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Contains: The Curse of the Monolith (de Camp & Carter) The Bloodstained God (Howard & de Camp) The Frost Giant's Daughter The Lair of the Ice Worm (de Camp & Carter) Queen of the Black Coast The Vale of Lost Women The Castle of Terror (de Camp & Carter) The Snout in the Dark (Howard, de Camp & Carter)
- Sales Rank: #676647 in Books
- Published on: 1977-08-01
- Released on: 1977-08-01
- Original language: English
- Number of items: 1
- Binding: Mass Market Paperback
- 189 pages
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3 of 3 people found the following review helpful.
Conan meets up with both Atali and Bêlit in his twenties
By Lawrance Bernabo
Frank Frazetta's cover art for "Conan of Cimmeria" stands out from the works the artist did for the Lancer paperbacks that reprinted Robert E. Howard's Conan stories in the 1960s. This is because it was one of the rare times that Frazetta's art actually represented a story contained in the collection, in this case the best of the bunch, "The Frost Giant's Daughter." The stories in this volume 2 of the Conan paperbacks cover when the young barbarian was in his middle- and late-twenties. It consists of not only several Conan stories by Howard, but stories rewritten, revised, and created by L. Sprague de Camp and/or Lin Carter:
"The Curse of the Monolith" by de Camp and Lin Carter, has Conan serving as a captain in the Turanian army and being sent by the generals of King Yildiz on a dangerous mission to Khitai. This is a good example of a story that fills in a gap and is nothing special.
"The Bloodstained God" was originally written by Howard as a Kirby O'Donnell story, "The Trail of the Blood-Stained God," and set in modern Afghanistan, with de Camp rewriting it to make it a Conan tale. Conan has to desert from the Turanian army and he ends up looking for treasure in the Kezankian Mountains, along the eastern borders of Zamora. Another okay story filling a gap.
"The Frost Giant's Daughter" was originally published in 1934 as "Gods of the North," and then revised by both Howard and alter de Camp. The story takes place after Conan returns home to Cimmeria and then joining the Aesir for a raid into Vanaheim where in the aftermath of a battle he meets a beautiful naked woman, who leads him into a trap involving her brothers. Along with "The Phoenix on the Sword," this was one of the first two Conan stories submitted by Howard, but it was the one that was rejected. Now it is a favorite Conan story with the virtue of being short and sweet.
"The Lair of the Ice Worm" by de Camp and Carter has Conan returning to the civilized lands of the south trying to find someone who wants to hire his sword. This is probably my favorite of the pastiches in this collection mainly because I like the idea of ice worms.
"Queen of the Black Coast" by Howard is the biggie in this one as Conan becomes the partner of Bêlit the she-pirate and gets the name Amra, the Lion. Conan is on a ship near the coast of Kush when Bêlit attacks and kills the rest of the crew. Of course, she falls for the Cimmerian. Howard is trying for something big here, but since he ends with a short story instead of a novella or another novel like "The Hour of the Dragon," it is over much to quickly. No wonder Roy Thomas and John Buscema took several years in their "Conan the Barbarian" comic book to flesh out this one, because this one is not as good as it should be.
"The Vale of Lost Women" by Howard, like "The Frost Giant's Daughter," is a Conan story that was not published during the author's lifetime. Conan saves Livia, a civilized white woman, who has been taken prisoner by the Bamulas, a black tribe. This story represents one of the most overt examples of Howard's racism, which detracts from the tale, even when you make allowances for the times.
"The Castle of Terror" by de Camp and Carter takes place in the kingdom of Kush and gets us back to the okay category.
"The Snout in the Dark" was rewritten by de Camp and Carter from an outline and the first half of a rough draft by Howard, ends the collection on a minor note.
The biographical paragraphs provided between the stories are based upon "A Probable Outline of Conan's Career" worked out by P. Schuyler Miller and Dr. John D. Clark and originally published in "The Hyborian Age" in 1938 and then expanded by L. Sprague de Camp in 1959 and published in the "Amra" fanzine devoted to Howard's pulp fiction heroes. This is important because one of the things that this paperback series was trying to do was to flesh out the rest of the Conan chronology. Of course, this is only talking in terms of the original Howard canon, because there have been numerous Conan novels written since these books were originally published. "Conan of Cimmeria" is where de Camp and Carter work out the second level of Conan stories. There are enough good ones here to make it worth reading.
4 of 5 people found the following review helpful.
What a way to end a book!!
By Captain Stern
This book has a supercharged, thrill ride ending. I mean wow, I can't believe they got that much story into so few pages, but that's what I love about the Conan short stories, they kick right off in the middle of the action, they catch you up quick, they glaze over a few details giving you just enough to let your imagination run wild, and then they came crashing to a dramatic end. These stories never limp to a conclusion, fast and furious all the way.
"The Snout In The Dark" is best De Camp and Lin Carter completed Robert E. Howard Conan tale I have read to date. They took a nice intro written by Howard and fleshed it out into being the most dramatically ending Conan story ever, what a way to end a book. Not all of the De Camp and Carter stuff is worth reading, in fact sometimes it follows to closely to something Howard already did, but this one is a thrill ride all its own.
"The Queen of The Black Coast" is a Howard classic and worth reading again and again. This story moves through so many emotions and themes, there's never a chance to get bored. The middle of the story could have easily been worked into a full length novel to cover the exploits of Conan and Belit, but this is one of the places you have to imagine it for yourself and just enjoy the dramatic, action filled final scenes. This one has an amazing photo finish, you can literally see the doom and gloom atmosphere of Conan's world.
"The Vale of Lost Women" is a real nice example of the Lovecraft influence in Howard's work. This book has tons of supernatural forces from beyond the stars that man was not meant to encounter in it. Another nice thing about this story is that while Conan is there to get the ball rolling and to stop the ball from rolling, he disappears during the mainstay of the story and instead Howard concentrates upon the mysticism of the tale.
"The Castle of Terror" is supernatural filler by De Camp and Carter that follows less dramatically along the lines of "The Vale of Lost Women" but it's still a fun read.
"The Frost Giant's Daughter" gives you a picture of some of the gods of Conan's world and a picture of his intense emotions.
The other three tales felt like filler to me, "The Curse of the Monolith," "The Blood-Stained God," and "The Lair of the Ice Worm," but they aren't bad reads when you aren't looking for much.
In closing I love Howard Conan tales and this is a fun book and if you get it and you aren't enjoying it, just skip to the last story it just kills at the end, literally.
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