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** Download Ebook Assassin's Creed: Renaissance, by Oliver Bowden

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Assassin's Creed: Renaissance, by Oliver Bowden

Assassin's Creed: Renaissance, by Oliver Bowden



Assassin's Creed: Renaissance, by Oliver Bowden

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Assassin's Creed: Renaissance, by Oliver Bowden

View our feature on Oliver Bowden’s Assassin's Creed.“I will seek vengeance upon those who betrayed my family. I am Ezio Auditore Da Firenze. I am an assassin…”

Betrayed by the ruling families of Italy, a young man embarks upon an epic quest for vengeance. To eradicate corruption and restore his family’s honor, he will learn the art of the Assassins.

Along the way, Ezio will call upon the wisdom of such great minds as Leonardo da Vinci and Niccolo Machiavello—knowing that survival is bound to the skills by which he must live.

To his allies, he will become a force for change—fighting for freedom and justice. To his enemies, he will become a threat dedicated to the destruction of the tyrants abusing the people of Italy.

So begins an epic story of power, revenge and conspiracy.

  • Sales Rank: #45776 in Books
  • Published on: 2010-02-23
  • Released on: 2010-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.00" w x 4.25" l, .63 pounds
  • Binding: Paperback
  • 496 pages

About the Author
Oliver Bowden is a pseudonym for an acclaimed novelist.

Excerpt. © Reprinted by permission. All rights reserved.
One

Torches gleamed and flickered high on the towers of the Palazzo Vecchio and the Bargello, and just a few lanterns shimmered in the cathedral square a little way to the north. Some also illuminated the quays along the banks of the River Arno, where, late as it was for a city where most people retired indoors with the coming of night, a few sailors and stevedores could be seen through the gloom. Some of the sailors, still attending to their ships and boats, hastened to make final repairs to rigging and to coil rope neatly on the dark, scrubbed decks, while the stevedores hurried to haul or carry cargo to the safety of the nearby warehouses.

Lights also glimmered in the winehouses and the brothels, but very few people walked the streets. It had been seven years since the then twenty-year-old Lorenzo de’ Medici had been elected to the leadership of the city, bringing with him at least a sense of order and calm to the intense rivalry between the leading international banking and merchant families who had made Florence one of the wealthiest cities in the world. Despite this, the city had never ceased to simmer, and occasionally boil over, as each faction strove for control, some of them shifting alliances, some remaining permanent and implacable enemies.

Florence, in the Year of Our Lord 1476, even on a jasmine-sweet evening in spring, when you could almost forget the stench from the Arno if the wind was in the right direction, wasn’t the safest place to be out in the open, after the sun had gone down.

The moon had risen in a now-cobalt sky, lording it over a host of attendant stars. Its light fell on the open square where the Ponte Vecchio, its crowded shops dark and silent now, joined the north bank of the river. Its light also found out a figure clad in black, standing on the roof of the church of Santo Stefano al Ponte. A young man, only seventeen years old, but tall and proud. Surveying the neighbourhood below keenly, he put a hand to his lips and whistled, a low but penetrating sound. In response, as he watched, first one, then three, then a dozen, and at last twenty men, young like himself, most clad in black, some with blood-red, green, or azure cowls or hats, all with swords and daggers at their belts, emerged from dark streets and archways into the square. The gang of dangerous-looking youths fanned out, a cocky assuredness in their movements.

The young man looked down at the eager faces, pale in the moonlight, gazing up at him. He raised his fist above his head in a defiant salute.

“We stand together!” he cried, as they too raised their fists, some drawing their weapons and brandishing them, and cheered: “Together!”

The young man quickly climbed, catlike, down the unfinished façade from the roof to the church’s portico, and from it leapt, cloak flying, to land in a crouch, safely in their midst. They gathered round, expectantly.

“Silence, my friends!” He held up a hand to arrest a last, lone shout. He smiled grimly. “Do you know why I called you, my closest allies, here tonight? To ask your aid. For too long I have been silent while our enemy, you know who I mean, Vieri de’ Pazzi, has gone about this town slandering my family, dragging our name in the mud, and trying in his pathetic way to demean us. Normally I would not stoop to kicking such a mangy cur, but—”

He was interrupted as a large, jagged rock, hurled from the direction of the bridge, landed at his feet.

“Enough of your nonsense, grullo,” a voice called.

The young man turned as one with his group in the direction of the voice. Already he knew whom it belonged to. Crossing the bridge from the south side another gang of young men was approaching. Its leader swaggered at its head, a red cloak, held by a clasp bearing a device of golden dolphins and crosses on a blue ground, over his dark velvet suit, his hand on the pommel of his sword. He was a passably handsome man, his looks marred by a cruel mouth and a weak chin, and though he was a little fat, there was no doubting the power in his arms and legs.

“Buona sera, Vieri,” the young man said evenly. “We were just talking about you.” And he bowed with exaggerated courtesy, while assuming a look of surprise. “But you must forgive me. We were not expecting you personally. I thought the Pazzi always hired others to do their dirty work.”

Vieri, coming close, drew himself up as he and his troop came to a halt a few yards away. “Ezio Auditore! You pampered little whelp! I’d say it was rather your family of penpushers and accountants that goes running to the guards whenever there’s the faintest sign of trouble. Codardo!” He gripped the hilt of his sword. “Afraid to handle things yourself, I’d say.”

“Well, what can I say, Vieri, ciccione. Last time I saw her, your sister Viola seemed quite satisfied with the handling I gave her.” Ezio Auditore gave his enemy a broad grin, content to hear his companions snigger and cheer behind him.

But he knew he’d gone too far. Vieri had already turned purple with rage. “That’s quite enough from you, Ezio, you little prick! Let’s see if you fight as well as you gabble!” He turned his head back to his men, raising his sword. “Kill the bastards!” he bellowed.

At once another rock whirled through the air, but this time it wasn’t thrown as a challenge. It caught Ezio a glancing blow on the forehead, breaking the skin and drawing blood. Ezio staggered back momentarily, as a hail of rocks flew from the hands of Vieri’s followers. His own men barely had time to rally before the Pazzi gang was upon them, rushing over the bridge to Ezio and his men. All at once, the fighting was so close and so fast that there was hardly time at first to draw swords or even daggers, so the two gangs just went at each other with their fists.

The battle was hard and grim—brutal kicks and punches connected with the sickening sound of crunching bone. For a while it could have gone either way, then Ezio, his vision slightly impaired by the flow of blood from his forehead, saw two of his best men stumble and go down, to be trampled on by Pazzi thugs. Vieri laughed, and, close to Ezio, swung another blow at his head, his hand grasping a heavy stone. Ezio dropped to his haunches and the blow went wide, but it had been too close for comfort, and now the Auditore faction was getting the worst of it. Ezio did manage, before he could rise to his feet, to wrestle his dagger free and slice wildly but successfully at the thigh of a heavily built Pazzi thug who was bearing down at him with sword and dagger unsheathed. Ezio’s dagger tore through fabric and into muscle and sinew, and the man let loose an agonized howl and went over, dropping his weapons and clutching at his wound with both hands as the blood belched forth.

Scrambling desperately to his feet, Ezio looked round. He could see that the Pazzi had all but surrounded his own men, penning them in against one wall of the church. Feeling some of the strength returning to his legs, he made his way towards his fellows. Ducking under the scything blade of another Pazzi henchman, he managed to connect his fist to the man’s stubbly jaw and had the satisfaction of seeing teeth fly and his would-be assailant fall to his knees, stunned by the blow. He yelled to his own men to encourage them, but in truth his thoughts were turning to ways of beating a retreat with as much dignity as possible, when above the noise of the fight he heard a loud, jovial, and very familiar voice calling to him from behind the Pazzi mob.

