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• Sales Rank: #432198 in Books
• Published on: 1987-07-15
• Released on: 1988-01-07
• Original language: English
• Number of items: 1
• Dimensions: 5.00" h x 1.00" w x 7.00" l, .0 pounds
• Binding: Mass Market Paperback
• 830 pages

About the Author
Robert Anson Heinlein was born in Missouri in 1907, and was raised there. He graduated from the U.S. Naval Academy in 1929, but was forced by illness to retire from the Navy in 1934. He settled in California and over the next five years held a variety of jobs while doing post-graduate work in mathematics and physics at the University of California. In 1939 he sold his first science fiction story to Astounding magazine and soon devoted himself to the genre.

He was a four-time winner of the Hugo Award for his novels Stranger in a Strange Land (1961), Starship Troopers (1959), Double Star (1956), and The Moon is a Harsh Mistress (1966). His Future History series, incorporating both short stories and novels, was first mapped out in 1941. The series charts the social, political, and technological changes shaping human society from the present through several centuries into the future.

Robert A. Heinlein's books were among the first works of science fiction to reach bestseller status in both hardcover and paperback. he continued to work into his eighties, and his work never ceased to amaze, to entertain, and to generate controversy. By the time hed died, in 1988, it was evident that he was one of the formative talents of science fiction: a writer whose unique vision, unflagging energy, and persistence, over the course of five decades, made a great impact on the American mind.

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0 of 0 people found the following review helpful.
Five Stars
By William
Great work from Heinlein.. what else can I say.

13 of 14 people found the following review helpful.
Future History In Order
By Dave_42
This is a fantastic collection. To begin with, almost the entire contents of the two collections ("The Green Hills of Earth" and "The Man Who Sold the Moon") are here ("Let There Be Light" is not included). Next there is "Searchlight" a short vignette which Heinlein wrote as part of an advertisement for Hoffman Electronics. In addition there is "The Menace From Earth", "If This Goes On-", "Coventry", "Misfit", and the novel "Methuselah's Children. All in all, over 800 pages of stories from Heinlein's Future History.

This collection of Future History stories was published in 1967, and while the claim made on the back cover of having all the Future History works included is not true, it is a truly great collection of 21 of them. A couple of the missing ones include the aforementioned "Let There Be Light", and "Farmer in the Sky", and there may be some other ones which I have forgotten. The stories were all written between 1939 and 1962, with the majority of the work coming from the 40s. Here is a list of the included material, along with some of the recognition it has received:

* "Life-Line" - Short Story - August, 1939 - Tied for 14th on the 1971 Astounding/Analog All-Time Poll for Short Fiction written before 1940.

* "The Roads Must Roll" - Novelette - June, 1940 - Tied for 28th on the 1971 Astounding/Analog All-Time Poll of Short Fiction.

* "Blowups Happen" - Novella - September, 1940.

* "The Man Who Sold the Moon" - Novella - 1950 - Tied for 35th on the 1971 Astounding/Analog All-Time Poll of Short Fiction. 5th on the 1999 Locus All-Time Poll for Novella's. Won the Retro Hugo in 2001 for Best Novella for the year 1950.

* "Delilah and the Space-Rigger" - Short Story - December, 1949.

* "Space Jockey" - Short Story - April 26, 1947.

* "Requiem" - Short Story - January 1940 - Tied for 17th on the Locus All-Time Poll for Short Stories in 1999. Nominated for the Prometheus Hall of Fame in 2002. Won the Prometheus Hall Of Fame award in 2003.

* "The Long Watch" - Short Story - December, 1949 - Tied for 30th on the 1971 Astounding/Analog All-Time Poll of Short Fiction. Tied for 33rd on the 1999 Locus All-Time Poll for Short Stories.

* "Gentlemen, Be Seated!" - Short Story - May, 1948.

* "The Black Pits of Luna" - Short Story - January 10, 1948.

* "It's Great to Be Back!" - Short Story - July 26, 1947.

* "-We Also Walk Dogs" - Short Story - July, 1941.

* "Searchlight" - Vignette - August, 1962.

* "Ordeal in Space" - Short Story - May, 1948.

* "The Green Hills of Earth" - Short Story - February 8, 1947 - Tied for 2nd on the 1971 Astounding/Analog All-Time Poll for Short Fiction. 10th on the 1999 Locus All-Time Poll for Short Stories.

* "Logic of Empire" - Novella - March, 1941.

* "The Menace from Earth" - Novelette - August, 1957.

* "If This Goes On -" - Novella - 1940.

* "Coventry" - Novella - July 1940.

* "Misfit" - Novelette - November 1939.

* Methuselah's Children - Novel - 1941 - 26th on the 1966 Astounding/Analog All-Time Poll for books. Won the Prometheus Hall of Fame award in 1997.

The stories are presented in Future History chronological order. The first story "Life-Line", takes place in 1951, and Methuselah's Children leaves us approaching the 23rd century. This is an outstanding collection of stories, from what many feel is the greatest science fiction writer of all time.

