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Dragon's Winter, by Elizabeth A. Lynn
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Since his twin's theft of his talisman, Karadur Atani can never become a dragon king. Instead, his dragon's heart remains imprisoned in the body of a broken man. But when his brother returns, cloaked in a veil of black magic, Karadur Atani will fight for his birthright--once and for all.
- Sales Rank: #3606853 in Books
- Published on: 1999-04-01
- Released on: 1999-04-01
- Original language: English
- Number of items: 1
- Dimensions: 6.78" h x .95" w x 4.26" l,
- Binding: Mass Market Paperback
- 352 pages
Amazon.com Review
Karadur and Tenjiro are twin sons of Kojiro Antani, the dragon lord of Ippa. But only Karadur, whose name means "fire-bringer," bears the blood of the dragon in his veins. His younger brother, Tenjiro or "Heaven's hope," was second out of the womb and is the weakest and smallest of the two. As the twins grow to maturity, Karadur is anxious to attain the promise of his blood and transform into the dragon he is capable of becoming. But Tenjiro, who bears the scars of Karadur's claws, resents his older brother and, on the eve of Karadur's transformation, steals the talisman that makes the change possible. That same night he disappears, fleeing to a distant, icy realm where he will reemerge as a powerful wizard bent on destroying his older brother. But Karadur, lord of Dragon Keep, is prepared to go to war against Tenjiro, and it's likely only one will survive. --Craig Engler
From Publishers Weekly
Utterly engrossing, Lynn's first novel in 13 years demonstrates the command of her genre that has earned her two World Fantasy Awards. Of the twin sons, Karadur and Tenjiro, born to the shapechanging Dragon King Kojiro Atani of Ippa, only one inherits the dragon nature. Tenjiro, bitterly envious of his brother's supernatural abilities, masters an evil lore long thought vanquished. He perverts the affection of Karadur's lover, the musician Azil, and steals the magic talisman that enables Karadur to take dragon form. Standouts among the sensitively drawn supporting figures who accompany Karadur on his avenging path are three shapechangers: Hawk, who's a woman warrior and bow-maker; Wolf, her martyred comrade; and Bear, as formidable an ally as he is ferocious a foe. Lynn's painstaking creations of Ippan life from castle to cottage and her deft, profoundly convincing characterizations match her skill at conveying the intricacies of hand-to-hand combat in a world where what matters most is a man or woman's bravery in leaving it. Like Lynn's Chronicles of Tornor (Watchtower, etc.), this is a fantasy that readers will cherish?and there's a promised sequel to look forward to, as well.
Copyright 1998 Reed Business Information, Inc.
From Booklist
Lynn's first novel after a 13-year sabbatical from fiction writing is admirable, if not quite as magisterial as such previous efforts as The Northern Girl (1980). In a land where magic works and changelings are not uncommon, twin boys are born to a dragon king, but only one of them has the dragon blood. His brother steals the talisman that would allow Karadur Atani to turn dragon, then becomes enslaved to the spirit of a long dead and utterly evil sorcerer. That forces Karadur to march on his brother's stronghold, besiege it, and slay the brother and his sorcerous minions. The plot summary makes the novel sound more conventional than it is, and the end is something of an anticlimax. But Lynn has created a strong cast in the changelings Wolf (and his wife, Thea), Bear, and Hawk, as well as secondary human characters. She has built the world of the book from a hundred well-chosen if frequently subtle details, she maintains pace excellently, and her command of English has not diminished. Roland Green
Most helpful customer reviews
61 of 67 people found the following review helpful.
it does fall short!!
By Furio
well, let's say it bluntly: i am fed up with ms lynn's shortcomings.
she is a distinguished writer, i would give nearly anything to be half as good as she is, but she goes on casting her pearls to swines; she has done it in all her previous novels and she keeps on doing it.
the plot is inconsistent, sometimes slow, sometimes rash and superficial. jealousy between brothers is to say the least trite and she does nothing to develop the issue in a convincing way.
many reviewers have complained about the crude violence spattered throughout the book: i do not mind bloodshedding (i do not like it either, especially if it involves the main characters), but i DO mind other things:
- the evil brother is absurdly commonplace, he lacks any depth and his being possessed by an ancient entity is too easy a device.
- the dragon brother has good potential as a character, but ms lynn wastes any opportunity to make him such: he just looks like a tyrannical brat you cannot smack on the nose because he can set you on fire at will.
- there is no character throughout the book one feels satisfied about: the two decent (not distinguished, just tolerable) ones die after much description but before any real action.
- plot twists are to say the least contrived and absurd. after the death of the evil brother we have an episode with brigands which makes no sense at all and tops an incredible amount of imbecilities.
- last but not least ms lynn keeps on indulging in a most peculiar idea of homosexuality: she tries to convince us that the dragon brother, after years of passionate love for the court musician (another potentially great character totally wasted) can not only discard this love but also discard men entirely. an irritating notion indeed especially because she forgets to give us not only a plausible but any reason at all about why he should find the popped up woman of the last pages attractive.
17 of 19 people found the following review helpful.
Lyrical high fantasy
By Amazon Customer
I have long thought that there is a dearth of lyrical writers such as Patricia McKillip and Robin McKinley in the fantasy genre. It was with delight, then, that I discovered Elizabeth Lynn's _Dragon's Winter_.
Her style of writing is beautiful and smooth, letting you flow from one page to the next. And although elements of the plot are familiar to any veteran reader--betrayal, shapechangers, kingship--they are pieced together in a compelling fashion.
Characterization is subtle but definitely present. The major character, Karadur Atani, is a reserved man with a temper, yet it is easy to sympathize with his tragedy and urge him toward victory. Lynn devotes time to other characters, even the minor ones, as well, crafting them with an elegance that makes you mourn them when they pass out of sight. My main complaint here would be about the antagonist. There is only a pretense at offering a full-fledged motive for him, and all of the villains turn out flat.
The other lack in this novel would be in the world-buildling. There are some details that are oversimplified, especially in contrast to the richness Lynn displays in other parts. Although the intensity of the latter is more than welcome, it seems to have drained careful consideration from some areas.
Still, it's a worthwhile read. It's best to let the words wash over you, in the manner of music, and concentrate on enjoying what you can and overlooking what you can't. The ending may disappoint some, but a little thought can yield satisfaction with the conclusion.
5 of 5 people found the following review helpful.
heart-wrenching
By An avid SF reader
This and Sardonyx Net are my favorite Elizabeth A. Lynn books, and two of my favorite books all around. I've recommended both to a number of (carefully selected) friends over the years with great success. Beautifully written stories. It isn't for everyone though. Lynn is one of those writers who doesn't worry about making life fair for her characters and, in many of her stories, her protagonist has very little power over something very important to him/her. You've been forewarned...
If you like this, you might also like Lynn Flewelling, Testament by Valerie Freireich, and/or Transformation by Carol Berg
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