“Hey, fratellino, what the hell are you up to?”

Ezio’s heart pounded with relief, and he managed to gasp, “Hey, Federico! What are you doing here? I thought you’d be out on the tiles as usual!”

“Nonsense! I knew you had something planned, and I thought I’d come along to see if my little brother had finally learned how to look after himself. But maybe you need another lesson or two!”

Federico Auditore, a few years Ezio’s senior and the oldest of the Auditore siblings, was a big man with a big appetite—for drink, for love, and for battle. He waded in even as he was speaking, knocking two Pazzi heads together and bringing his foot up to connect with the jaw of a third as he strode through the throng to stand side by side with his brother, seeming impervious to the violence that surrounded him. Around them their own men, encouraged, redoubled their efforts. The Pazzi, on the other hand, were discomfited. A few of the dockyard hands had gathered at a safe distance to watch, and in the half-light the Pazzi mistook them for Auditore reinforcements. That and Federico’s roars and fl ying fists, his actions quickly emulated by Ezio, who learnt fast, very quickly panicked them.

Vieri de’ Pazzi’s furious voice rose above the general tumult. “Fall back!” he called to his men, his voice broken with exertion and anger. He caught Ezio’s eye and snarled some inaudible threat before disappearing into the darkness, back across the Ponte Vecchio, followed by those of his men who could still walk, and hotly pursued by Ezio’s now-triumphant allies.

Ezio was about to follow suit, but his brother’s meaty hand restrained him. “Just a minute,” he said.

“What do you mean? We’ve got them on the run!”

“Steady on.” Federico was frowning, gently touching the wound on Ezio’s brow.

“It’s just a scratch.”

“It’s more than that,” his brother decided, a grave expression on his face. “We’d better get you to a doctor.”

Ezio spat. “I haven’t got time to waste running to doctors. Besides . . .” He paused ruefully. “I haven’t any money.”

“Hah! Wasted it on women and wine, I suppose.” Federico grinned, and slapped his younger brother warmly on the shoulder.

“Not wasted exactly, I’d say. And look at the example you set me.” Ezio grinned but then hesitated. He suddenly became aware that his head was thumping. “Still, it wouldn’t hurt to get it checked out. I suppose you couldn’t see your way to lending me a few fiorini?”

Federico patted his purse. It didn’t jingle. “Fact is, I’m a bit short myself just now,” he said.

Ezio grinned at his brother’s sheepishness. “And what have you wasted yours on? Masses and Indulgences, I suppose?”

Federico laughed. “All right. I take your point.” He looked around. In the end, only three or four of their own people had been hurt badly enough to remain on the field of battle, and they were sitting up, groaning a bit, but grinning too. It had been a tough set-to, but no one had broken any bones. On the other hand, a good half-dozen Pazzi henchmen lay completely out for the count, and one or two of them at least were expensively dressed.

“Let’s see if our fallen enemies have any riches to share,” Federico suggested. “After all, our need is greater than theirs, and I’ll bet you can’t lighten their load without waking them up!”

“We’ll see about that,” said Ezio, and set about it with some success. Before a few minutes had elapsed, he’d harvested enough gold coins to fill both their own purses. Ezio looked over to his brother triumphantly and jingled his newly claimed wealth to emphasize the point.

“Enough!” cried Federico. “Better leave them a bit to limp home on. After all, we’re not thieves—this is just the spoils of war. And I still don’t like the look of that wound. We must get it seen to double quick.”

Ezio nodded, and turned to survey the field of the Auditore victory one last time. Losing patience, Federico rested a hand on his younger brother’s shoulder. “Come on,” he said, and without more ado he set off at such a pace that the battle-weary Ezio found it hard to keep up, though when he fell too far behind, or took a wrong turn down an alley, Federico would hold up, or hurry back to put him right. “I’m sorry, Ezio. I just want us to get to the medico as soon as we can.”

And indeed it wasn’t far, but Ezio was tiring by the minute. Finally they reached the shadowy room, festooned with mysterious instruments and phials of brass and glass, ranged along dark oak tables and hanging from the ceiling along with clusters of dried herbs, where their family doctor had his surgery. It was all Ezio could do to remain on his feet.

Dottore Ceresa was not best pleased at being roused in the middle of the night, but his manner changed to one of concern as soon as he had brought a candle close enough to inspect Ezio’s wound in detail. “Hmmn,” he said gravely. “You’ve made quite a mess of yourself this time, young man. Can’t you people think of anything better to do than go around beating each other up?”

“It was a question of honour, good doctor,” put in Federico.

“I see,” said the doctor, evenly.

“It’s really nothing,” said Ezio, though he felt faint.

Federico, as usual hiding concern behind humour, said, “Do patch him up as best you can, friend. That pretty little face of his is his only asset.”

“Hey, fottiti!” Ezio hit back, giving his brother the finger.

The doctor ignored them, washed his hands, probed the wound gently, and poured some clear fluid from one of his many bottles on to a piece of linen. He dabbed the wound with this and it stung so much that Ezio almost sprang from his chair, his face screwed up with the pain. Then, satisfied that the wound was clean, the doctor took a needle and threaded it with fine catgut.

“Now,” he said. “This really will hurt, a little.”

Once the stitches were in and the wound bandaged so that Ezio looked like a turbaned Turk, the doctor smiled encouragement. “That’ll be three fiorini, for now. I’ll come to your palazzo in a few days and remove the stitches. That’ll be another three fiorini to pay then. You’ll have a terrible headache, but it’ll pass. Just try to rest—if it’s in your nature! And don’t worry: the wound looks worse than it is, and there’s even a bonus: there shouldn’t be much of a scar, so you won’t be disappointing the ladies too greatly in future!”

Once they were back in the street, Federico put his arm round his younger brother. He pulled out a fl ask and offered it to Ezio. “Don’t worry,” he said, noticing the expression on Ezio’s face. “It’s our father’s best grappa. Better than mother’s milk for a man in your condition.”

They both drank, feeling the fiery liquid warm them. “Quite a night,” said Federico.

“Indeed. I only wish they were all as much fun as—” But Ezio interrupted himself as he saw that his brother was beginning to grin from ear to ear. “Oh, wait!” he corrected himself, laughing: “They are!”

“Even so, I think a little food and drink wouldn’t be a bad thing to set you up before we go home,” said Federico. “It’s late, I know, but there’s a taverna nearby where they don’t close until breakfast time and—”

“You and the oste are amici intimi?”

“How did you guess?”

An hour or so later, after a meal of ribollita and bistecca washed down with a bottle of Brunello, Ezio felt as if he’d never been wounded at all. He was young and fit, and felt that all his lost energy had flowed back into him. The adrenaline of the victory over the Pazzi mob certainly contributed to the swiftness of his recovery.

“Time to go home, little brother,” said Federico. “Father’s sure to be wondering where we are, and you’re the one he looks to to help him with the bank. Luckily for me, I’ve no head for figures, which is why I suppose he can’t wait to get me into politics!”

“Politics or the circus—the way you carry on.”

“What’s the difference?”

Ezio knew that Federico bore him no ill will over the fact that their father confided more of the family business in him than in his elder brother. Federico would die of boredom if confronted by a life in banking. The problem was, Ezio had a feeling that he might be the same. But for the moment, the day when he donned the black velvet suit and the gold chain of a Florentine banker was still some way off, and he was determined to enjoy his days of freedom and irresponsibility to the full. Little did he realize just how short-lived those days would be.