49 of 50 people found the following review helpful.
The complete Future History in one book
By Daniel Jolley
The Past Through Tomorrow contains all 21 stories, novellas, and novels of Heinlein's Future History series. The four books making up the series (The Man Who Sold the Moon, The Green Hills of Earth, Revolt in 2100, and Methuselah's Children) used to be a little hard to find in the pre-Internet days, making this collection an absolute boon to Heinlein readers. In addition to the convenience of having everything in one volume, this book also includes two stories that are not to be found in my copies of the originating books: "Searchlight" and "The Menace From Earth." These are rather lightweight stories, but they are quite entertaining.
It was actually Joseph W. Campbell, Heinlein's editor at Amazing Science-Fiction, who came up with the term Future History; Heinlein did have some of the stories mapped out on a timeline, but he never intended to make this a series in any real sense of the word. Up until the final selection, these stories are largely independent of one another. With Methuselah's Children, however, Heinlein traces the tale's antecedents to his very first story "Life-Line," incorporates a few characters from other assorted stories, and casts a web of continuity over the whole package. Even still, this is only "a" future history, not "the" future history. Aspects of Heinlein's science indeed worked its way into the real world over time, but one would be wrong to label this body of work as some type of prophetic endeavor on the author's part.
The contents of this collection basically offer the reader the cream of the crop of Heinlein's early fiction. Among the stories deserving special mention here are the novella "The Man Who Sold the Moon," featuring one of Heinlein's most unforgettable protagonists, "-We Also Walk Dogs," the story of a company able to perform small miracles to meet the needs of its clients, "If This Goes On-," a tale of the repressive theocracy that followed in the wake of evangelist Nehemiah Scudder usurpation of power, and the novel Methuselah's Children which brings the vision of these stories all together. I have only one criticism of this fine collection: no special mention is made of the century-long gap between "Logic of Empire" and "If This Goes On-." The fall of American democracy at the usurping hands of Scudder is a story that Heinlein never told, so the reader may be shocked to find a forward-looking free America suddenly transformed into an anachronistic, brutal autocratic regime at the start of the latter of these two stories. In my copy of Revolt in 2100, Heinlein includes a postscript concerning the stories never written-this does much to explain the striking transition that defines the "missing century" of this Future History, and it's a shame that this postscript did not find its way into this omnibus collection.
The Past Through Tomorrow serves as a wonderfully useful map to the writing of Robert A. Heinlein. Not only does it contain the most important of his early short stories, it also sets the stage and provides the background material for Heinlein's later novels featuring the likes of the remarkable Lazarus Long.

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Twenty-five year old Frances Field wanted desperately to get away from her guardians' dull London townhouse. Unforeseen circumstances finally gave her the chance to escape. She decided for the first time in her life to go off on her own, to a quiet fishing village in Scotland. There she is drawn to the sophisticated, dazzling world of army men and their wives, and finds herself falling in love with one especially charming young officer...whose affections are elsewhere engaged.

• Sales Rank: #2677622 in Books
• Published on: 1978
• Number of items: 1
• Binding: Mass Market Paperback
• 470 pages

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5 of 6 people found the following review helpful.
One of my favorites!
By jreader
This is one of my favorite D. E. Stevenson novels -- love seeing Frances come to life like the spring, make lots of new friends, and find her own place in life!

7 of 10 people found the following review helpful.
Frances Comes of Age in Small Scottish Village...
By B. Roca
Frances Field is an orphan raised by her aunt and uncle in London. Her aunt was not abusive but was extremely selfish and domineering. Frances is a gentle girl and simply could not develop her own personality under such an influence. With the help of a local doctor and the Blitz, Frances goes out on her own at 25 years of age during the WWII. She saw a postcard of the village of Cairn in Scotland and decides to take a holiday there. She meets an very interesting cast of village characters as well as having an army encampment with several officers and their wives to get to know. How she makes her new life is a cozy read for a cold day.

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• Sales Rank: #15657554 in Books
• Published on: 1976
• Number of items: 1
• Binding: Paperback

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The desert planet Arrakis, called Dune, has been destroyed. Now, the Bene Gesserit, heirs to Dune's power, have colonized a green world--and are turning it into a desert, mile by scorched mile.

Here is the last book Frank Herbert wrote before his death. A stunning climax to the epic Dune legend that will live on forever...

• Sales Rank: #34993 in Books
• Color: Brown
• Brand: Herbert, Frank
• Published on: 1987-07-01
• Released on: 1987-07-01
• Original language: English
• Number of items: 1
• Dimensions: 6.90" h x 1.20" w x 4.30" l, .49 pounds
• Binding: Mass Market Paperback
• 448 pages

From Publishers Weekly
Now that the planet Arrakis (Dune) has been annihilated, the Bene Gesserit order turns its stronghold Chapterhouse into another desert world, and from this base, the sisterhood plans its moves against ruthless rivals. Drawing on a vast store of history and religion, the book is "so rich in this one area that others suffer and the narrative crawls," PW observed.
Copyright 1986 Reed Business Information, Inc.

