour cassettes

Most helpful customer reviews

243 of 271 people found the following review helpful.
Quite possibly the best in the series.
By Jonnyboy117
Dune Messiah suffers in the general consensus from being plot-driven and extremely complex; for readers who take the time and effort to delve into its themes and characters, it is one of the greatest sci-fi books of all time. Messiah is not so much a sequel to Dune as it is a companion; it is impossible to fully understand the themes, motivations, and implications of the original Dune (or any of the others, even) without reading and comprehending Dune Messiah. Herbert takes his average hero from the first book and shapes him into a realistic, faulted human -- ironic considering Paul's decidedly abnormal powers. Finally, we see Muad'dib as he really is: torn by his position as emperor, cursed by his vision of the future, yet still capable of his duties to kingdom and family. His ultimate fate sums up a masterful, twisted analogy to the life of Christ. This is also the incredible origin of Duncan...the Duncan you will come to know throughout the other books. Messiah is not for the faint of heart though. If you can't handle a lot of philosophy, just keep walking. Some points in Dune Messiah are so profound that I had to quit reading and just spend a couple minutes thinking about what Herbert means. What a rare treat that is; I can honestly say that Dune Messiah changed the way I think about things, about life. If you give it a chance, it may just do the same for you.

142 of 158 people found the following review helpful.
Think of it as Part 4 of the first book.
By Michael D Ward
The first time a read Dune: Messiah I was more than a little disappointed. By when I re-read Dune I also re-read Dune: Messiah. This was the first time I'd read them back-to-back, and I realized that Dune: Messiah was actually the conclusion to Dune and not a seperate book. As a stand alone book it's barely passable, as a sequal it's worth 3-stars, but as the fourth part of the first book it's a perfect conclusion. Dune was divided into 3 parts (called books) and the last ends with a nice Hollywood ending. Dune: Messiah shows the real conclusion to Paul's Life and the real consequences of his actions in the rest of the book. I think Herbert had to end the first book with Paul on top of the Universe because that is what reader's want, but Messsiah is a more somber look at what it means to have power. After I had re-read Dune and Dune: Messiah, I came across used cliff notes for Dune, and I noticed that it had an essay which treated to two books as one and compared them to a Greek epic pointing out that Greek epics didn't end when the hero was on top, but continued to the end of the hero's life. With the inclusion of Dune: Messiah, Dune now tells us the complete story of Paul's life, and what an incredible story it is. Do not read this book, rather read Dune and this book together.

63 of 69 people found the following review helpful.
Misunderstood genius
By John Tilelli MD
One of the problems with a sequel is that it must contend with the preconceptions of readers, who have ideas about where the plot should go. Never mind what the author thinks, thank you very much. In this case, the handicap is what we think Should Happen to Paul after all he's gone through in Dune. Isn't this the time for them to ride off into the sunset? It would be really great to think that he is a wonderful guy, marries Chani and lives happily ever after. A lot of the reviews of this second volume in the encyclopedic Dune series seem to yearn for it. Sorry, we have to disappoint you.
Imagine for a moment that you are the son of a pretty influential guy, that you are pretty happy in your present home, and dad's boss sends him on a wild goose chase after a fortune, hoping, no Planning, that you fail, in order that he can secure a fortune, kill your whole family, and discredit your name forever. Now imagine that you narrowly escape, head off to exile where you are treated with suspicion, alternately an outsider and then as a god. In taking your revenge, you acquire the most important commodity in the universe, and you acquire the status of cult hero living god and emperor of the universe. Do you really think that you would be Mr. Nice Guy after all that?
If one looks at Dune in this light, what happens in this sequel, Dune Messiah seems right. Your relcuctant bride, Irulan, is sure to be bitter, and want only to be the bearer of the next emperor. If you are Bene Geserit, you would do anything to interfere with Paul. If you are from one of the conquered worlds, you very likely not be happy about this bitter guy being emperor. If you are of the spacing guild you won't be happy about him having control of the spice. If you are a Paul disciple, you are going to die for him and the heck with anyone else. Thus the fight card is set: Paul and his cult vs. all his detractors, virtually everyone in the universe. Mr. Herbert gives us the blow-by-blow in a relatively compact synopsis.
Perhaps the above is a bit too obtuse. Suffice it to say that if you expect to find Mr. Wonderful hero in this, you should look elsewhere. Likewise if you need a warm and fuzzy romance or a shootemup space opera, you may not want to venture here. But if you want to explore the logical consequences of the price of power, and the bitterness it generates, this is just the ticket. I have read and reread this series at different times of my life, and each time am amazed at what I find new in each reading. Mr. Herbert holds up well beside so-called "legitimate" authors, and is head and shoulders above most of our current fantasy crop. Read this book and the rest of the series with an open mind and be amazed.

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>> Ebook Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert Doc

>> Ebook Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert Doc
>> Ebook Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert Doc