“We’d better hurry, too,” Federico was saying, “if we want to avoid a bollocking.”

“He may be worried.”

“No—he knows we can take care of ourselves.” Federico was looking at Ezio speculatively. “But we had better get a move on.” He paused. “You don’t feel up to a little wager at all, do you? A race perhaps?”

“Where to?”

“Let’s say”—Federico looked across the moonlit city towards a tower not far away—“the roof of Santa Trinità. If it’s not going to take too much out of you—and it’s not far from home. But there’s just one thing more.”

“Yes?”

“We’re not racing along the streets, but across the rooftops.”

Ezio took a deep breath. “OK. Try me,” he said.

“All right, little tartaruga—go!”

Without another word, Federico was off, scaling a nearby roughcast wall as easily as a lizard would. He paused at the top, seeming almost to teeter among the rounded red tiles, laughed, and was off again. By the time Ezio had reached the rooftops, his brother was twenty yards ahead. He set off in pursuit, his pain forgotten in the adrenaline-fuelled excitement of the chase. Then he saw Federico take an almighty leap across a pitch-black void, to land lightly on the flat roof of a grey palazzo slightly below the level of the one he had jumped from. He ran a little way farther, and waited. Ezio felt a glimmer of fear as the chasm of the street eight storeys below loomed before him, but he knew that he would die rather than hesitate in front of his brother, and so, summoning up his courage, he took a massive leap of faith, seeing, as he soared across, the hard granite cobbles in the moonlight far beneath his feet as they flailed the air. For a split second he wondered if he’d judged it right, as the hard grey wall of the palazzo seemed to rise up to meet him, but then, somehow, it sank below him and he was on the new roof, sprawling slightly, it was true, but still on his feet, and elated, though breathing hard.

“Baby brother still has much to learn,” taunted Federico, setting off again, a darting shadow among the chimney-stacks under the scattering of clouds. Ezio hurled himself forward, lost in the wildness of the moment. Other abysses yawned beneath him, some defining mere alleyways, others broad thoroughfares. Federico was nowhere to be seen. Suddenly the tower of Santa Trinità rose before him, rising from the red sweep of the church’s gently sloping roof. But as he approached he remembered that the church stood in the centre of a square, and that the distance between its roof and those of the surrounding buildings was far greater than any he had yet leapt. He dared not hesitate or lose speed now— his only hope was that the church roof was lower than the one he would have to jump from. If he could throw himself forward with enough force, and truly launch himself into the air, gravity would do the rest. For one or two seconds he would fly like a bird. He forced any thought of the consequences of failure out of his mind.

The edge of the roof he was on approached fast, and then—nothing. He soared, listening to the air whistle in his ears, bringing tears into his eyes. The church roof seemed an infinite distance away—he would never reach it; he would never laugh or fight or hold a woman in his arms again. He couldn’t breathe. He shut his eyes, and then . . .

His body bent double, he was steadying himself with his hands and feet, but they were supported again—he had made it, within inches of the edge, but he had made it on to the church roof!

But where was Federico? Ezio clambered up to the base of the tower and turned to look back the way he had come, just in time to see his brother flying through the air himself. Federico landed firmly, but his weight sent one or two of the red clay tiles slithering out of place and he almost lost his footing as the tiles slid down the roof and off the edge, shattering a few seconds later on the hard cobbles far below. But Federico had found his balance again, and he stood up, panting for sure, but with a broad, proud smile on his face.

“Not such a tartaruga after all,” he said, as he came up and clapped Ezio on the shoulder. “You went past me like greased lightning.”

“I didn’t even know that I had,” said Ezio briefly, trying to catch his breath.

“Well, you won’t beat me up to the top of the tower,” retorted Federico, pushing Ezio to the side, and he started to clamber up the squat tower which the city fathers were thinking of replacing with something of a more modern design. This time Federico made it first, and even had to give a hand up to his wounded brother, who was beginning to feel that bed would be no bad thing. They were both out of breath, and stood while they recovered to look out over their city, serene and silent in the oyster-light of dawn.

“It is a good life we lead, brother,” said Federico with uncharacteristic solemnity.

“The best,” Ezio agreed. “And may it never change.”

They both paused—neither wishing to break the perfection of the moment—but after a while Federico quietly spoke. “May it never change us either, fratellino. Come, we must get back. There is the roof of our palazzo. Pray God Father hasn’t stayed up all night, or we really will be for it. Let’s go.”

He made for the edge of the tower in order to climb back down to the roof, but stopped when he saw that Ezio had remained where he was. “What is it?”

“Wait a minute.”

“What are you looking at?” asked Federico, rejoining him. He followed Ezio’s gaze and then his face broke out into a grin. “You sly devil! You’re not thinking of going there now, are you? Let the poor girl sleep!”

“No—I think it’s time Cristina woke up.”



Ezio had met Cristina Calfucci only a short time before, but already they seemed inseparable, despite the fact that their parents still deemed them too young to form a serious alliance. Ezio disagreed, but Cristina was only seventeen and her parents expected Ezio to rein in his wild habits before they would even begin to look more kindly on him. Of course, this only served to make him more impetuous.

Federico and he had been lounging in the main market after buying some trinkets for their sister’s Saint’s Day, watching the pretty girls of the town with their accompagnatrice as they flitted from stall to stall, examining lace here, ribbons and bolts of silk there. But one girl had stood out from her companions, more beautiful and graceful than anyone Ezio had ever seen before.

Ezio would never forget that day, the day on which he had first set eyes on her.

“Oh,” he had gasped involuntarily. “Look! She’s so beautiful.”

“Well,” said his ever-practical brother. “Why don’t you go over and say hello?”

“What?” Ezio was shocked. “And after I’ve said hello—what then?”

“Well, you could try talking to her. What you’ve bought, what she’s bought—it doesn’t matter. You see, little brother, most men are so afraid of beautiful girls that anyone who actually plucks up the courage to have a chat stands at an immediate advantage. What? You think they don’t want to be noticed, they don’t want to enjoy a little conversation with a man? Of course they do! Anyway, you’re not bad-looking, and you are an Auditore. So go for it—and I’ll distract the chaperone. Come to think of it, she’s not so bad-looking herself.”

Ezio remembered how, left alone with Cristina, rooted to the spot, at a loss for words, drinking in the beauty of her dark eyes, her long, soft auburn hair, her tip-tilted nose . . .

She stared at him. “What is it?” she asked.

“What d’you mean?” he blurted out.

“Why are you just standing there?”

“Oh . . . erhm . . . because I wanted to ask you something.”

“And what might that be?”

“What’s your name?”

She rolled her eyes. Damn, he thought, she’s heard it all before. “Not one you’ll ever need to make use of,” she said. And off she went. Ezio stared after her for a moment, then set off after her.

“Wait!” he said, catching up, more breathless than if he’d run a mile. “I wasn’t ready. I was planning on being really charming. And suave! And witty! Won’t you give me a second chance?”

She looked back at him without breaking her stride, but she did give him the faintest trace of a smile. Ezio had been in despair, but Federico had been watching and called to him softly: “Don’t give up now! I saw her smile at you! She’ll remember you.”

Taking heart, Ezio had followed her—discreetly, taking care she wouldn’t notice. Three or four times he had to dart behind a market stall, or, after she had left the square, duck into a doorway, but he’d managed to tail her pretty successfully right up to the door of her family mansion, where a man he recognized had blocked her path. Ezio had drawn back.

Cristina looked at the man angrily. “I’ve told you before, Vieri, I’m not interested in you. Now, let me pass.”