Review
"Compelling...a worthy addition to this durable and deservedly popular series."
-New York Times

"The vast and fascinating Dune saga sweeps on."
-Kirkus Reviews

From the Publisher
13 1.5-hour cassettes

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81 of 86 people found the following review helpful.
The epic series concludes
By mrliteral
It may not have been his intent, but fate has made Chapterhouse Dune the last book in Frank Herbert's Dune series. There may be others, and they may even be good (I haven't yet read them), but this book represents Herbert's final words on the subject. Although not perfect, and definitely leaving things open for another book, this is, overall, a worthy addition to the series.
In this book - a direct sequel to Heretics of Dune with many of the same characters - the Bene Gesserit sisterhood is under siege, threatened by the Honored Matres, a somewhat darker version of their own organization, that is sweeping viciously across the galaxy like a barbarian horde. With the original Dune lifeless after a Matres attack, the Bene Gesserit are trying to create a similar world out of their headquarters. Although they don't think of it in those terms, they are really trying to create a planetary ghola, a clone similar to that of recurring character Duncan Idaho. The book focuses on the war between the two sisterhoods.
The book does have its flaws. The rather open-ended conclusion may be forgiven if we believe that Herbert had another book intended. The characters are, as usual, overly serious and everything they do is filled with hidden meanings. Also, there is a feeling that Herbert was making up parts of this story as he goes along, with new movements suddenly appearing (such as the futuristic Jews who have never been previously mentioned although they have supposedly always been around).
In the end, what is the central point or character of this series? Is it a history of the Bene Gesserit, the House Atreides, Duncan Idaho or some combination of all these. My feeling that the center of this saga is the Tyrant Leto, with the first trilogy (Dune, Dune Messiah and Children of Dune) a story of his origin, the central book (God Emperor) the tale of his emperorship, and the final trilogy (Heretics, Chapterhouse and an intended final book) to be the story of Leto's Golden Path.
That is my theory. Whatever your own ideas, if you have enjoyed the previous books, you should enjoy this one also and when you conclude it, you will have read one of the most significant series in science fiction.

67 of 72 people found the following review helpful.
A brilliant ending to the whole series
By Codename
This book basically carries on from where Heretics Of Dune hardly stopped. But now the Honoured Matres, instead of simply holding a slight distaste for the Bene Gesserit, are head-hunting, searching out the original sisterhood's home planet: Chapter House Planet.
Already the Honoured Matres have laid bloody waste to dozens of Bene Gesserit planets, and the new Mother Superior (an Atreides with wild talent) can sense that the hunters are getting closer. So she hatches a radical plan that puts the entire sisterhood at risk, in the hope of finally punishing the Honoured Matres.
And brilliant it all is too. This is easily my second-favourite from the whole series (after Dune). After an initially slow lead up (one of Herbert's defining features, it seems) we get violently thrown into action, watching in breathless silence as the final conflict hits us.
As is always the way, you'll never know what is going to happen, never know who next will feel the chill of death, and you'll wow at one shock after another.
Suddenly, and quite unexpectedly, this last book suddenly made me stop seing the Dune series as a set of six books. The second-to-last chapter oh-so suddenly made me see the whole series as one story, made me see the pattern, told a story beyond the ending of Chapterhouse Dune. And I enjoyed it all very much.
As for the last chapter. Well. I've still no idea what to make of it. It's such an intriguing and unexpected last two pages. If anyone knows what it's about, what the hidden message is, I'd love to know.
It's worth reading the whole series just to get to this book. Read it all. The rewards for a sci-fi fan are better experienced than listened to. Go find out. Now. You'll never find a better series of books.

27 of 29 people found the following review helpful.
Chapterhouse: Dune -- The Sorcerer of Dune
By Bob R Bogle
[Nota Bene: As Frank Herbert's last two published novels in the Dune series, Heretics of Dune and Chapterhouse: Dune, along with the unwritten Dune 7, in fact comprise a single story that happened to be divided into three parts, I'll post the same review for both of the two published volumes. This review contains no spoilers.]

During the first half of his literary career, Frank Herbert focused most on coming to terms with what it meant to be conscious. The evolution of his thinking on the subject can be traced from real-world events which happened to him in his youth, through his earliest published science fiction stories, crude as they were, and on into novels like The Dragon in the Sea and the stories that would coalesce into The Godmakers, and certainly The Santaroga Barrier and Destination: Void. This line of thinking reached its fruition in the novels Dune and Dune Messiah.

