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Neuromancer, by William Gibson
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A hard-boiled futuristic novel, NEUROMANCER uses as its stage the boundless range of modern cyberspace. The author's hero, Case, is a cyberspy, the best in the business. But he plays his games close to the edge and double-crosses the wrong people.
Banished from cyberspace and restricted to life in the physical world, Case hits the skids. But his luck turns when he gets another chance. To take it may cost him his life.
William Gibson is a guru of science fiction in the computer age, and NEUROMANCER is his "cyberpunk" masterpiece.
"Freshly imagined, compellingly detailed and chilling." (The New York Times)
- Sales Rank: #1132544 in Books
- Published on: 1985-10-15
- Released on: 1985-10-15
- Original language: English
- Number of items: 2
- Dimensions: 5.00" h x 1.00" w x 7.00" l,
- Binding: Mass Market Paperback
Amazon.com Review
Here is the novel that started it all, launching the cyberpunk generation, and the first novel to win the holy trinity of science fiction: the Hugo Award, the Nebula Award and the Philip K. Dick Award. With Neuromancer, William Gibson introduced the world to cyberspace--and science fiction has never been the same.
Case was the hottest computer cowboy cruising the information superhighway--jacking his consciousness into cyberspace, soaring through tactile lattices of data and logic, rustling encoded secrets for anyone with the money to buy his skills. Then he double-crossed the wrong people, who caught up with him in a big way--and burned the talent out of his brain, micron by micron. Banished from cyberspace, trapped in the meat of his physical body, Case courted death in the high-tech underworld. Until a shadowy conspiracy offered him a second chance--and a cure--for a price....
Review
“The quintessence of cyberpunk . . . An amazing virtuoso performance.” —The Washington Post
“[Gibson] invented the future with Neuromancer.” —Entertainment Weekly
“Unforgettable . . . The richness of Gibson’s world is incredible.” —Chicago Sun-Times
“Freshly imagined, compellingly detailed, and chilling in its implications.” —The New York Times
From the Publisher
6 1.5-hour cassettes
Most helpful customer reviews
540 of 566 people found the following review helpful.
Past Page 25 ...
By Loren Eaton
Adapted from ISawLightningFall.blogspot.com
The first time I tried to read Neuromancer, I stopped around page 25.
I was about 15 years old and I'd heard it was a classic, a must-read from 1984. So I picked it up and I plowed through the first chapter, scratching my head the whole time. Then I shoved it onto my bookshelf, where it was quickly forgotten. It was a dense, multilayered read, requiring more effort than a hormone-addled adolescent wanted to give. But few years later, I pulled the book down and gave it another chance. This time, William Gibson's dystopic rabbit hole swallowed me whole.
Neuromancer is basically a futuristic crime caper. The main character is Case, a burnt-out hacker, a cyberthief. When the book opens, a disgruntled employer has irrevocably destroyed parts of his nervous system with a mycotoxin, meaning he can't jack into the matrix, an abstract representation of earth's computer network. Then he receives a suspiciously sweet offer: A mysterious employer will fix him up if he'll sign on for a special job. He cautiously agrees and finds himself joined by a schizophrenic ex-Special Forces colonel; a perverse performance artist who wrecks havoc with his holographic imaginings; a long-dead mentor whose personality has been encoded as a ROM construct; and a nubile mercenary with silver lenses implanted over her eyes, retractable razors beneath her fingernails and one heckuva chip on her shoulder. Case soon learns that the target he's supposed to crack and his employer and are one and the same -- an artificial intelligence named Wintermute.
Unlike most crime thrillers and many works of speculative fiction, Neuromancer is interested in a whole lot more that plot development. Gibson famously coined the word "cyberspace" and he imagines a world where continents are ruled more by corporations and crime syndicates than nations, where cultural trends both ancient and modern dwell side by side, where high-tech and biotech miracles are as ordinary as air. On one page you'll find a discussion of nerve splicing, on another a description of an open-air market in Istanbul. An African sailor with tribal scars on his face might meet a Japanese corporate drone implanted with microprocessors, the better to measure the mutagen in his bloodstream. When he's not plumbing the future, Gibson dips into weighty themes such as the nature of love, what drives people toward self-destruction and mind/body dualism. It's a rich, heady blend.
That complexity translates over to the novel's prose style, which is why I suspect my first effort to read it failed. Gibson peppers his paragraphs with allusions to Asian geography and Rastafarianism, computer programming and corporate finance. He writes about subjects ranging from drug addiction and zero-gravity physics to synesthesia and brutal back-alley violence. And he writes with next to no exposition. You aren't told that Case grew up in the Sprawl, which is the nickname for the Boston-Atlanta Metropolitan Axis, a concreted strip of the Eastern Seaboard, and that he began training in Miami to become a cowboy, which is slang for a cyberspace hacker, and that he was immensely skilled at it, et cetera, et cetera. No, you're thrust right into Case's shoes as he swills rice beer in Japan and pops amphetamines and tries to con the underworld in killing him when his back is turned because he thinks he'll never work again. You have to piece together the rest on your own.
Challenging? You bet. But it's electrifying once you get it.
I've worked by paperback copy until the spine and cover have split, until the pages have faded like old newsprint. Echoes of its diction sound in my own writing. Thoughts of Chiba City or BAMA pop into my head when I walk through the mall and hear a mélange of voices speaking in Spanish and English and Creole and German. Neuromancer is in me like a tea bag, flavoring my life, and I can't imagine what it would be like if I hadn't pressed on into page 26.
106 of 126 people found the following review helpful.
Simply Put: Great Science Fiction
By Travis J Smith
'Neuromancer' is one of a handful of books/movies that I would pick to represent the science-fiction genre. Gibson succeeds on all levels here - I enjoyed the story, the characters, the settings, the technology, everything. Gibson writes about imperfection - he doesn't gloss anything over or try to make it too pretty. The characters are flawed, and have weaknesses - just like in real life. They live in a gritty world - just like in real life. And around them all, is technology - just like in real life.
'Neuromancer' is the story of Case: a hacker-type, cyberpunk, whatever you want to call him. He makes hackers of today look like amateurs - he totally immerses himself into the machine. Washed-up and raked over the coals, he gets a chance at a come back, even if it isn't on the most pleasant of terms.
Read this book if you are a science fiction fan - if for no other reason than to see what all the hype is about. I don't think you'll be disappointed.
20 of 21 people found the following review helpful.
Clumsy, yet beautiful.
By ??????
A word here. Short, choppy sentences. Fragments, as far as the eye can see. Description of some mundane object. A color glinting ... somewhere. I'm clearly on drugs. Barely discerning the plot under this schizophrenic mess.
"Matter of fact dialogue."
"Yeah."
"I forgot who is talking."
"Pay more attention."
"How long does this go on?"
"About two hundred pages."
"Will I get used to it?"
"Maybe."
Completely different place now. Character with three different names. Try to keep up.
Drugs. Plopping down like a fat woman, sending crashing waves through spinal fluid. There is no tub to contain it.
People shooting each other now. The city is full of colorful lights and impossible geometry. The doorknob smells like ganja.
"Case. Jack in."
"I need more drugs."
One hundred ninety pages to go.
They're using swords now.
Now the swords are drugs. They have been all along.
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