Ezio, concealed, drew in a breath. Vieri de’ Pazzi! Of course!

“But signorina, I am interested. Very interested indeed,” said Vieri.

“Then join the queue.”

She tried to get past him, but he moved in front of her. “I don’t think so, amore mio. I’ve decided that I’m tired of waiting for you to open your legs of your own volition.” And he seized her roughly by the arm, drawing her close, putting his other arm round her as she struggled to get free.

“I’m not sure you’re getting the message,” said Ezio suddenly, stepping forward and looking Vieri in the eye.

“Ah, the little Auditore whelp. Cane rognoso! What the hell do you have to do with this? To the devil with you.”

“And buon’ giorno to you too, Vieri. I’m so sorry to intrude, but I have the distinct impression that you’re spoiling this young lady’s day.”

“Oh, you do, do you? Excuse me, my dearest, while I kick the stuffing out of this parvenu.” With that, Vieri had thrust Cristina aside and lunged at Ezio with his right fist. Ezio parried easily and stepped aside, tripping Vieri as the momentum of his attack carried him forward, sending him sprawling in the dust.

“Had enough, friend?” said Ezio mockingly. But Vieri was on his feet in an instant, and came towards him in a rage, fi sts flailing. He’d got one hard blow in to the side of Ezio’s jaw, but Ezio warded off a left hook and got two of his own in, one to the stomach and, as Vieri bent double, another to his jaw. Ezio had turned to Cristina to check that she was all right. Winded, Vieri backed off, but his hand flew to his dagger. Cristina saw the movement and gave an involuntary cry of alarm as Vieri brought the dagger plunging down towards Ezio’s back, but, warned by the cry, Ezio had turned in the nick of time and seized Vieri firmly by the wrist, wrenching the dagger away from him. It fell to the ground. The two young men stood face to face, breathing hard.

“Is that the best you can do?” Ezio said through gritted teeth.

“Shut your mouth or by God I’ll kill you!”

Ezio laughed. “I suppose I shouldn’t be surprised to see you trying to force yourself on a nice girl who clearly thinks you’re a complete ball of dung—given the way your pappa tries to force his banking interests on Florence!”

“You fool! It’s your father who needs to be taught a lesson in humility!”

“It’s time you Pazzi stopped slandering us. But then, you’re all mouth and no fist.”

Vieri’s lip was bleeding badly. He wiped it with his sleeve. “You’ll pay for this—you and your whole breed. I won’t forget this, Auditore!” He spat at Ezio’s feet, stooped to retrieve his dagger, then turned, and ran. Ezio had watched him go.



He remembered all this, standing there on the church tower and looking across at Cristina’s house. He remembered the elation he’d felt as he’d turned back to Cristina and seen a new warmth in her eyes as she’d thanked him.

“Are you all right, signorina?” he’d said.

“I am now—thanks to you.” She’d hesitated, her voice still trembling with fear. “You asked me my name—well, it’s Cristina. Cristina Calfucci.”

Ezio bowed. “I am honoured to meet you, Signorina Cristina. Ezio Auditore.”

“Do you know that man?”

“Vieri? Our paths have crossed now and then. But our families have no reason to like one another.”

“I never want to see him again.”

“If I can help it, you won’t.”

She smiled shyly, then said, “Ezio, you have my gratitude—and because of that, I am prepared to give you a second chance, after your bad start!” She laughed gently, then kissed him on the cheek before disappearing into her mansion.

The small crowd that had inevitably gathered had given Ezio a round of applause. He had bowed, smilingly, but as he’d turned away he’d known that he might have made a new friend, but he had also made an implacable enemy.

“Let Cristina sleep,” Federico said again, drawing Ezio back from his reverie.

“Time enough for that—later,” he replied. “I must see her.”

“All right, if you must—I’ll try to cover for you with Father. But watch yourself—Vieri’s men may still be about.” With that, Federico shinned down the tower to the roof, and bounded off that into a hay-wagon parked in the street which led home.

Ezio watched him go, then decided to emulate his brother. The hay-wain looked very far below him, but he remembered what he’d been taught, controlled his breathing, calmed himself, and concentrated. Then he flew into the air, taking the greatest leap of his life so far. For an instant he thought he might have misjudged his aim, but he calmed his own momentary panic and landed safely in the hay. A true leap of faith! A little breathless, but exhilarated at his success, Ezio swung himself into the street.

The sun was just appearing over the eastern hills but there were still very few people about. Ezio was just about to start off in the direction of Cristina’s mansion when he heard echoing footsteps and, desperately trying to conceal himself, he shrank into the shadows of the church porch and held his breath. It was none other than Vieri and two of the Pazzi guards who rounded the corner.

“We’d better give up, chief,” said the senior guard. “They’ve long gone by now.”

“I know they’re here somewhere,” snapped Vieri. “I can practically smell them.” He and his men made a circuit of the church square but showed no sign of moving on. The sunlight was shrinking the shadows. Ezio cautiously crept into the shelter of the hay again and lay there for what seemed an age, impatient to be on his way. Once, Vieri passed so close that Ezio could practically smell him, but at last he motioned his men with an angry gesture to move on. Ezio lay still for a while longer, then climbed down and let out a long sigh of relief. He dusted himself off, and quickly covered the short distance that separated him from Cristina, praying that no one in her household would yet be stirring.

The mansion was still silent, though Ezio guessed that servants would be preparing the kitchen fires at the back. He knew which Cristina’s window was, and threw a handful of gravel up at her shutters. The noise seemed deafening and he waited, heart in mouth. Then the shutters opened and she appeared on the balcony. Her nightdress revealed the delicious contours of her body as he gazed up at her. He was at once lost in desire.

“Who is it?” she called softly.

He stood back so she could see him. “Me!”

Cristina sighed, though in a not unfriendly way. “Ezio! I might have known.”

“May I come up, mia colomba?”

She glanced over her shoulder before answering in a whisper. “All right. But just for a minute.”

“That’s all I need.”

She grinned. “Indeed?”

He was confused. “No—sorry—I didn’t mean it quite like that! Let me show you . . .” Looking round himself to make sure the street was still deserted, he gained a foothold in one of the large iron rings set into the grey stonework of the house for tethering horses, and hoisted himself up, finding relatively easy handholds and footholds in the rusticated masonry. In two winks of an eye he had hoisted himself over the balustrade and she was in his arms.

“Oh, Ezio!” she sighed as they kissed. “Look at your head. What have you been doing this time?”

“It’s nothing. A scratch.” Ezio paused, smiling. “Perhaps now I’m up, I could also come in?” he said gently.

“Where?”

He was all innocence. “To your bedchamber, of course.”

“Well, perhaps—if you’re sure a minute is all you need . . .”

Their arms around each other, they went through the double doors into the warm light of Cristina’s room.

An hour later, they were awakened by the sunlight streaming in through the windows, the bustling noises of carts and people in the street, and—worst of all—the sound of Cristina’s father’s voice as he opened the bedroom door.

“Cristina,” he was saying. “Time to get up, girl! Your tutor will be here at any— What the devil? Son of a bitch!”

Ezio kissed Cristina, quickly but hard. “Time to go, I think,” he said, seizing his clothes and darting to the window. He shinned down the wall and was already pulling on his suit when Antonio Calfucci appeared on the balcony above. He was in a white rage.

“Perdonate, Messere,” Ezio offered.

“I’ll give you perdonate, Messere,” yelled Calfucci. “Guards! Guards! Get after that cimice! Bring me his head! And I want his coglioni as well!”