Having expanded his understanding of the full spectrum of consciousness about as far as it could go (although admittedly he never stopped tinkering with the subject), in the second half of his career Herbert refocused his attention on how the limitations imposed upon individual consciousness - or perhaps it might be better to say the limited perspective encompassing a single human lifetime - leaves humanity ill-equipped to confront an infinite and ever-changing universe. In effect we end up in a continuous crisis mode, always vainly insisting that the world of tomorrow conform to the expectations of yesterday. We're persistently and comically always shocked to discover our assumptions are wrong. Elsewhere I have described this aspect of Herbert's thinking, the human failure to deal with, or even to recognize, the implications of an unbounded universe, as an absolute-infinity breach. This theme begins to emerge in Children of Dune and is especially prominent in God Emperor of Dune, for a final surmounting of the absolute-infinity breach is the primary target of Leto II's Golden Path. But we also encounter the concern in Herbert's final trilogy: Heretics of Dune, Chapterhouse: Dune, and (by implication) in the unwritten Dune 7.

It is a hallmark of Herbert's imagination that he pursues an ever-elaborating expanse of concerns, always tracing a spectral pathway across a continuum of broadening bandwidth, chasing after considerations of widening implications across grander and grander scales of magnitude. An original interest in a fleeting moment of hyperconsciousness ultimately led Herbert into defining consciousness, hyperconsciousness and subconsciousness in all their aspects and dramatizing what he had learned and concluded in his stories; likewise his contemplations of the diverse implications of the absolute-infinity breach. And it might be added that he pushed his spectral analytical approach through time as well, so the Dune saga becomes probably the most temporally discontinuous series ever written. The first three novels take place roughly around the year 21,200 AD. The drama of God Emperor of Dune unfolds 3,500 years later, and that of the last three books (Heretics of Dune and Chapterhouse: Dune are difficult novels, and attempting to distinguish them as separate novels, or independent from the unwritten Dune 7, is an artificial and arbitrary exercise) takes place an additional 1,500 years after that, placing us circa 26,200 AD.

As the primary goal of Children of Dune and God Emperor of Dune was to shatter the innate mythmaking in humanity that compels us to conservative convergence, these last three books are intended to unveil the consequences of living in a multiverse that has become irreparably divergent. This divergence followed in the wake of the downfall of the God Emperor and the subsequent Scattering of humanity not throughout multiple star systems or galaxies, but across multiple universes which are discontinuous with one another. Any threat can now come upon our heroes and heroines from any direction, but with all the eggs no longer in one basket, no matter what catastrophe might befall locally, the whole story can never come to a final end.

In Heretics of Dune (1984) and Chapterhouse: Dune (1985), the Bene Gesserit has recovered substantially from the tribulation of the era of the God Emperor, and now we're allowed a far more intensive view of the inner workings of the Sisterhood than ever before. But the Bene Gesserit and the remnants of the old Imperium, as ever, are confronted by a host of power-hungry enemies, new and old, in the usual style of Herbert's Machiavellian plotting. It is these plots-within-plots that seemingly all other reviewers have focused on, and I'll forego doing the same here.

Herbert said it wasn't until he was writing Children of Dune that he came to understand that an important role of an author was to entertain his readership. That will come as surprising news to some of you who like Herbert, and not to some of you who don't. But it's important to note that the word "entertainment" carries different connotations for readers than it does for hacks or more seriously-aspiring authors. Entertainment is something that is doled out to the action-adventure-thriller crowd, to those who love reading or going to the movies in no small part for the sheer escapism of the thing. Now I'm not overly bigoted about this. There's nothing more boring than a book that's, well, boring. But I think what Herbert was getting at was that as he matured as a writer he came to see, as many writers do, that plot per se is less interesting than character, no matter how many car chases or lasgun exchanges are involved.

I for one can't separate a reading of the last books of the Dune series from knowledge of what was going on in Herbert's life as he wrote them, which he did, by that way, at an absolutely furious pace. This happened to be during the most stressful part of his entire life. His wife, Beverly, had been dying for ten years, and the last two years of her life were especially painful for her and for her husband, both physically and emotionally. I believe that, had he lived, Frank Herbert would have easily written the Dune 7 novel to complete the series. I am less sanguine that he could ever have written another coherent novel after that one.

By the time God Emperor of Dune was published in 1981, and with the signed contracts for the later Dune novels in hand, Herbert was financially secure but, as I've suggested, he was suffering from increasing emotional instability. Furthermore, I can't help believing he was struck by a supreme irony, which is that, like Paul Maud'Dib, he now found himself hemmed in by the conservative mythology of his own image which he himself had created. To this day you can still see this in reviews of his later books, wherein readers who were born after Herbert's death still bemoan the fact that his later books are not like Dune in style. Everyone wanted, and continues to want, Frank Herbert to write books that seem like quote-unquote Frank Herbert books: everyone wanted, and wants, Herbert to remain frozen unchanging in 1965. But in his later years Herbert, with his financial security, felt free to try to break out of that myth regardless of the demands and expectations of his fans, and for this I applaud him. I'm sure he did have basic plot elements in mind for the last three books of the series - call this the "entertainment" necessary to bring the masses along - but it's quite obvious that he had already grown more interested in character development than in weaving such masterful webs of palace intrigue anymore.

