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Changing Planes, by Ursula K. LeGuin
Free Ebook Changing Planes, by Ursula K. LeGuin
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The National Book Award-winning author takes flight with this bestselling collection of speculative fiction where a woman visits fifteen otherworldly—yet familiar—societies.
- Sales Rank: #1033565 in Books
- Brand: Ace
- Published on: 2005-07-26
- Released on: 2005-07-26
- Original language: English
- Number of items: 1
- Dimensions: 6.73" h x .70" w x 4.19" l,
- Binding: Mass Market Paperback
- 256 pages
- Great product!
Amazon.com Review
At first, readers may find Ursula K. Le Guin's collection Changing Planes rather light, if not slight. However, as the reader continues through its sixteen stories (ten of which are original to this volume), the collection achieves considerable weight and power.
A punny conceit links the stories and provides the title of Changing Planes. Conceived before September 11, 2001, this conceit now, unfairly, looks odd. Trapped too many times in the misery of pre-terrorist airports, Sita Dulip discovered how to change planes: not airplanes, but planes of existence. Now the people of Sita's earth travel between alternate universes.
The stories in Changing Planes are strong expressions of Le Guin's considerable anthropological and psychological insight. However, these tales don't follow traditional plot structures or character-development methods. They read more like travelogues, or socio-anthropological articles on foreign nations or tribes. They explore exotic literary planes lying somewhere between Jorge Luis Borges's ficciones and Horace Miner's anthropological satire Body Ritual Among the Nacirema. However, unlike Miner's parody, Le Guin's wise tales are rarely satirical, though "The Royals of Hegn" sharply skewers the absurdity of royalty-worship, and "Great Joy" rightly attacks the boundless corporate criminality familiar to anyone who's read a newspaper since 2001.
One of America's greatest authors, Ursula K. Le Guin has received the National Book Award, the Newberry Award, the PEN/Malamud Award, five Nebula Awards, and five Hugo Awards. --Cynthia Ward
From Publishers Weekly
When most people get stuck for hours in an airport, nothing much comes of it but boredom. When a writer like Le Guin (The Other Wind, etc.) has such an experience, however, the result may be a book of short stories. In "Sita Dulip's Method," a bored traveler, a friend of the narrator, discovers that if she sits on her uncomfortable airport chair in just the right way and thinks just the right thoughts, she can change planes-not airplanes, mind you, but planes of existence. Each of the linked stories that follows recounts a trip by the narrator or someone of her acquaintance to a different plane. "The Silence of the Asonu," for example, describes a world where the people speak only half a dozen words in any given year, and "The Ire of the Veksi" recounts a visit to a plane where virtually all the natives are angry virtually all of the time. The majority of these stories are allegorical to some degree. Most have a satiric edge, as in "Great Joy," for example which features an entire world devoted to the commercial side of various holidays, with lots of great shopping in quaint little towns like No‰l City, O Little Town and Yuleville. Many of the tales echo, or take issue with, other works of fantastic fiction. Swift's Gulliver's Travels is clearly an influence, and one story, "Wake Island," can be seen as a re-examination of the basic premise of Nancy Kress's classic superman tale, "Beggars in Spain." This is a fairly minor effort, but like everything from Le Guin's pen, a delight. B&w illus. by Eric Beddows.
Copyright 2003 Reed Business Information, Inc.
From Booklist
"The airport offers nothing to any human being except access to the interval between planes." In Le Guin's series of 16 vivid stories, an airport-bound woman with an inquiring mind visits assorted other planes of existence. With dispassion, wry humor, and a keen eye, and aided as well by research conducted in libraries of various kinds, she describes those excursions in hopes of inducing the reader to try interplanary travel. Each story features a different society and culture, and some of these settings allow telling commentary on the foibles of our world. Hegn, for example, is a small plane on which everyone belongs to the royal family, except for one, carefully nurtured family of commoners. In Asonu, adults rarely say even one word, though the children chatter until they hit their teens, when they start becoming more and more silent. As for Hennebet, do its people experience reincarnation, or are they living again? The narrator's expectations of identity and time become very confused trying to grasp the slippery concept upon which that plane is based. And then there is unusually tenuous Zuehe, which imparts the feeling of being in a landscape created by the artist Escher. Eric Beddows' black-and-white illustrations perfectly complement Le Guin's wildly inventive array of societies and cultures. Sure to delight fans of the unusual travelogue, this is just plain good airport reading. Sally Estes
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
There's no real story here.
By Michael M. Mueller
Didn't hold my attention and suck me in like her longer stuff.
1 of 1 people found the following review helpful.
Seductive torture
By C. Plaia
I'm a big fan of Ms. Leguin. The pun/premise of this book is provocative, but the individual sections are so brief that they seem like experiments in setting up the complex cultures for which she is rightly renowned. There's just not enough room for the contextual stories to evolve as we've learned to love from her. I hope she'll develop at least some of them further.
12 of 13 people found the following review helpful.
A nice read: Ursula Le Guin in an unexpected mood!
By David Rasquinha
Who among us has not experienced the misery of long waits at airports, trapped in a slow-moving time-warp between flights? Le Guin starts this quaint book with a horribly accurate word picture of what such a wait can be before segueing into a neat fantasy. Imagine if, just as we change airplanes on connecting flights, we could switch between different planes of existence (the pun is entirely intentional!) and discover alternate worlds? Sit back then for an enchanting ride as Le Guin lets her imagination create 16 wondrous alternate worlds which this book explores almost like a travelogue. Take the world of the Asonu, where children speak less and less as they mature, till as adults, their communication is entirely silent. The only sounds are those of nature and people going about their business - no conversation at all. (I could go for that!). Contrast that peaceful world with that of the Veksi who are always angry and quarrelsome, or the Hennbet who are either reincarnated beings or multiple personalities (or maybe both!). Even more imaginative are the long migratory cycles and courtship dances of the Ansarac (much to the disapproval of the efficient tech-specialists who try to colonize them) and the slow evolution of Mahigul. The book is not all light hearted fun however. Porridge on Islac looks at the dangers of genetic engineering. The land of Hegn, where everyone is part of the royal family and hence all attention is on the one family of commoners, neatly inverts the usual fascination for royalty, enabling Le Guin to gently skewer the monarchical concept. And Great Joy is a searing look at corporate behavioral ethics (or the lack of them). I must also credit the illustrator, Eric Beddows for some very apt images, including a couple that are startlingly reminiscent of the peerless M. C. Escher. A nice read, though very different from what one usually expects from Ursula Le Guin. (I wonder if she dreamed this one up at an airport!)
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