“I’ve said I’m sorry—” Ezio began, but already the gates of the mansion were opening and the Calfucci bodyguards came rushing out, swords drawn. Now more or less dressed, Ezio set off at a run down the street, dodging wagons and pushing past citizens on his way, wealthy businessmen in solemn black, merchants in browns and reds, humbler folk in homespun tunics and, once, a church procession which he collided with so unexpectedly that he all but tipped over the statue of the Virgin the black-cowled monks were carrying. At last, after ducking down alleys and leaping over walls, he stopped and listened. Silence. Not even the shouts and curses that had followed him from the general population could be heard any more. As for the guards, he’d shaken them off, he was sure of that.

He only hoped Signor Calfucci hadn’t recognized him. Cristina wouldn’t betray him, he could be sure of that. Besides, she could run rings round her father, who adored her. And even if he did find out, Ezio reflected, he wouldn’t be a bad match. His father ran one of the biggest banking houses in town, and one day it might be bigger than that of the Pazzi or even—who knew?—of the Medici.

Using back streets, he made his way home. The first to meet him was Federico, who looked at him gravely and shook his head ominously. “You’re in for it now,” he said. “Don’t say I didn’t warn you.”

Most helpful customer reviews

81 of 94 people found the following review helpful.
Could have been better
By Builderofstuff
I love the game so I couldn't resist buying the book. I'm sad to say that I am thus far disappointed in the book. I think the idea of a book or series of books based on the characters is a great idea, but maybe a different author would have been better. One of the things that first made me stop and say "really? did he really just use that phrase?" was the line in which the main character and his older brother are racing along the rooftops, and the older brother says to Ezio, "you went past me like greased lightening". Now I'm no author, but I'm pretty sure that they didn't use the phrase "greased lightening in renaissance Italy. I could be wrong, but I'm pretty sure they didn't. That coupled with a few of the character names, which sounded to me like the author just made them up by adding the letter o onto the end of them, well basically it just got to the point where I had to put the book down and walk away.

Great idea, bad execution.

12 of 12 people found the following review helpful.
Don't expect an original story outside the game
By Richard Baker
The Good: Sticks close to the script, you really feel like you're in the game

The Bad: Takes a lot of the game out, relies too much on the script, secondary characters aren't developed enough, rushed in spots

Assassin's Creed is one of those games that is really tricky to put into book form and it didn't quite get pulled off right here in Oliver Bowden's adaptation of the second game. Assassin's Creed has two parts: One is a science fiction story where a man named Desmond Miles is captured by a secret government organization and stuck in an Animus machine to unlock the DNA of his ancestors and find the Pieces of Eden. The second part is whatever time period Desmond is throw in and in this case he is Ezio Auditore de' Firenze in 1476 Italy.

The book completely cuts out the science fiction part of the game and just concentrates on what's going on in the Animus, but dismisses this as well. This may be great for people who don't like the science fiction side of Assassin's Creed, but fans will miss this. Bowden also relies to heavily on the script of the game to drive the book, and rarely do you get to be inside the minds of the characters as much as you'd like to be. He rarely delves further than the games do and this is disappointing.

A lot of the secondary characters are built upon very well and you never feel for them except for Ezio. You always feel the other characters are just add-ons and not really important in the story. All of this is just more evidence that Bowden relied to heavily on the script. The book does include the story pieces from the DLC Bonfire of the Vanities and Battle for Forli, so you get some of that included that wasn't in the original game.

The bits of Italian are nice, but most readers who didn't play the game won't realize that this was because the Animus 2.0 had bugs in it that couldn't translate all of it into English for Desmond. There is, however, a nice dictionary at the back of the book that translates all the Italian phrases for you.

All in all the book is great for fans and non fans, but fans will be more disappointed than non fans will be. The book just takes too much away from the game and doesn't add anything back. It's a decent read, and feels rushed in spots, but there are better video game novels out there for sure.

10 of 11 people found the following review helpful.
Loved this book
By Dani Way
Assassin's Creed is my all-time favourite game series; I am enthralled by it! Sadly, right now I moved to te U.S. (I am not originally from here) and thus I had to leave my Xbox behind; well it actually belongs to my brother. My point is, while I am saving up for a new Xbox and to buy the Assassin's Creed games again, reading this novel and the one from Brotherhood has been what has saved me from going insane. I don't know why several people haven't liked it. I had no problems whatsoever with the author's style, and actually this novel helped me to better comprehend what went on in ACII because honestly some assassinations had me a bit confused and happened so fast that I didn't understand who I was killing or why.
Great purchase, and I am currently reading Brotherhood! :)
Insieme per la vittoria! :D

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* Download Count Zero, by William Gibson

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Count Zero, by William Gibson

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Count Zero, by William Gibson

Turner, corporate mercenary, wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him for a mission more dangerous than the one he's recovering from: Maas-Neotek's chief of R&D is defecting. Turner is the one assigned to get him out intact, along with the biochip he's perfected. But this proves to be of supreme interest to certain other parties--some of whom aren't remotely human.

Bobby Newmark is entirely human: a rustbelt data-hustler totally unprepared for what comes his way when the defection triggers war in cyberspace. With voodoo on the Net and a price on his head, Newmark thinks he's only trying to get out alive. Until he meets the angel.

A stylish, streetsmart, frighteningly probable parable of the future.

  • Sales Rank: #60187 in Books
  • Published on: 1987-04-01
  • Released on: 1987-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.89" h x .68" w x 4.19" l, .29 pounds
  • Binding: Mass Market Paperback
  • 246 pages
Features
  • Great book!

Amazon.com Review
Turner, corporate mercenary, wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him for a mission more dangerous than the one he's recovering from: Maas-Neotek's chief of R&D is defecting. Turner is the one assigned to get him out intact, along with the biochip he's perfected. But this proves to be of supreme interest to certain other parties--some of whom aren't remotely human.

Bobby Newmark is entirely human: a rustbelt data-hustler totally unprepared for what comes his way when the defection triggers war in cyberspace. With voodoo on the Net and a price on his head, Newmark thinks he's only trying to get out alive. A stylish, streetsmart, frighteningly probable parable of the future and sequel to Neuromancer

From Publishers Weekly
Gibson's first novel, Neuromancer, was greeted with hosannas and showered with awards. This second book, set in the same universe, again offers a faddish, glitzy surface not unlike that of Miami Vice. Gibson's central image is the shadow boxes constructed by the artist Joseph Cornell, collections of seemingly unrelated objects whose juxtaposition creates a new impression. In the same fashion, the novel has three protagonists, each of whom is putting together jigsaw clues in pursuit of his separate goal. The corporate headhunter, the art dealer and the computer hacker all find themselves being manipulatedjust as the author contrives to have their paths converge. This book is less appealing and less verbally skillful than Gibson's first novel, dense and dour as that was, but readers who liked that one will want to see this as well.
Copyright 1986 Reed Business Information, Inc.

Review
“Potent and heady.” —Philadelphia Daily News

“An intriguing cast of characters and a tough, glitzy image of computer consciousness and the future of mankind.” —Richmond Times-Dispatch

“Count Zero shares with Neuromancer that novel’s stunning use of language, breakneck pacing, technological innovation, and gritty brand-name realism.” —Fantasy Review

“William Gibson’s prose, astonishing in its clarity and skill, becomes high-tech electric poetry.” —Bruce Sterling

“Suspense, action…a lively story…a sophisticated version of the sentient computer, a long way from the old models that were simply out to Rule the World.” —Locus

Most helpful customer reviews

1 of 1 people found the following review helpful.
Kindle edition is typically worthless trash & ruins the story, buy an actual book instead
By Morgan P. Williams
As per usual, half the punctuation is missing because of crappy OCR, but even worse, every single one of the full line breaks which indicate a scene change are systematically removed. So you read a line of dialogue and then the very next line is being said hours later, or in a different frame of reference, etc., and doesn't make sense until you think about it a minute and realize that there used to be a visual indication of the frame shift which has been removed because Amazon churns out shoddy product and charges full price for it.