Herbert wanted to change course, but he had not yet found a new direction. I see hints of this in Children of Dune, in which Duncan Idaho tells Alia about the practice of setting out blocks of marble in the desert to be etched by the blowing sand of a Coriolis storm. Idaho argues that the sculpted pieces produced are beautiful but they are not art, as they are not carved according to human volition. But in the latter books it is Sheeana who creates an abstract sculpture she calls "The Void," which is art. How might these two kinds of sculpture compare? What is the symbolic significance of Sheeana's abstract work? The question is particularly relevant, it seems to me, when Sheeana's piece is recognized as a symbol set in tension with a Van Gogh which, at the end of Chapterhouse: Dune is carted off into a new, uncharted universe. Clearly, I think, the matter can be read as a form of self-psychoanalysis undertaken by the author. "The Void" is the primitive and unformed new expression welling up inside him; the old and familiar, even conventional Van Gogh has been let slip away with a fond farewell.

A kind of quantum uncertainty pervades Heretics of Dune and Chapterhouse: Dune which are, after all, a single story occupying multiple volumes. We do not have enough pieces to interpret this story, which must therefore remain finally unadjudicated and unjudgeable. This is because the unwritten Dune 7 was also to have comprised a full third of the complete tale. We can see that Herbert was bending writing to a new direction, and we can hazard some educated guesses about (entertaining) plot elements that would have informed the third book, but we can never know. The best we can do is ponder any written records or notes that Herbert may have left behind as poles in the sand to mark the path he intended to follow. Anyone who possesses any such notes, it seems to me, can be a good steward to the memory of Frank Herbert only by publishing them in unexpurgated form: lacking that, Herbert's career accomplishments can never be properly assessed. And that is an injustice to an important 20th century American writer.

Bob R Bogle
Author of Frank Herbert: The Works

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* Download Ebook The Rowan, by Anne McCaffrey

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The Rowan was destined to become the greatest Prime Talent in human history, facing a lonely existence of servitude. Until she receives a telepathic plea from across the stars from a Prime named Jeff Raven-and falls in love with him.

• Sales Rank: #557046 in Books
• Color: Multicolor
• Brand: Ace
• Published on: 1991-09-01
• Released on: 1991-09-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 6.70" h x .80" w x 4.20" l, .25 pounds
• Binding: Mass Market Paperback
• 336 pages

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• Great product!

From Publishers Weekly
The Rowan, a powerful but lonely psychic in charge of the Federal Telepath & Transport service, touches minds and falls in love with another of her ilk who needs help fighting extraterrestrials. "In this sensitive portrayal (expanded from the author's first published story, 'Lady in the Tower') McCaffrey draws a warm and vivid picture of a struggling frontier society," said PW.
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
YA-- Rowan, a telepathic, telekinetic three-year-old, is the sole survivor of a mining disaster on a frontier planet. As she matures, her powers grow until she becomes one of a handful of "Primes" with the Federal Telepath & Teleport network, the organization responsible for telecommunications and shipping of cargo throughout the galaxy. Rowan finds herself alienated from humanity and her coworkers due to her unique talents and tremendous responsibilities until she senses Jeff Raven, a fellow talent, on the fringes of explored space. A bonding develops between the two when they are thrown together to help defeat aliens bent on destroying the human race. The Rowan was expanded from the short story "Lady in the Tower" in Get Off the Unicorn (1984). While not as strong a love story as The Ship Who Sang (1976, both Ballantine), McCaffrey weaves believable characters with a well-written story to produce this entertaining science fiction romance.
- John Lawson, Fairfax County Public Library, VA
Copyright 1991 Reed Business Information, Inc.

About the Author
Anne McCaffrey was the multi-award winning bestselling author of more than fifty books, including the Dragonriders of Pern series, the Freedom series, and the Tower and the Hive series.

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20 of 22 people found the following review helpful.
Wow! One of the best books I have ever read!
By Amanda
When my grandmother gave "The Rowan" to me (I love books), I turned it over and read the back. I was skeptical and not sure about it. I am not in to sci-fi but more into fantasy. I took it with me to my highschool testing and when I was done with it I took it out and started reading. When it was time to go on testing I couldn't put it down. I found the inter-space world Anne McCaffrey created had intwined me and caught me in its wondrous atmosphere. The story of a young powerful teleknetic orphan held me on the edge of my seat. The emotions and experiences of the young girl soon known as the Rowan wow'd me and made me see sci-fi in a new light. I keep it among my other favorites such as: Dragonlance series, the Chronicles of Narnia, and the Myst series. Amazing like no other book I couldn't believe how it still held my attention months later as I wondered about some of the events. The advanced world of earth and outer colonies was the future and AM had brought it to life with the powerful teleknetic minds of the FT&T it made me wish for more. The colorful worlds and wonders of the Rowan and her story is a true work of art. If you want to start a great series start reading the "Rowan" series. Truly excellents books probably Anne's best works ever.

