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Bram Stoker’s immortal tale of vampirism told the story of how Count Vlad Tepes came to London and met his demise at the hands of Abraham van Helsing’s vampire hunters. But how did Dracula occupy his time when he wasn’t stalking Lucy Westenra and Mina Harker? These sixteen stories take the infamous nosferatu on a tour of 1890s London—where he encounters such historical personages as actress Ellen Terry, young scientist Nikola Tesla, Edward, Prince of Wales, and a writer named Abraham Stoker—in this masterful anthology from some of the best authors to ever sink their teeth into vampire mythology…
Tanya Huff * Fred Saberhagen * Nigel Bennett and P.N. Elrod * Roxanne Longstreet Conrad * Judith Proctor * Elaine Bergstrom * K.B. Bogen * Jody Lynn Nye * Chelsea Quinn Yarbro * Bradley H. Sinor * Amy L. Gruss and Catt Kingsgrave-Ernstein * Julie Barrett * Gene DeWeese * Nancy Kilpatrick * Gary A. Braunbeck * Bill Zaget
- Sales Rank: #2346250 in Books
- Published on: 2001-11-01
- Released on: 2001-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .64 pounds
- Binding: Paperback
- 272 pages
- ISBN13: 9780441008582
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Dracula lives! but more in name than spirit in 16 new period riffs on his legend. Going back to Bram Stoker's original novel, Elrod (Time of the Vampires) asked contributors to this anthology, "What ELSE was Dracula doing in London when he was not being chased by Van Helsing and company?" Chelsea Quinn Yarbro, in "Long-Term Investment," and Fred Saberhagen, in "Box Number Fifty," both have him duping ignorant human associates into elaborate schemes to conceal his coffins. Tanya Huff suggests he was drawn to social climbers and other predatory personalities in "To Each His Own Kind." In one of the book's most intriguing entries, Judith Proctor's "Dear Mr. Bernard Shaw," he is a theater patron who cannot understand how the deaths at the end of King Lear ennoble human suffering. Inevitably, Dracula rubs shoulders with a variety of Victorian-era celebrities, including Gilbert and Sullivan, Doctor Watson, Prince Edward, actress Ellen Terry and even a young Aleister Crowley. Inventive though they often are, few of these stories capture the subtle malignancy and terrifying misanthropy that has made Stoker's creation an indelible horror icon. Excepting Gene DeWeese's "An Essay on Containment" and Gary A. Braunbeck's "Curtain Call," which attempt to be more than mere outtakes from Stoker's tale, the majority are modern revisionist interpretations of Dracula as lover, dreamer, swashbuckler and bungler. For better or worse, they bear out the editor's professed fondness for any Dracula variation, "good and bad, sublime and silly."
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
This collection of 16 stories elaborates on the "life" and times of the world's most famous literary vampire. In Tanya Huff's "To Each His Own Kind," Dracula encounters the Prince of Wales, while Gary Braunbeck's macabre story, "Curtain Call," examines existence and the theater starring Bram Stoker and Charles Fort. Other contributors include veteran sf and fantasy authors such as Fred Saberhagen, Chelsea Quinn Yarbro, and Nancy Kilpatrick, as well as first-timer Bill Zaget. This strong anthology should appeal to the large audience for vampire fiction and belongs in most fantasy or horror collections.
Copyright 2001 Reed Business Information, Inc.
From Booklist
This book offers stories centering on the most infamous vampire of all during the time in which Bram Stoker's novel was set. Dracula encounters Britain's crown prince in Tanya Huff's "To Each His Own Kind" and harbors sinister plans for him and his set. Nigel Bennett and P. N. Elrod's "Wolf and Hound" features an encounter between Dracula and Sabra, an ancient and good vampire last seen in their novel His Father's Son [BKL Ap 1 01]. In Gene DeWeese's "An Essay on Containment," vampire Radoslav Coulson tracks Dracula and, enraged by the Transylvanian's actions, decides to aid Seward and Van Helsing, of Stoker's story, in their fight against Dracula. Dracula fans who don't mind a little tampering with the myth will appreciate these tales. Kristine Huntley
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
5 of 5 people found the following review helpful.
A FEW GEMS
By mike coll
The 16 stories in "Dracula in London" are of varying interest. Some, like editor Pat Elrod's & Nigel Bennett's "Wolf & Hound" are absorbing and entertaining. Other entries that combine effective story-telling and intelligence are Jody Lynn Nye's "Everything to Order", Fred Saberhagen's "Box Number Fifty",and Judith Proctor's "Dear Mr. Bernard Shaw". Nancy Kilpatrick's "Berserker" and Gary A. Braunbeck's "Curtain Call" are especially intelligent and well-executed. Still, others are less successful--somewhat bland and forgetable. The nadir is K.B. Bogen's "Good Help", an awkward and eye-rolling attempt at humor that is wholly unfunny. In contrast, Bradley H. Sinor's "Places for Act Two" is genuinely amusing and involving. Of special note is the final story in the book--Bill Zaget's "Renfield or, Dining at the Bughouse". This is a bizarre contribution that doesn't quite fit into the premise of the anthology. There is no real sense of time or place. There is no "tour of 1890s London" (quoting the anthology's blurb). And Dracula doesn't actually appear in the story! Instead, we find ourselves neck-deep in an intensely personal and poetic rendition of one man's traumatic history--sometimes described from the point-of-view of the insects he has eaten! (How warped is that?!) Surprizingly, this is the author's 1st published story, and it's a knock-out. His passion for language is stunning--and challenging. One can't be lazy; the reader needs to focus to get through it, so different is it from all the stories that precede it. It is unique in this collection for expressing **emotional depth** and I found it extremely moving. We accompany Renfield on a journey of self-discovery. It's a journey well worth taking, and it makes up for some of the book's weaker contributions. Buy it if only for this story.
7 of 8 people found the following review helpful.
Great vampire anthology
By A Customer
Just about everyone knows about the events that have taken place in Bram Stroker's Dracula. However, while he lived in Victorian England Dracula became involved with other people and events that the author chose to ignore. Mr. Stroker left it to some of the most famous writers of horror tales to complete the full picture by contributing fantastic stories to this anthology.
Writers like Fred Saberhagen, Chelsea Quinn Yarbro, and Nancy Kirkpatrick provide tales that show what the Transylvanian Count was doing in London. Tanya Huff focuses on Dracula's fascination on meeting the Prince of Wales. Nigel Bennett and PN Elrod have a Russian purposely travel to England to confront the prince of vampires. Elaine Bergstrom writes about a suffragette who needs Dracula's help.
The entire collection is excellent as no one fails to hold up his or her weight. Mr. Stroker would have appreciated this anthology.
Harriet Klausner
3 of 3 people found the following review helpful.
Multiple Personality Disorder
By Bookseller
If you try to fit these stories into Bram Stoker's original novel, you will be very disappointed. The Count Draculas characterized in the various stories are all different. They clearly reflect each author's views on vampires.
I sat down and read this book from front to end, and as I was reading it, I began to wonder if the Count had a serious multiple personality disorder. The Count Dracula in one story would morph into a completely different person when I turned the page to the next story.
However, if you take each of these stories individually, most are very entertaining and well written. (Although I completely agree with what a previous reviewer said about K.B. Bogen's "Good Help" entry being thoroughly unfunny - having it included is the main reason I can't give this book 5 stars.)
Each story takes the same starting point, namely 'Dracula in London', and runs with it. The fact that they each take a different route and end up in a completely different place makes it rather interesting. Reading each of these stories is really like speculating how Dracula might have looked, if he was originally conceived of in the 21st century instead of the 19th.
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