0 of 0 people found the following review helpful.
Fun, in a grim sort of way
By Chris Bickford
Gibson takes this book and experiments.
Three story lines unfold across the pages.
Each character sees things differently, and you can see the differences. Is Conroy a simple agent with his thatch of white hair, or a dude with the meanest mouth you ever saw? Both.
Does this book wander off into some seriously weird voodoo? You bet.
Is it still stylish in that 80s noir sort of way, with yuppies expanding to the ultimate form, Japanese ruling over all with mega-corporations, and the poor just plain poor. You bet.
There's even hot cyberdecks, drugs and rogue biotechnology, for the cyberpunk purist.
The later exercises of Gibson take the same form, and repeat to triteness. This book, being an experiment, is still fresh and interesting.
If it blows you away, keep reading Gibson. If it's not exactly thrilling, there are many other authors to sample. But give it a read and see what you think. The time will be well spent.

0 of 0 people found the following review helpful.
in fact better than neuromancer!
By Jeff Geiringer
this book is fantastic. better and more complex than neuromancer in my view; a worthy sequel. very much a bridge between neuromancer and mona lisa overdrive, but stands alone strong on its own as well.

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Kamis, 29 Mei 2014

>> Ebook Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert

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Dune Messiah (The Dune Chronicles, Book 2), by Frank Herbert

Dune Messiah continues the story of the man Muad'dib, heir to a power unimaginable, bringing to completion the centuries-old scheme to create a super-being.

"Brilliant...It is all that Dune was, and maybe a little bit more."--Galaxy Magazine

  • Sales Rank: #15742 in Books
  • Color: Brown
  • Brand: Ace
  • Published on: 1987-07-15
  • Released on: 1987-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .90" w x 4.20" l, .35 pounds
  • Binding: Mass Market Paperback
  • 336 pages
Features
  • Great product!

From Publishers Weekly
In 1965 Frank Herbert published Dune. After it was heralded as a masterpiece of science fiction, he wrote the briefer Dune Messiah in 1969, concentrating eponymously on Paul Atreides, and then, sensing the sales potential, added sequels. They were continued by his son, culminating in the just published finale, Sandworms of Dune. Now, 38 years after its publication, four narrators capture Dune Messiah on discs, while listeners, with no glossary, try to recall the meaning of its esoteric nomenclature. The audio gets off to a lively start as the book opens with nearly all conversation, playing up the camaraderie between the narrators who have partnered on several other readings of classic sci-fi novels. While the cast works well together, some of the male narrators emphasize a stately dullness. Kellgren, the sole feminine voice, supplies real emotion and a true sense of awe. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Brilliant...it is all that Dune was, and maybe a little more".

-- Galaxy Magazine

From the Publisher
6 1.5-hour cassettes

Most helpful customer reviews

243 of 271 people found the following review helpful.
Quite possibly the best in the series.
By Jonnyboy117
Dune Messiah suffers in the general consensus from being plot-driven and extremely complex; for readers who take the time and effort to delve into its themes and characters, it is one of the greatest sci-fi books of all time. Messiah is not so much a sequel to Dune as it is a companion; it is impossible to fully understand the themes, motivations, and implications of the original Dune (or any of the others, even) without reading and comprehending Dune Messiah. Herbert takes his average hero from the first book and shapes him into a realistic, faulted human -- ironic considering Paul's decidedly abnormal powers. Finally, we see Muad'dib as he really is: torn by his position as emperor, cursed by his vision of the future, yet still capable of his duties to kingdom and family. His ultimate fate sums up a masterful, twisted analogy to the life of Christ. This is also the incredible origin of Duncan...the Duncan you will come to know throughout the other books. Messiah is not for the faint of heart though. If you can't handle a lot of philosophy, just keep walking. Some points in Dune Messiah are so profound that I had to quit reading and just spend a couple minutes thinking about what Herbert means. What a rare treat that is; I can honestly say that Dune Messiah changed the way I think about things, about life. If you give it a chance, it may just do the same for you.

142 of 158 people found the following review helpful.
Think of it as Part 4 of the first book.
By Michael D Ward
The first time a read Dune: Messiah I was more than a little disappointed. By when I re-read Dune I also re-read Dune: Messiah. This was the first time I'd read them back-to-back, and I realized that Dune: Messiah was actually the conclusion to Dune and not a seperate book. As a stand alone book it's barely passable, as a sequal it's worth 3-stars, but as the fourth part of the first book it's a perfect conclusion. Dune was divided into 3 parts (called books) and the last ends with a nice Hollywood ending. Dune: Messiah shows the real conclusion to Paul's Life and the real consequences of his actions in the rest of the book. I think Herbert had to end the first book with Paul on top of the Universe because that is what reader's want, but Messsiah is a more somber look at what it means to have power. After I had re-read Dune and Dune: Messiah, I came across used cliff notes for Dune, and I noticed that it had an essay which treated to two books as one and compared them to a Greek epic pointing out that Greek epics didn't end when the hero was on top, but continued to the end of the hero's life. With the inclusion of Dune: Messiah, Dune now tells us the complete story of Paul's life, and what an incredible story it is. Do not read this book, rather read Dune and this book together.

63 of 69 people found the following review helpful.
Misunderstood genius
By John Tilelli MD
One of the problems with a sequel is that it must contend with the preconceptions of readers, who have ideas about where the plot should go. Never mind what the author thinks, thank you very much. In this case, the handicap is what we think Should Happen to Paul after all he's gone through in Dune. Isn't this the time for them to ride off into the sunset? It would be really great to think that he is a wonderful guy, marries Chani and lives happily ever after. A lot of the reviews of this second volume in the encyclopedic Dune series seem to yearn for it. Sorry, we have to disappoint you.
Imagine for a moment that you are the son of a pretty influential guy, that you are pretty happy in your present home, and dad's boss sends him on a wild goose chase after a fortune, hoping, no Planning, that you fail, in order that he can secure a fortune, kill your whole family, and discredit your name forever. Now imagine that you narrowly escape, head off to exile where you are treated with suspicion, alternately an outsider and then as a god. In taking your revenge, you acquire the most important commodity in the universe, and you acquire the status of cult hero living god and emperor of the universe. Do you really think that you would be Mr. Nice Guy after all that?
If one looks at Dune in this light, what happens in this sequel, Dune Messiah seems right. Your relcuctant bride, Irulan, is sure to be bitter, and want only to be the bearer of the next emperor. If you are Bene Geserit, you would do anything to interfere with Paul. If you are from one of the conquered worlds, you very likely not be happy about this bitter guy being emperor. If you are of the spacing guild you won't be happy about him having control of the spice. If you are a Paul disciple, you are going to die for him and the heck with anyone else. Thus the fight card is set: Paul and his cult vs. all his detractors, virtually everyone in the universe. Mr. Herbert gives us the blow-by-blow in a relatively compact synopsis.
Perhaps the above is a bit too obtuse. Suffice it to say that if you expect to find Mr. Wonderful hero in this, you should look elsewhere. Likewise if you need a warm and fuzzy romance or a shootemup space opera, you may not want to venture here. But if you want to explore the logical consequences of the price of power, and the bitterness it generates, this is just the ticket. I have read and reread this series at different times of my life, and each time am amazed at what I find new in each reading. Mr. Herbert holds up well beside so-called "legitimate" authors, and is head and shoulders above most of our current fantasy crop. Read this book and the rest of the series with an open mind and be amazed.