8 of 8 people found the following review helpful.
The start of a very interesting Talent series!
By Valerie Matteson
Although there are actually about 3 "prequels" to this book including "To Ride Pegasus", "Pegasus in Flight" and "Pegasus in Space", the prequels are several generations before "The Rowan" but do give a nice background/foundation. I highly recommend reading the prequels as they are a nice series in and of themselves.

The Rowan is orphaned at 3 years old on Altair during a horrible mudslide which wipes out her family and an entire mining camp except her. She is heard and rescued because she is a very strong "Talent" -- a person with strong psi skills and in this case, telepathing (as well as telekinesis and teleport as shown later in the book). Her mental crying and shouting is heard throughout the planet by even minor Talents. The Prime, Siglen, on Altair has an inner ear condition which makes her violently ill when trying to travel in space. Siglen has inhibited all of the Primes (a T-1 or strongest of the Talents) she has trained so far and when they propose to send the Rowan to Earth for training she scares her as does the Rowan's past experiences. Thus Siglen and a host of other nurse/psychologists/engineers train the Rowan until she is ready for a Tower of her own.

She lands a post on Callisto, a moon of Jupiter, where there is a domed environment. The Rowan being very temperamental takes a few years to get her staff together finally setting on Afra of Capella for her T-3 assistant. She is contacted by a untrained Prime on the far out colony world of Deneb which is being invaded first by bio-warfare and then missiles by ruthless aliens. Even though she hasn't met this new Prime, she is drawn to him by his sense of humor and voice and charm. Jeff Raven, the new Prime, is not inhibited and can easily 'port himself to Callisto so they finally meet. The Rowan finally overcomes her fears when Jeff is very critically wounded by shrapnel from a leftover missile that landed on Deneb.

I like the love story and actually found it believable -- but maybe I am naive. As a mom of 6, I also loved the feelings expressed by the Rowan for her impending motherhood and the beginning of her maturity and her nurturing nature and love of family.

I recommend reading this and the books that follow!!

11 of 12 people found the following review helpful.
Classic McCaffrey
By Nina M. Osier
Years ago, I read a story by Anne McCaffrey that she later expanded into this novel. From there she went on to write a series of books about the dynasty of telepathic/telekinetic "Talents" founded by Altair's Angharad Gwyn (a/k/a "the Rowan") and Deneb's Jeff Raven. I've somehow managed to read Book One of the series last, but the story on which McCaffrey based it was so memorable that I almost thought I'd read it already. Until I noticed its copyright date, and realized that couldn't be true!

Orphaned at age three, little Angharad Gwyn has her memories of those first years of her life blocked by rescuers who desperately need to silence the child's telephathic cries for her dead parents. Since she therefore can't even remember her name, she comes to be called "the Rowan child" - for the mining company whose remote work site has fallen victim to a landslide, of which this little girl is the sole survivor. Hers is the strongest Talent that the Human colony-world Altair has yet bred, and she's immediately marked for training as a tower-dwelling Prime. She'll spend her adult life shifting cargo containers and passenger vessels, and military units as well, from one star system to another. Instantly, across light years of space. The Rowan's future looks bright, but lonely; because when Primes travel between worlds, they suffer horribly. Everyone knows that's true. Everyone, that is, except Jeff Raven - a "wild" Talent on far-off Deneb, who calls out to the Rowan for help when an alien invasion force bears down on his colony.

This is classic McCaffrey. Science fiction romance, published before anyone identified the sub-genre as such, with an intriguing "villian" in the alien invaders whose nature the rest of the series continues to explore. While I'm not generally fond of SF that accepts traditional gender roles as necessary to the point of being inevitable, I always wind up enjoying McCaffrey's books anyway. They're fun reads. The Rowan is no exception. I'm glad I finally caught up with it.

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> PDF Ebook Directive 51 (A Novel of Daybreak), by John Barnes

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Part philosophic discussion, part international terrorist faction, and part artists' movement, "Daybreak" consists of a group of diverse people with radical ideas who are united in their desire to take down modern civilization. And when they strike, the government has no choice but to implement its emergency contingency program: Directive 51.

• Sales Rank: #659362 in Books
• Brand: Ace
• Published on: 2011-02-22
• Released on: 2011-02-22
• Original language: English
• Number of items: 1
• Dimensions: 6.77" h x 1.06" w x 4.16" l, .52 pounds
• Binding: Mass Market Paperback
• 512 pages

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About the Author
John Barnes is the award-winning author of "Orbital Resonance, A Million Open Doors, Mother of Storms, Earth Made of Glass, The Merchants of Souls, Candle," and many other novels. With Apollo 11 astronaut Buzz Aldrin, he wrote the novels "Encounter with Tiber" and "The Return," He lives in Colorado.

