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Revelation Space, by Alastair Reynolds
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Alastair Reynolds's critically acclaimed debut has redefined the space opera with a staggering journey across vast gulfs of time and space to confront the very nature of reality itself.
- Sales Rank: #82926 in Books
- Brand: Ace
- Published on: 2002-05-28
- Released on: 2002-05-28
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.26" w x 4.19" l,
- Binding: Mass Market Paperback
- 592 pages
- Great product!
Amazon.com Review
Alastair Reynolds's first novel is "hard" SF on an epic scale, crammed with technological marvels and immensities. Its events take place over a relatively short period, but have roots a billion years old--when the Dawn War ravaged our galaxy.
Sylveste is the only man ever to return alive and sane from a Shroud, an enclave in space protected by awesome gravity-warping defenses: "a folding a billion times less severe should have required more energy than was stored in the entire rest-mass of the galaxy." Now an intuition he doesn't understand makes him explore the dead world Resurgam, whose birdlike natives long ago tripped some booby trap that made their own sun erupt in a deadly flare.
Meanwhile, the vast, decaying lightship Nostalgia for Infinity is coming for Sylveste, whose dead father (in AI simulation) could perhaps help the Captain, frozen near absolute zero yet still suffering monstrous transformation by nanotech plague. Most of Infinity's tiny crew have hidden agendas--Khouri the reluctant contract assassin believes she must kill Sylveste to save humanity--and there are two bodiless stowaways, one no longer human and one never human. Shocking truths emerge from bluff, betrayal, and ingenious lies.
The trail leads to a neutron star where an orbiting alien construct has defenses to challenge the Infinity's planet-wrecking superweapons.
At the heart of this artifact, the final revelations detonate--most satisfyingly. Dense with information and incident, this longish novel has no surplus fat and seems almost too short. A sparkling SF debut. --David Langford, Amazon.co.uk
From Publishers Weekly
This distant-past/far-future, hard sci-fi tour de force probes a galaxy-wide enigma: why does spacefaring humanity encounter so few remnants of intelligent life? Excavating the 900,000-year-old Amarantin civilization on its home world, Resurgam, archaeologist Dan Sylveste discovers evidence of a splinter cult that abandoned Resurgam for the stars but returned, only to be swallowed up by a mysterious cataclysm that destroyed all the Amarantins. Aboard the Nostalgia for Infinity, a vast light-hugger ship in interstellar space, the ominous Triumvirate of cyborg starfarers seeks Sylveste to heal its captain, afflicted by the deadly Melding Plague, which turns once-humans into their own semisentient spaceships. In Chasm City on the slum-ridden world of Yellowstone, assassin Ana Khouri joins the Nostalgia's crew intent on killing Sylveste. Clearly intoxicated by cutting-edge scientific research in bioengineering, space physics, cybernetics Reynolds spins a ravishingly inventive tale of intrigue. Hard SF addicts will applaud the author's talent for creating convincing alien beings and the often uneasy merging of human and machine intelligence, depicted here as nearly too frighteningly real for comfort. Others, however, may find these human-cybernetic hybrid characters chilling, dispassionate (except for their built-in drives toward revenge and murder) and foreboding. Reynolds's vision of a future dominated by artificial intelligence trembles with the ultimate cold of the dark between the stars.
Copyright 2001 Cahners Business Information, Inc.
Review
"Intensely compelling; darkly intelligent; hugely ambitious."—Paul J. McAuley, author of Ancients of Days
"A terrific treat. I was hooked from page one. Billion-year-gone alien wars, killer intelligences—and perhaps the most stunning and original alien artifact in modern science fiction—and all rendered with the authentic voice of a working scientist. Ferociously intelligent and imbued with a chilling logic—it may really be like this Out There."—Stephen Baxter, co-author of The Light of Other Days
"A striking first novel. Revelation Space delivers the goods. Certain to be one of the year's most impressive debut novels, and one of the most significant large-scale epics of the year. Reynolds is the next writer to watch in the resurrection of the conceptually intelligent space opera."—Gary Wolfe, Locus
"Complicated, and very clever and well-written...a spectacular first novel."—Aboriginal SF
"A delight. A refreshing and entertaining reconsideration of some of the genre's oldest tropes. An impressive first novel, quite possibly the space opera of the year. Watch for it at awards time."—Jonathan Strahan, Locus
Most helpful customer reviews
127 of 133 people found the following review helpful.
Almost great
By Thomas Beck
_Revelation Space_ belongs to a subgenre of hard science fiction that I label "eschatalogical" SF; that is, science fiction that attempts to explain the history of the universe, or at least a big enough portion of it. SF on an almost infinite scale of both time and space. SF that portrays a universe with a purpose, a big, hidden purpose, the discovery of which motivates the characters in the novel and the revelation of which (pardon the pun) forms its denouement. (As examples, read all four of Fred Pohl's "Heechee" novels, or David Zindell's "Neverness" series.) Such works promise much; and they had better deliver, for little is more disappointing than something that dares and fizzles.
