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The Left Hand of Darkness, by Ursula K. Le Guin
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When The Left Hand of Darkness first appeared in 1969, the original jacket copy read, "Once in a long while a whole new world is created for us. Such worlds are Middle Earth, Dune—and such a world is Winter." Twenty-five years and a Hugo and Nebula Award later, these words remain true. In Winter, or Gethen, Ursula K. Le Guin has created a fully realized planet and people. But Gethen society is more than merely a fascinating creation. The concept of a society existing totally without sexual prejudices is even more relevant today than it was in 1969. This special 25th anniversary edition of The Left Hand of Darkness contains not only the complete, unaltered text of the landmark original but also a thought-provoking new afterword and four new appendixes by Ms. Le Guin.
When the human ambassador Genly Ai is sent to Gethen, the planet known as Winter by those outsiders who have experienced its arctic climate, he thinks that his mission will be a standard one of making peace between warring factions. Instead the ambassador finds himself wildly unprepared. For Gethen is inhabited by a society with a rich, ancient culture full of strange beauty and deadly intrigue—a society of people who are both male and female in one, and neither. This lack of fixed gender, and the resulting lack of gender-based discrimination, is the very cornerstone of Gethen life. But Genly is all too human. Unless he can overcome his ingrained prejudices about the significance of "male" and "female," he may destroy both his mission and himself.
- Sales Rank: #5897 in Books
- Color: Black
- Brand: Le Guin, Ursula K.
- Published on: 1987-03-15
- Released on: 1987-03-15
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .91" w x 4.18" l, .33 pounds
- Binding: Mass Market Paperback
- 304 pages
Amazon.com Review
Genly Ai is an emissary from the human galaxy to Winter, a lost, stray world. His mission is to bring the planet back into the fold of an evolving galactic civilization, but to do so he must bridge the gulf between his own culture and prejudices and those that he encounters. On a planet where people are of no gender--or both--this is a broad gulf indeed. The inventiveness and delicacy with which Le Guin portrays her alien world are not only unusual and inspiring, they are fundamental to almost all decent science fiction that has been written since. In fact, reading Le Guin again may cause the eye to narrow somewhat disapprovingly at the younger generation: what new ground are they breaking that is not already explored here with greater skill and acumen? It cannot be said, however, that this is a rollicking good story. Le Guin takes a lot of time to explore her characters, the world of her creation, and the philosophical themes that arise.
If there were a canon of classic science fiction, The Left Hand of Darkness would be included without debate. Certainly, no science fiction bookshelf may be said to be complete without it. But the real question: is it fun to read? It is science fiction of an earlier time, a time that has not worn particularly well in the genre. The Left Hand of Darkness was a groundbreaking book in 1969, a time when, like the rest of the arts, science fiction was awakening to new dimensions in both society and literature. But the first excursions out of the pulp tradition are sometimes difficult to reread with much enjoyment. Rereading The Left Hand of Darkness, decades after its publication, one feels that those who chose it for the Hugo and Nebula awards were right to do so, for it truly does stand out as one of the great books of that era. It is immensely rich in timeless wisdom and insight.
The Left Hand of Darkness is science fiction for the thinking reader, and should be read attentively in order to properly savor the depth of insight and the subtleties of plot and character. It is one of those pleasures that requires a little investment at the beginning, but pays back tenfold with the joy of raw imagination that resonates through the subsequent 30 years of science fiction storytelling. Not only is the bookshelf incomplete without owning it, so is the reader without having read it. --L. Blunt Jackson
Review
“[A] science fiction masterpiece.”—Newsweek
“A jewel of a story.”—Frank Herbert
“As profuse and original in invention as The Lord of the Rings.”—Michael Moorcock
“An instant classic.”—Minneapolis Star-Tribune
“Like all great writers of fiction, Ursula K. Le Guin creates imaginary worlds that restore us, hearts eased, to our own.”—The Boston Globe
“Stellar…A triumphant return to the magic-drenched world of Earthsea…Le Guin is still at the height of her powers, a superb stylist with a knack for creating characters who are both wise and deeply humane. A major event in fantasy literature.”—Publishers Weekly (starred review)
“Richly told…Le Guin hasn’t lost her touch. She draws us into the magical land and its inhabitants’ doings immediately.”—Booklist
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Most helpful customer reviews
0 of 0 people found the following review helpful.
I am in no way disappointed I purchased and spent the time reading this
By JR Gumby
The writing is elegant, the world and the story are imaginative. The characters are decently done.
I am in no way disappointed I purchased and spent the time reading this, but I think there are a lot of other books I would recommend before this one. I went through it fairly quickly, but I rarely felt compelled to turn a page or much connection with either the characters or their struggles.
0 of 0 people found the following review helpful.
Nature Versus Nurture Repositioned
By J. Daniels Jr.
In The Left Hand of Darkness, author Ursula K. Le Guin distinguishes gender as a biological function necessary for procreation from gender as a social construct implemented to dictate one's social identity and social behavior.
She does this by creating an alien world, where the inhabitants may take the sexual role of either male or female only during a mating cycle -- and they are not always the same gender from cycle to cycle. Planted in this setting is a representative, a human male...more In The Left Hand of Darkness, author Ursula K. Le Guin distinguishes gender as a biological function necessary for procreation from gender as a social construct implemented to dictate one's social identity and social behavior.
She does this by creating an alien world, where the inhabitants may take the sexual role of either male or female only during a mating cycle -- and they are not always the same gender from cycle to cycle. Planted in this setting is a representative, a human male, who co-narrates as he pursues a mission to convince its leaders to join an inter-planetary alliance. The second narrator is one of the planet's inhabitants, who is an "ear" to one of the planet's rulers.
To illumine the novel's motif, which suggests a boundary between one's concept of gender and one's biological gender, Le Guin gives each character voice to express a perspective on the unfolding drama as well as on one another and their sexual cultures. While Le Guin uses the native of the alien planet to provide much of the story's mystical and political intrigue, it is through the representative that Le Guin asks the reader to examine one's notions of sexuality and gender.
As a whole, The Left Hand of Darkness is a book to be enjoyed by anyone interested in pursuing gender studies.
4 of 4 people found the following review helpful.
A descriptive (rather than predictive) SF classic
By D. Cloyce Smith
The premise is startlingly original: Le Guin creates a world populated by hermaphroditic humans and then describes what might happen when individuals on this planet first encounter a lone representative from "normal" (dual sexual) human civilizations.
Like the best science fiction novels, this one borrows heavily from other genres. The first two hundred pages read like a political/espionage thriller and then, surprisingly, the story turns into a tale of adventure and survival (clearly influenced by Jack London), as two fugitives cross the uninhabitable tundra of the planet of Gethen (or Winter). It is the last part of this book, I suspect, that some diehard SF readers find boring or disappointing; it could have easily taken place in our own Arctic zone. Rather than focus on how the people of Gethen as a whole might react to the arrival of alien beings (a la "Independence Day"), Le Guin concentrates on the plight of two individuals, and, quite believably I think, explores how they come to accept each other, even though they are from different worlds and of different sexualities.
As Le Guin herself notes in the introduction, this book is not "extrapolative"; her fiction is not in the business of predicting the future. Instead, she invents a civilization that resembles our own, since, in many ways, we all are confusedly androgynous. As a result, she succeeds in creating a profoundly humane and deeply moving book.
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