From AudioFile
The first in a new postapocalyptic trilogy, DIRECTIVE 51 explores what happens in the United States when there is an assault on the country and George Bush's National Security Presidential Directive 51 is put into effect. Modern technology becomes useless, and the federal government must take drastic measures to maintain itself. Susan Ericksen's performance rides the highs and lows of the plot and the main characters. Her general avoidance of exaggeration in presenting events and personalities serves the book well. She sustains suspense without overdoing it, easing the tension when the plot focuses on mundane details. Her facility with accents helps depict subtle regional differences. J.E.M. © AudioFile 2010, Portland, Maine

Most helpful customer reviews

65 of 76 people found the following review helpful.
How to make the end of western civilization unexciting
By E. Botsford
WARNING: Mild spoilers ahead

I was really looking forward to reading Directive 51 after it was mentioned in the Atlantic's article re: cyberwarfare. I'm a sucker for end-of-the-world scenarios and I'm usually profoundly disappointed with their execution (2012, I'm looking at you). This book, sad to say, was no different.

The premise is interesting and had real potential for making a gripping novel about the end of the modern era and how people would cope with a disaster that wiped out everything we relied upon for the functioning of our society. Unfortunately, the characters you have access to are emerge relatively unscathed from the disaster and you are therefore not really exposed to the breadth and depth of the horror.

The book focuses almost exclusively on the members of the federal government charged with forecasting future threats, who then become the heads of state when the disaster takes hold. As such, they aren't really affected by the loss of power, of food, of clean water, of all modern conveniences. The book references entire cities burning to the ground, millions dying of starvation during the winter, thousands freezing to death while fleeing cities... but those events are presented when the main characters present "reports from the field" to other members of the government. You get no on-the-ground experiences of what it's like for people actually living through the event. The members of the government are cloistered in protected compounds with supplies of power, food and water. You're totally detached from the "reality" of the situation for 99.999% of the Earth's population and, as such, it's snooze-ville for disaster enthusiasts.

In addition, the plot itself suffers from a lot of weak spots. The connection between the main saboteurs and the Islamic terrorists is weakly explained and eventually just left for dead. The ability of hobby enthusiasts to resurrect dead trades and get museum-piece locomotives working seemed a bit too convenient and easy. And then, just when you think it can't get more implausible, the author throws in EMP bombs assembled by self-assembled robots on the moon and launched back to Earth... out of the blue, without much explanation at all of how they got there in the first place, who was involved with that segment of the conspiracy or really any explanation. It was the last straw for me.

To add insult to injury, the author falls back upon just about every tired end-of-the-world trope in this book. Sure, the main characters are an overweight redhead and a disabled man, instead of the usual pretty people that populate these books, but the author still gives us the same old romance between the two protagonists.

My verdict: Give it a miss, or wait for the inevitably bad movie.

24 of 28 people found the following review helpful.
Read it for the ideas
By Ivanhoe
John Barnes' novels have a tendency to tackle big ideas. It's hard enough to tackle one big idea in a novel (e.g., Vernor Vinge's "zones of thought" in A Fire Upon The Deep, or the nature of reality in Greg Egan's "Permutation City"), but Directive 51 takes on three: how the Internet can amplify emergent behavior to a level never before seen in civilization, even developing self-reinforcing mechanisms (this is a variant of the Meme War idea in some of his earlier books); a new take on the perils of technology (there are some very scary "what ifs" here); and an interesting take on continuity of American government and the fragility (or ultimate stability) of our Constitution. He does a fine job in teeing up these ideas and exploring them, but it seems almost too much for a single book, with the result (as other reviewers have noticed) that the characters lose out. I found that there were only a few whom I actually cared about (hint: they were not the Daybreakers), yet they got insufficient page count to really flesh them out. If this book is the first of several, then it may come off better as an introduction to the subsequent novels than standalone.

Despite the flaws, I found it an enjoyable (albeit scary) read precisely because of the ideas.

9 of 11 people found the following review helpful.
Too much dialogue
By august1229
Used for exposition. None of the conversations sound natural at all. They are always explaining. Boring scientific-like explanations of what was going on.

Yet I admit I could not put this down and read it in two days. But that's because you can skim it. There is little in the way of substance.

There are moments where it is interesting enough to keep you hooked. But no follow through. Then too much drama. I was ready for the resolution to begin when the EMP thing came up. Just too much. Start to resolve things already.

With Graham as the 50th President, and it is 2024, I got distracted by how many Presidents there were and noticed that the author made sure Obama was not re-elected in 2012 (must have been if Graham was the 49th President, 50th is you can Shuansten, or whatever his name was).

Unmemorable characters. Did not care about any of them or what happened to them or even what happened to the world. So much disaster you'd think that to write this, you'd have to really hate the world and especially the US.

The whole word was attacked and disposed of, except Australia, totally forgotten - until the last few pages when the silly EMP destroyed radio in Perth. But the author forgot about that continent before that, and so modern civilization would still have survived there.