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! Download PDF Poe Must Die, by Marc Olden

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Poe Must Die, by Marc Olden

Against a backdrop of New York City in the 1840’s, a hellhole of crime and squalor, Edgar Allan Poe plays out a deadly game, fighting not only the demonic forces waged against him, but also his personal demons, the memory of his beloved wife and the alcohol he consumes in order to forget her.

Pierce James Figg, a renowned ex-bare knuckle fighter, has arrived in New York from London carrying with him a letter of introduction from Charles Dickens to Edgar Allan Poe. Figg is pursuing Jonathan the sorcerer and spiritualist. The man who brutally murdered his wife.

Jonathan seeks the Throne of Solomon which will grant him immortality and dominion over Lucifer, Asmodeus and all the demons of the upper air. His search has led him to New York.

Frail, gallant Edgar Allan Poe and the grieving, brilliant boxer unite in a perilous mission to find and destroy Jonathan before he can achieve his goal of controlling Lucifer and thereby change the destiny of the world.

  • Sales Rank: #295658 in Books
  • Published on: 1978-09-01
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 466 pages

About the Author
The author of forty published books, most in the suspense-thriller category, Marc Olden was recognized since the beginning of his career as a masterful crime novelist, acclaimed as “superior to just about all thriller writers for knockout characterizations and superbly whimsical dialogue…” and “a master of intrigue and adventure”. Kirkus Reviews and Publisher’s Weekly have described his books as “unfailingly readable”, and “difficult to put down”, "whose menace and tension flatten the reader's nose to the page while snapping his fingers", with writing that is “razor-sharp but oh-so-lyrical …” Olden’s novels have always reflected his diversity of interests and experience. His study of the life and works of Edgar Allan Poe resulted in one of his most well known and highly regarded mysteries, POE MUST DIE. Many of Olden’s books, such as the eastern influenced GIRI, DAI-SHO, GAIJIN, ONI, TE, KISAENG and KRAIT, reflect his life-long passions for justice and eastern culture and philosophy. Clive Custler said that “no one has plumbed the secrets of the Orient with near the imagination”. And about GAIJIN Tom Clancy wrote “...everything a thriller needs is right here …” with “fascinating characters, an intricate plot, and a blistering pace.” Early in his career Olden was nominated for the coveted Edgar Award for THEY’VE KILLED ANNA, from his popular HARKER FILE series about an investigative reporter, and in 2000 Olden was presented with the Literary Fiction Honor Award by the Black Caucus of the American Library Association for his crime novel, THE GHOST. ~~~

Most helpful customer reviews

4 of 4 people found the following review helpful.
Much Beter Than I Expected
By Chris Ward
Fans of historical pastiches like Doctorow's "Ragtime" or Hjortsberg's "Nevermore" will enjoy this clever and action-packed yarn about Edgar Allan Poe and an adventure that embroils him toward the end of his short life. He gets to use all of his deductive powers in a nasty and occult-tinged case that would have challenged his immortal detective, C. Auguste Dupin.

It helps to have a knowledge of Poe and his works, but Olden provides plenty if biographical info along the way, so it's not necessary to be a Poe nut to enjoy it. Along the way, we meet Charles Dickens and P.T Barnum among other historical figures well known in the 1840s, and we see the seamy hell-hole that was New York in those days, as limned so well in Martin Scorsese's movie "Gangs of New York." I'd call this a tasty entertainment for a cold night-- not as conceptually gratifying as Rudy Rucker's Poe pastiche "The Hollow Earth," but worth seeking out if Poe is to your taste.

2 of 2 people found the following review helpful.
Some very funny moments
By Ionia Froment
Well....hmmm. I'm not sure what to say. I tend to love these novels that use gone-for-years literary characters, but this one you really, really...and boy, do I mean really, have to stretch the imagination to be able to digest. It was something else.

I'm not certain how much Poe enthusiasts will appreciate the way this book is approached, although I do have to admit that some of the dialogue was absolutely hilarious.

Marc Olden was meticulous with his handling of research on his characters and a lot of the little-know facts about Dickens and Poe came to light in this story. Still, the mad satanist aspect of the story was quite over the top and at times made me laugh, even when I wasn't supposed to.

If you are looking for a book that is definitely based on very diluted reality but none-the-less entertaining, this would be a good one to choose.

Overall, it was fun and entertaining, and that's often enough in a book.

1 of 1 people found the following review helpful.
Author Flirts with a New Genre
By David Kramer
I was a huge fan of Olden's up-to-date noirish ultra tough-guy novels, and was surprised by "Poe", a historical thriller about real-life characters. I met Olden once, long ago, while in New York on business, and found him to be a confidante of quite a few law enforcement types. He taught them martial arts, at which he was a master, and in turn, they served as source material for the incredible detail in his novels. For a man with an interest in karate and realistic adventure novels, Olden was a rare find.

That he would undertake a work like "Poe", is amazing. For a tough guy who associated with tough guys, spending months in the public library must have been a labor of love, poring over books and maps to re-create Poe's world. Olden's was a phenomenal task, which created a phenomenal adventure story -- it's a must read for any thriller, adventure or history fan.

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Selasa, 27 Mei 2014

> Download PDF Kris Longknife: Intrepid, by Mike Shepherd

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Kris Longknife: Intrepid, by Mike Shepherd

Kris Longknife has been assigned to The Wasp, the best warship beyond the Rim of Human Space. But while hunting for pirates, Kris stumbles upon something. It’s a plan to kill one of the members of the aristocratic Peterwald family—and the would-be killers are setting her up as the assassin.

  • Sales Rank: #101567 in Books
  • Brand: Ace
  • Published on: 2008-10-28
  • Released on: 2008-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.70" h x .90" w x 4.20" l,
  • Binding: Mass Market Paperback
  • 352 pages
Features
  • Great product!

About the Author
"Mike Shepherd" is a pseudonym for Mike Moscoe. Moscoe, a former civil servant, lives in the Pacific Northwest with his wife Ellen and now writes full-time. As Mike Shepherd, he has written the five very popular Kris Longknife military science fiction adventures, with more to come!

Most helpful customer reviews

3 of 3 people found the following review helpful.
High ground anyone?
By James L Gillaspy
I have read this entire series and enjoyed every one, including this one (like the other reviewers, I recommend you read them in order.) However, I couldn't give this five stars because of the following;

*********** ***************** Spoiler alert ************ **************

*********** ***************** Spoiler alert ************ **************

*********** ***************** Spoiler alert ************ **************

Kris Longknife arrives at a planet with two ships in orbit and a bad-guy army on the ground. She is commanding a ship with superior armament to the bad-guy ships -- much superior. Instead of taking out the ships and using the high ground (orbit) to force the ground army to surrender, she lands her own, much inferior, force and joins with the poorly armed natives. Only when she is about to lose this battle, does she tell her ship to attack the orbiting enemy ships. They flee and the enemy army IMMEDIATELY surrenders.

This exchange is at least half the book. The author is retired military. He should have come up with a better reason for her to fight as a ground commander, if that is what he wanted to do in this novel.

More: the enemy ship shoots ground targets with its laser early on, to great effect. But when the army battle starts, NEITHER the bad-guy ship nor her ship provide any air support. Modern (or post-modern war in this instance) is three-dimensional. The author had me shaking my head in disbelief.

