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When a stranger attempting to deliver a cryptic message is shot dead at his table, Dr. Richard Ames is thrown headfirst into danger, intrigue, and other dimensions, where a plot to rescue a sentient computer could alter human history.
- Sales Rank: #76787 in Books
- Published on: 1988-06-01
- Released on: 1988-06-01
- Original language: English
- Number of items: 1
- Dimensions: 6.88" h x 1.00" w x 4.25" l, .41 pounds
- Binding: Mass Market Paperback
- 400 pages
- Robert A. Heinlein
- Classics
- Science fiction
From Publishers Weekly
As the old guard of SF ages, we are getting more novels of nostalgia. Heinlein is less sentimental than many of his generation but his new book resembles both the latest Bradbury, in making the author the protagonist, and the latest Asimov, in returning to a popular series from early in his career (Future History). Like Heinlein, Richard Ames is an ex-military man turned writer who fancies himself a pundit. An assassination attempt precipitates his marriage to Gwen Novak and sends the newlyweds scurrying to the Moon and then to the planet Tertius, headquarters of the Time Corps. The action, though, is largely beside the point in a novel that is predominantly a dialogue between the protagonists. Their foredoomed attempt to become the Nick and Nora Charles of space (with a bonsai standing in for Asta) is sabotaged less by Heinlein's endless elbow-in-the-ribs wisecracks and more by his inability to convincingly portray a sexual relationship. Given the increasing popularity of his recent, similar work, it is unlikely that the book's short-comings will limit its potentially large audience. November 11
Copyright 1985 Reed Business Information, Inc.
About the Author
Robert Anson Heinlein was born in Missouri in 1907, and was raised there. He graduated from the U.S. Naval Academy in 1929, but was forced by illness to retire from the Navy in 1934. He settled in California and over the next five years held a variety of jobs while doing post-graduate work in mathematics and physics at the University of California. In 1939 he sold his first science fiction story to Astounding magazine and soon devoted himself to the genre.
He was a four-time winner of the Hugo Award for his novels Stranger in a Strange Land (1961), Starship Troopers (1959), Double Star (1956), and The Moon is a Harsh Mistress (1966). His Future History series, incorporating both short stories and novels, was first mapped out in 1941. The series charts the social, political, and technological changes shaping human society from the present through several centuries into the future.
Robert A. Heinlein's books were among the first works of science fiction to reach bestseller status in both hardcover and paperback. he continued to work into his eighties, and his work never ceased to amaze, to entertain, and to generate controversy. By the time hed died, in 1988, it was evident that he was one of the formative talents of science fiction: a writer whose unique vision, unflagging energy, and persistence, over the course of five decades, made a great impact on the American mind.
From AudioFile
Who could want anything more from a Heinlein novel than time-travel, intrigue, danger, hasty marriages, murder, playful sexual banter, and a kitten named Pixel who has the extraordinary ability to walk through walls? While he probably can't walk through walls, narrator Tom Weiner's extraordinary ability is to take the dozens of distinct characters in Heinlein's philosophical space adventure and give each a unique and instantly recognizable style. Weiner's performance is particularly strong with the two main characters, Colin Campbell (aka Richard Ames) and Hazel Stone (aka Gwen Novak). Weiner gives Colin/Richard's first-person narrative a charming, softly sarcastic growl and Hazel/Gwen's voice a lovely globe-and-time-trotting sophistication. Spoken by Weiner, their banter becomes clever enough to challenge even Clark Gable and Claudette Colbert to a literary duel. A.A. Winner of AudioFile Earphones Award © AudioFile 2008, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Most helpful customer reviews
4 of 7 people found the following review helpful.
Literature, this is not...
By A Customer
I admit, I'm a fan of STRANGER IN A STRANGE LAND and FRIDAY. That's about it. TIME ENOUGH FOR LOVE falls as a guilty pleasure. But this isn't good literature, it is not good science-fiction literature, and it's one bad book. The plot actually does start out promising. At first it seems to be a murder mystery that has more than 1 implication to the rest of the world. Then Heinlein looses it. He goes back to ...THE NUMBER OF THE BEAST ... So from that point forward the plot just goes downhill, nonsensical, want-to-be symbolical but just fall short dime store novel. I really had high hopes for it as it DOES START OUT WELL but toward the middle and end it just makes one wonder if Heinlein's faculties were all there.