The high points were some interesting points about the Constitution and the secession. Only Democrats handled it, and badly, of course. I would have been more interested in President Norcross, who inexplicably became all perfect and dropped his right wing Christian nation stuff. I thought it would have been more interesting had had been allowed to remain President and then turned out to be that Jesus freak after all - trying to impose a theocracy. Oh well.

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Against All Enemies (JAG in Space #4), by John G. Hemry

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After a long tour as legal officer aboard the starship USS Michaelson, Paul Sinclair is anticipating shore duty. Too bad it’s canceled when a group of religious fanatics hijacks a freighter and invades an asteroid. Fearing they could threaten the earth with asteroid debris, starships from several countries converge on the scene. But their mission turns deadly when the South Asian Alliance opens fire on the asteroid.

After the smoke clears, Paul suspects the Michaelson’s rules of engagement have been compromised—suspicions that are confirmed when NCIS asks him to work covertly as a spy. Someone onboard the Michaelson is selling secrets, and to uncover the traitor, Paul must walk the dangerous line between duty and honor…

• Sales Rank: #1158927 in Books
• Brand: Science Fiction Novels ACE Books
• Published on: 2005-12-27
• Released on: 2005-12-27
• Original language: English
• Number of items: 1
• Dimensions: 6.69" h x 1.00" w x 4.19" l, .35 pounds
• Binding: Mass Market Paperback
• 352 pages

Review
“Exceptionally thoughtful and intelligent…Paul Sinclair is the kind of imperfect hero we genuinely like.”—SF Reviews (online edition)
 
“Hemry’s real-world experience gives the investigation and subsequent courtroom scenes a convincing feel.” —Analog
 
“Hemry…provides more intelligent characters than most, has a good grasp of pacing, and provides a satisfying climax…It’s good entertainment.” —Eyrie (online edition)

About the Author
John G. Hemry, who writes under the pen name Jack Campbell, is a retired Naval officer who graduated from the U.S. Naval Academy in Annapolis before serving with the surface fleet and in a variety of other assignments. He is the author of The Lost Fleet series as well as the Stark’s War series and the Paul Sinclair series. His short fiction appears frequently in Analog magazine.

Most helpful customer reviews

16 of 16 people found the following review helpful.
4th tale of "space lawyers",
By Marshall Lord
"Against All Enemies" is the fourth book about Space navy officer Paul Sinclair.

It may or may not be the last book Hemry writes about him but it is definately the last in which he is the legal officer of the space cruiser USS Michaelson as Paul finishes his three year tour of duty on that ship during the course of the book.

The four books are:

A Just Determination

Burden of Proof

Rule of Evidence

Against All Enemies.

All four follow roughly the same pattern:

a) they start with some action and adventure in space,

b) something goes seriously wrong,

c) one of the participants faces a court martial,

d) Paul Sinclair's evidence plays a key role in determining

who is guilty or innocent.

The suggestion of what a far future space navy may be like appears to me to be interesting and probably as realistic as anyone writing now can hope to get. John Hemry was a naval officer and draws on that experience: in this book which is partly about espionage he used experienced gained when working for the US Naval Criminal Investigative Service from whom he learned in real life about catching those engaged in espionage.

I personally found all four books to be interesting and entertaining. Each stands on its own and you do not absolutely have to have read the first three to appreciate "Against All Enemies." Some readers who have read the first three Paul Sinclair books may feel that this is too similar to give them anything new.

I don't entirely share this view: for one thing each book introduces some new characters and each time Paul Sinclair has a slightly different role. There is also the ongoing story from book to book of Paul's relationship with his girlfriend, Jen. Although the plot outlines are very similar, until the last two chapters I was in some doubt in most of the books - and more in this fourth book than any of the others - whether the person accused would be convicted.

If you are interested in the idea of a "Judge Advocate General in space" my recommendation would be to start with "A Just Determination" and, if you enjoy it, read the rest in sequence.

5 of 6 people found the following review helpful.
A good, but not his best.
By Oliver Emerson
John Hemry has taken a different track with this novel than his previous novels. The moral and ethical problems revolve around responding to conflicting information brought forth in this and in previous Hemry novels. Through out the novel I wanted the author to take different approaches to the issues he was developing, but at the end of this book, I still don't know how I would or if I could take the novel to another resolution. Clearly, I rated this novel more for the philosophical issues raised, developend and then followed to the end of the novel, rather than any action that the author might have chosen to describe.

5 of 6 people found the following review helpful.
A bit more personal
By Amy Chused
This book follows the same pattern as the other three books in the series: In the course of his normal job as a space officer, Paul Sinclair gets sucked into a legal issue that requires him to balance his personal misgivings against his desire to do what is right.

The most interesting part of this novel is, IMO, the inside of Paul's head as he struggles to figure out just what _is_ the right thing to do.

If you like courtroom dramas and science fiction, go out and get all four of the books in this series -- there aren't many books out there that successfully combine the two.

See all 39 customer reviews...

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