Well written, otherwise. The final confrontation is very good.

30 of 31 people found the following review helpful.
the middle of a series
By Philip D. Long
First this is a fine example of military science fiction; like this genre and you will like the book. This particular work is the 6th in this series about a young woman lt. in the Wardhavan space navy. She is also the daughter of the prime minister and grand daughter of the planetary king. It is very much the middle of a series of unknown length.
The background is complicated. The commonwealth of Earth has just amicably broken up after a civil war. There has also been a war to the hilt with the only alien race so far found. Wardhavan is the center planet in a democratic commonwealth of circa 125 planets founded out of the ruins but has enemies including a forming extreme dictatorship.
The characters are well written and deep. but I would not advise just jumping in at this book becasue you will miss so much needed background. Take my advice, read the first book, then the second, etc.

7 of 7 people found the following review helpful.
4 1/2 stars jus short of excellent
By G. Robinson
If you haven't read any books in this series this is not the place to start. Mutineer (Kris Longknife) would be the latest place to start.

All the characters have grown and are now nicely filed out and compelling. This is still a cowboys in space shoot em up but with a little better military sense.

The plot is good but not outstanding although it does support some humor which is appreciated.

The plot (which is good) and some errors save this from a 5. There are currently atomic gyros some in use on the newer subs, lasers are all atomic or sub atomic so an "atomic laser" is redundant if not silly; lastly heliographs are gadgets that use sunlight and mirrors for signaling. Someone was probably ambushed by a typo and the spelling checker as Nellie probably was using a holograph projection.

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Jumat, 23 Mei 2014

! Ebook The Mirror of Merlin (Lost Years of Merlin Book Four), by T. A. Barron

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The Mirror of Merlin (Lost Years of Merlin Book Four), by T. A. Barron

This is book four in the national bestselling saga of young Merlin, destined to become the greatest wizard of all time.

Something wicked is lurking in the swamplands on the magical isle of Fincayra-an encroaching evil intent on destroying the land-and only young Merlin possesses the power to stop it.

Merlin must embark on a journey through the haunted land to find his stolen sword. But then he discovers a magic mirror capable of altering a person's destiny-and the visage he finds within the glass is someone he never imagined he'd see . . .

"Young sorcery fans...set aside Harry Potter and pick up Merlin." (The Cincinnati Enquirer)

  • Sales Rank: #467523 in Books
  • Published on: 2001-10-01
  • Released on: 2001-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.82" h x .86" w x 4.40" l, .31 pounds
  • Binding: Mass Market Paperback
  • 288 pages

From School Library Journal
Grade 6-9-In this fourth volume in the series, the teenaged wizard Merlin, his beloved friend Hallia, and various companions find themselves deep in the Haunted Marshes of the enchanted Fincayra Island. A mysterious force has been stirring the marsh ghouls to greater evil than ever before, and Merlin is determined to find out why. The narrative wanders as Merlin and his friends wander through the marsh; the first portion of the story is full of perilous but strangely anticlimactic moments that contribute little to the characterization of the young hero or his companions. However, the story strengthens and deepens when he walks through a mirror of mist, encountering people from his possible futures-including his own future self. Barron's depiction of the aged Merlin is strongly reminiscent of T. H. White's in The Once and Future King (Putnam, 1958): brilliant, comically absentminded, and sorrowful for things known and lost over his long life. Hints from this future life, including a glimpse of the young King Arthur and a suggestion of Hallia's fate, will draw fans of the series deeper into the saga, despite the novel's less compelling opening chapters.
Beth Wright, Dorothy Alling Memorial Library, Williston, VT
Copyright 1999 Reed Business Information, Inc.

From Booklist
Book four of the Lost Years of Merlin continues the saga of the young Merlin as he gains more understanding of his powers and a greater sense of self. This time, Merlin, accompanied by the young deer woman he's come to love, enters the evil-plagued Haunted Marsh in search of his stolen sword. There, he discovers the long-lost seventh Wise Tool and meets the Boy Ector, who's searching the marsh for something wanted by his unnamed master. The danger level is high in this episode; the theft of the sword is a trap intended to lure Merlin into the hands of a witch, Nimue, who is intent on destroying him. She does manage to infect him with a deadly condition, for which there is no cure. However, Ector believes his master can cure Merlin and leads him through the Mists of Time to the future, where Merlin comes face to face with his much older self trapped in the Crystal Cave by Nimue. Barron handles the contact between the two with a finesse that's believable and enhances the Arthurian ambience that has been so carefully crafted throughout the series. With lots of surprises and some laugh-out-loud humor to leaven the palpable feeling of doom, this should be eagerly devoured by the saga's fans. Sally Estes

Review
"Young sorcery fans...set aside Harry Potter and pick up Merlin...ingenious...filled with rich images [and] surprising touches of humor." —Cincinnati Enquirer

Most helpful customer reviews

21 of 22 people found the following review helpful.
T. A. Barron's latest book- why you should read it.
By Julie Fudge Smith
The Mirror of Merlin is simply a work of art. Fans of the previous Lost Years of Merlin books, will not be disappointed with the latest installment. As always, T.A. Barron's book is filled with wonderful people and places, with warmth and humor and adventure. Once again, Merlin and his home, the mystical island of Fincayra, are faced with very real danger, from someone almost as evil as Rhita Gawr himself. In an effort to stop this evil, Merlin must return to The Haunted Marsh, where he has ventured once before. This is terrible enough, but Merlin is then confronted with his own destiny, a most painful and frighting vision. Can Merlin stop this evil, and save his homeland? Is there anyway he can change his destiny and save himself from the terrible fate in store for him? I encourage everyone who likes books about Merlin to read this book and find out. (Read the rest of the series too while you're at it!) Once again, T.A. Barron has created a masterpiece that readers everywhere, whether young or old, male or female, will treasure.

12 of 12 people found the following review helpful.
Truly a wonderful book! :) :) :) :)
By A Customer
I received this book as a gift, (because my parents know what afan of T. A. Barron I am) and I would have finished it that day if Ihadn't paced myself and savored every chapter. The Mirror of Merlin, as well as the other Merlin books, pull you into the story (whether you like it or not!) and don't let go, especially when you come to a cliffhanger, which most chapters end in. I'm not sure if this book was better than the other Merlin Epic books (They're all good, but I particuarly like The Seven Songs of Merlin...) I liked the relationship between Hallia and Merlin, which has grown stronger since The Fires of Merlin. The characters are very well-developed, especially Merlin. This book is also filled to the brink with excitement and action.
If you are looking for a great fantasy epic, may I STRONGLY recommend the Lost Years of Merlin Epic! I recommend you read them in order, though. :)

4 of 4 people found the following review helpful.
A great fantasy story!
By A Customer
I am a 13-year-old boy and have recently read The Mirror of Merlin by T.A. Barron. I was pleased with his work. I couldn't put this exciting book down. In this book you follow Merlin, the young wizard, about on his journey to find his sword and to save the old forest from the expanding swamp. He encounters on his quest a cowardly ballymag; Shim, his giant friend; Nimue, the sorceress out for the Seventh Wonder; his imprisoned older self; and Arthur later to be King Arthur. This book was really exciting. The best part for me was when Merlin got the bloodnoose put into him. He then had to travel through The Mirror of Time to find his older self so he could get treated for his bloodnoose. Overall this was a very enjoyable book. It was a masterful work by T.A. Barron. Anyone that chooses to read The Mirror of Merlin, no doubt, will be pleased.

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