21 of 24 people found the following review helpful.
Worst Heinlein work ever
By R. MCRACKAN
I've read a lot of Heinlein and I consider him to be hit and miss but generally readable. This book is atrocious.
The beginning 3rd of the book is very good despite some back and forth dialog that gets a bit too snarky too often. Then comes a scene of intense peril which is ruined entirely. Heinlein is so hellbent on proving his scientific knowledge to the reader that the scene is barely readable much less enjoyable. All sense of atmosphere disappears in a cloud of thick explanations about physics and ballistics. I only bring up this scene because it seems to be the turning point where a good whodunnit turns into a tiresome misdirected mess.
From here on out you suffer through ~250 pages of overly verbose dialog that's supposed to be clever. All people, especially women, are sex fixated and everyone is vowing to marry and sleep with everyone else in group marriages. Even more unfortunate is that it all just comes through as being awkward. I don't mean awkward because it assets cultural norms that defy my upbringing. I mean awkward because like most sci-fi authors, Heinlein has no inkling of how to write effective sex or romance. It's the kind of awkward reminiscent of when early adolescents fool around - all the while blushing, giggling, and not being able to unhook a bra. All hormones and no grace. Just plain awkward.
Next flaw: Heinlein has fallen so in love with his worlds that he forgets there's supposed to be forward momentum. In one scene about 3/4ths of the way through the book, an event of tremendous importance occurs. In the middle of it, he muddles everything up by introducing new minor/meaningless characters and taking time to describe their ancestry and last names. Hello! Can we get back to the plot point? (Especially since it's the first plot point we've seen in over 50 pages!) We aren't even learning anything interesting about the characters themselves. Only how they fit into the world he spent so much effort detailing.
Next: the computers. Yes, I'm a computer geek. (Big shocker: a computer geek reading Heinlein...) but this is not a rant about how he messed up a computer detail or how the computers of the future ought to contain X or Y feature. This is much more fundamental: sassy self-aware computers. All the self-aware computers are just as sassy, opinionated, prone to verbally-sparing, and sex-obsessed as the humans are. Worse: the personalities aren't original. These computers, as well as all of the females in the book, except for the main 1 or 2, are carbon-copies of the personalities of the girls in "Stranger in a Strange Land."
Next: Everyone's favorite character: Robert A. Heinlein. This is one of the few gripes I have about ALL Heinlein books: there's always 1 or 2 characters (or 3 or 4 in Starship Troopers) who are always right, who's opinions are beyond reproach, and who deliver exhaustive monologues about unconventional theories which are clearly nothing more than Heinlein expressing his own views. These are your "Heinlein" characters. They are him and they are never anything less than victorious. In this book there are some particularly silly and over the top instances of these speeches, opinions, and characters.
Plot: yes, there was a plot - albeit neglected for most of the book in favor of aforementioned snappy dialog (mostly about sex) and in favor of discovering the world he invented. The main plot is something that happens in the first chapter and is resolved in the last chapter. Sadly, it has little to do with anything in the rest of the chapters. The mystery would be entirely obvious with about 80 pages remaining until climax except that since the rest of the book has nothing to do with the beginning/ending plot, you forget about it altogether. In fact, you're kinda surprised when it gets resolved at all.
If you are a fan of good sci-fi, I highly recommend Heinlein - except for The Cat Who Walks Through Walls. I've only once EVER read a book where I'd gotten more than half way through and stopped. This was going to be #2 except that the next book I wanted to read hadn't yet reached me by mail.
0 of 0 people found the following review helpful.
A Science Fiction Thin Man ??
By Keith C.
I picked up this book because its been called a science fiction version of the old film "The Thin Man" and I had to see for myself.
Indeed the first part of the book is carried along by the witty repartee of the two protagonists, but then the book slows and the plot becomes so mushy you don't care about them anymore.
Interesting asides:
The description of the writers life on page 33 will be funny to anyone who has tried to be published
The discourse on socialism on page 197 is profound and should be read by anyone who supports Bernie Sanders and his ilk
The description of travel among the settlements of the moon will be strangely familiar to anyone who has traveled to the north of Alaska - not the scenery, but the people and the lifestyle
The "rolligon" freight and passenger wagons of the moon sound much like the vehicle seen in the 2015 film "The Martian" and the ideas about their use and the use of pressurized suits inside them is also much like the film
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