_Revelation Space_ definitely does not fizzle, but it didn't quite deliver on its great promise, either. Not that I didn't enjoy the journey. It's one of the few even hard SF books that really depends on the relativistic effect of high-speed interstellar travel. The bells and whistles of authorial imagination (intended to make you admire his creativity - in this case, the Pattern Jugglers, Conjoiners, Ultras, the Shrouds, etc.) are clever and convincing indeed; the shape of human society is very original - different enough from our own day to seem plausibly futuristic, yet recognizable enough so that we can care about the characters as humans with whom we still have something in common.
The plot is fascinating - you really want to know what happened to the Amarantins, you really want Sylveste to make his ultimate discovery. You just hope the revelations, when they come, will be shattering ENOUGH, that the payoff will be truly galactic in scope. And that's where _Revelation Space didn't quite fulfill its mighty promise. As with many epic books, the ending seemed a bit rushed; I often joke it's as if the author had a deadline, or a maximum word count, and had to finish the book within that artificial constraint. More likely, it is simply difficult to articulate an ultimate vision, to get on paper what you feel in your spirit.
Don't get me wrong, Reynolds ties up all his many threads in a very neat package that doesn't even seem contrived. Yet what is going on behind the entire tale just doesn't seem quite powerful enough to have motivated the action. That's just my opinion.
_Revelation Space_ is one of my favorite novels of recent years, and I'm very sorry it didn't make the 2001 Hugo Ballot. It is complex (I almost wish it had an index!), involving, very high tech, and very futuristic. Reynolds has already published a sequel in the same universe called _Chasm City_, which is not yet available in the US (I picked up a copy from a British dealer at the Millennium Philcon). He is an author definitely worth watching, and I am looking very much forward to reading his works in the future.
60 of 66 people found the following review helpful.
Well written and thoroughly enjoyable!
By Yet Another Amazon Customer
With Revelation Space, Alastair Reynolds' first novel, he aims high and hits the target almost dead on. It's a rarity these days to find an author capable of combining hard science fiction with good storytelling, but if this book demonstrates anything, it's that Reynolds is just such an author. And even more impressive, he does it on a grand scale, weaving together events that take place light-years and decades (and even centuries) apart.
I won't bother to outline the story here - I'm sure plenty of other reviewers have already done that. What I will say is that the author places his characters against the backdrop of human existence several centuries from now, when interstellar space has been colonized, trade ships spend decades plying the space between starts, and human beings exist in a variety of forms, from highly modified cybernetic beings to artificial simulations based on brain scans of the dead. Yet even on such a grand stage, the characters are never lost - Sylveste, Khouri and Volyova are each strong enough to hold their own, and even if you never find yourself caring about them, you will want to keep reading to learn of their fates.
The story is well written and very engaging, and despite the fact that it lost some momentum in the middle, I found myself eagerly turning pages to find out what would happen next. All in all, though this is not quite a perfect sci-fi novel, it comes close - and definitely deserves five stars! I would recommend it without hesitation to any fan of hard science fiction.
0 of 0 people found the following review helpful.
Heinlein...Niven...and now Reynolds
By Todd D. Vance
When Robert A. Heinlein passed away, I wondered who could fill the shoes of a writer I enjoyed since childhood. Larry Niven has taken the job with his enjoyable Known Space stories and other novels. However, boosterspice doesn't seem to be around the corner, so who will inherit the throne from Niven? After reading three novels in the "Revelation Space" universe, I've decided the most likely heir is Alastair Reynolds.
The books are space opera, mostly set half a millennium, give or take, in the future. Humans have reached the stars, but in ships that obey Einstein's laws, so it wasn't easy. The intrigue among the various factions (and forms) of humans is more complex than in Dune. (The universe is not an empire, what with no instantaneous travel or anything). Some humans are quite weird by our own standards, or even compared to *aliens* in other novels. The few sentient aliens encountered (with one exception) are far weirder--and are mostly not a threat since they don't require the same resources as humans. In fact, the most dangerous entities in space (with one exception) are certain other humans.
The books are full of future technology--think of the things at the edge of development right now, such as nanotechnology, bioengineering, computation, etc. and take them to their natural 500 year or so limits, and not only that, look at how humanity adapts to technology as technology adapts to humanity. Immortality occurs often in SF, but somewhat less often we find stories rich in the consequences of it, such as boredom pushing immortals to hire assassins...for themselves!
There are new kinds of evils, and old kinds in new forms. It's not so much good versus evil as lesser evils against greater evils and the best not completely innocent. Then there are the evil in deed but not intent--few SF writers would tackle the possibility that wiping out life throughout a galaxy could be for the greater good...from a certain very alien point of view.
I was impressed by the accuracy concerning stellar, quantum, and relativistic physics, as well as biology, chaos, etc. Some liberties are taken (mostly with super-advanced alien technology who presumably have the quantum gravity and extensions thereof that we lack) and some currently-speculative physics ideas appear.
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